Critical Visions in Film Theory: Classic and Contemporary Readings; Timothy Corrigan, Patricia White, Meta Mazaj; 2011
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Critical Visions in Film Theory: Classic and Contemporary Readings Upplaga 3

av Timothy Corrigan, Patricia White, Meta Mazaj
"Critical Visions in Film Theory" is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. "Critical Visions" also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences. (Ingram)
"Critical Visions in Film Theory" is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. "Critical Visions" also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences. (Ingram)
Upplaga: 3e upplagan
Utgiven: 2011
ISBN: 9780312446345
Förlag: Bedford Books
Format: Häftad
Språk: Engelska
Sidor: 1200 st
"Critical Visions in Film Theory" is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. "Critical Visions" also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences. (Ingram)
"Critical Visions in Film Theory" is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. "Critical Visions" also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences. (Ingram)
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