83:T5d9,Art history encompasses the study of the history and development of painting, sculpture and the other visual arts. In this Very Short Introduction, Dana Arnold presents an introduction to the issues, debates, and artefacts that make up art history. Beginning with a consideration of what art history is, she explains what makes the subject distinctive from other fields of study, and also explores the emergence of social histories of art (such as Feminist Art History and Queer Art History). Using a wide range of images, she goes on to explore key aspects of the discipline including how we write, present, read, and look at art, and the impact this has on our understanding of art history.

This second edition includes a new chapter on global art histories, considering how the traditional emphasis on periods and styles in art originated in western art and can obscure other critical approaches and artwork from non-western cultures. Arnold also discusses the relationship between art and history, and the ways in which art can tell a different history from the one narrated by texts.

ABOUT THE SERIES:
The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.84:T6c1,SAHGB Colvin Prize Commendation 2025 In this book, prominent architectural historians, who happen to be women, reflect on their practice and the intervention this has made in the discipline. Of particular concern are the ways in which feminine subjectivities have been embodied in the discourses of architectural history. Each of the chapters examines the author's own position and the disruptive presence of women as both subject and object in the historiography of a specific field of enquiry. The aim is not to replace male lives with female lives, or to write women into the masculinist narratives of architectural history. Instead, this book aims to broaden the discourses of architectural history to explore how the potentially 'unnatural rule' of women subverts canonical norms through the empowerment of otherness rather than a process of perceived emasculation. The essays examine the historiographic and socio/cultural implications of the role of women in the narratives and writing of architectural history with particular reference to Western traditions of scholarship on the period 1600-1950. Rather than subscribing to a single position, individual voices critically engage with past and present canonical histories disclosing assumptions, biases, and absences in the architectural historiography of the West. This book is a crucial reflection upon historiographical practice, exploring potential openings that may contribute further transformation of the theory and methods of architectural history. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND) 4.0 International license.85:T6c1,SAHGB Colvin Prize Commendation 2025 In this book, prominent architectural historians, who happen to be women, reflect on their practice and the intervention this has made in the discipline. Of particular concern are the ways in which feminine subjectivities have been embodied in the discourses of architectural history. Each of the chapters examines the author's own position and the disruptive presence of women as both subject and object in the historiography of a specific field of enquiry. The aim is not to replace male lives with female lives, or to write women into the masculinist narratives of architectural history. Instead, this book aims to broaden the discourses of architectural history to explore how the potentially 'unnatural rule' of women subverts canonical norms through the empowerment of otherness rather than a process of perceived emasculation. The essays examine the historiographic and socio/cultural implications of the role of women in the narratives and writing of architectural history with particular reference to Western traditions of scholarship on the period 1600-1950. Rather than subscribing to a single position, individual voices critically engage with past and present canonical histories disclosing assumptions, biases, and absences in the architectural historiography of the West. This book is a crucial reflection upon historiographical practice, exploring potential openings that may contribute further transformation of the theory and methods of architectural history. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND) 4.0 International license.86:T5e2,

Architectural history is more than just the study of buildings. Architecture of the past and present remains an essential emblem of a distinctive social system and set of cultural values and as a result it has been the subject of study of a variety of disciplines. But what is architectural history and how should we read it?

Reading Architectural History examines the historiographic and socio/cultural implications of the mapping of British architectural history with particular reference to eighteenth - and nineteenth-century Britain. Discursive essays consider a range of writings from biographical and social histories to visual surveys and guidebooks to examine the narrative structures of histories of architecture and their impact on perception adn understanding of the architecture of the past. Alongside this, each chapter cites canonical histories juxtaposed with a range of social and cultural theorists, to reveal that these writings are richer than we have perhaps recognised and that architectural production in this period can in interrogated in the same way as that from more recent past - and can be read in a variety of ways.

The essays and texts combine to form an essential course reader for methods and critical approached to architectural history, and more generally as examples of the kind of evidence used in the formation of architectural histories, while also offering a thematic introduction to architecture in Britain and its social and cultural meaning.

87:T5e2,

88:T9e1,Boken ger en inspirerande introduktion till konstvetenskap och ingår i vår serie med introduktioner till estetiska ämnen.

I denna kortfattade och precisa bok ger Dana Arnold en introduktion till de frågor, debatter och föremål som tillsammans utgör disciplinen konstvetenskap. Genom att använda ett brett urval av bilder, från statyerna på Påskön till »Super Mario Brothers«, visar författaren hur konstverken själva kan vara en utgångspunkt för hur vi kan »läsa« konsthistorien och ger förslag på flera olika sätt som vi kan uppskatta, tänka kring och förstå konst på och förmedlar därigenom en effektiv och lustfylld entré till den konstvetenskapliga världen.

Med en ordlista över tekniska termer och en förteckning av adresser till användbara hemsidor är detta på samma gång en ovärderlig och lättillgänglig introduktion till ett fascinerande ämne.

Dana Arnold är professor i arkitekturhistoria vid Universitetet i Southampton och chef för Centret för studier i arkitektur och urbanism. Hennes senaste arbeten omfattar bland annat »Reading Architectural History« (Routledge, 2002) och »Representing the Metropolis: Architecture, Urban Experience and Social Life in London« (Ashgate, 2000). Hon är också redaktör för bokserierna »New Interventions in Art History« och »Companions to Art History«, båda utgivna av Blackwell. Mellan 1997 och 2002 var hon chefredaktör för tidskriften »Art History«.

Dan Karlholm har skrivit bokens förord och svarat för fackgranskningen. Han är docent och lektor i konstvetenskap vid Institutionen för kultur och kommunikation, Södertörns högskola. Han har framför allt forskat om konstvetenskapens historia och teori, museer, modern konst och visuell kultur.

Utgivna titlar i introduktionsserien:
Design - en introduktion av John Heskett.
Design för hållbar utveckling - en introduktion av Ann Thorpe.
Design och postmodernitet - en introduktion av Penny Sparke.
Designhistoria - en introduktion av Susann Vihma.
Film och andra rörliga bilder - en introduktion, red. Anu Koivunen.
Fotografi - en introduktion av Steve Edwards.
Konstteori - en introduktion av Cynthia Freeland.
Konstvetenskap - en introduktion av Dana Arnold.
Mode - en introduktion. En tvärvetenskaplig betraktelse, red. Dirk Gindt& Louise Wallenberg.
Svensk designhistoria av Lasse Brunnström.

Kommande introduktionsböcker 2011:
Swedish Design History av Lasse Brunnström.89:T53e,This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art History using artefacts such as the altarpiece, the portrait, or pornography, to explore social and cultural issues such as consumption, taste, religion, and politics. Importantly, this book explains how the traditional emphasis on periods and styles originates in western art production and can obscure other critical approaches, as well as art from non western cultures. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. 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