59:T4b6,

Brott och straff har kallats världens mest berömda roman. Det är också en av världens mest lästa böcker. Den kom ut 1866 och alltsedan dess har många miljoner läsare följt den fattige studenten och mördaren Raskolnikov på hans febervandring genom Petersburg.

Bröderna Karamzov anses vara höjdpunkten i Dostojevskijs författarskap. Den omfattande romanen kom ut 1880. Den berättar om skuld och försoning och om en skuldfri mänsklighet. Värderingarna i romanen bygger på den kristna mystikens grund. Dostojekvkijs inflytande på 1900-talets europeiska litteratur är mycket stort.

Idioten är en av Fjodor Dostojevskijs allra främsta romaner. Dess hjälte, furst Myskin, är en av den ryska litteraturens mest betagande karaktärer - en överkänslig livsfrämling i en självisk och brutal omgivning. Myskin, just hemkommen från en sjukdomsvistelse i Scweiz, kastas in i Petersburgs socitetsliv. Där förälskar han sig i Natasia och Aglaja - två av världslitteraturens mest fascinernade kvinnogestalter. Inför öppen ridå utspelas fruktansvärda tragedier, groteska farser och erotiska dramer.

5a:T91c,För dig som älskar vackra böcker! I ett unikt samarbete med några av Sveriges intressantaste illustratörer ger Telegram ut valda världsklassiker. Varje bokomslag är ett unikt konstverk som tillsammans bildar en exposé över hur spännande det blir när dagens konstnärliga uttryck möter tidlösheten hos litteraturens mest omtyckta klassiker. Varje omslag kan även köpas som affisch. Du får dessutom e-boken på köpet via en unik kod inuti boken. OM BOKEN Brott och straff från 1866 är en av Dostojevskijs mest uppskattade romaner och har en självklar plats på listan över världens mest omtalade och lästa verk. Det är en roman som är signifikativ för Dostojevskijs utforskande av människan, moralen och förfallet. Boken har sålts i miljoner exemplar och tolkats i fler än 25 olika spelfilmsversioner. Berättelsen utspelar sig i S:t Petersburg där vi får följa den före detta universitetsstudenten Rodion Romanovitj Raskolnikov. Den unge huvudpersonen lider av ekonomisk nöd och planerar att mörda en gammal pantlånerska för att rädda sig ur knipan. Handlingens centrala punkt är mordet som Raskolnikov genomför med den fasta övertygelsen om att han har den moraliska rätten att döda. Han lider av ett drabbande högmod och jämför sig i sina resonemang med Napoleon och Alexander den store. Efter den förkastliga handlingen drabbas han av stor vånda i förvissningen om att hans illdåd kommer bli avslöjat. Den inre moraliska kampen tar vid och är romanens stora behållning då han irrar omkring på gatorna i paranoid feberyra under några månader av tryckande värmebölja. Med Telegrams utgåva av BROTT OCH STRAFF får du e-boken på köpet via en unik kod inuti. OM FÖRFATTAREN Fjodor Dostojevskij är en av de mest lästa och betydande författarna genom tiderna. Än i dag, över hundratrettio år efter hans död räknas hans verk till de några av de främsta inom världslitteraturen. I hans böcker behandlas ofta de stora frågorna då han, träffande och tidlöst, dissekerar den mänskliga naturen i spänningen mellan det låga och sublima. Dostojevskijs böcker har blivit översatta till fler än 170 språk och har influerat en rad framstående författare och filosofer som Hemingway, Chekhov, Sartre och Nietzsche. Omslag: Niklas Lindblad (http://www.mgd.nu/)5b:T502,Fattigt folk Fjodor Dostojevskijs lysande debutroman publicerades 1846 och blev författarens första stora litterära triumf. Boken, som med hänsynslös realism skildrade fattigdomen i 1800-talets Petersburg, hälsades med hänförelse av kritiker och läsare. Den ledande litteraturkritiker V. Belinskij profeterade att Dostojevskij skulle bli en litterär gigant. Det är inte svårt att se hur han kom till denna slutsats, och i efterhand, hade han rätt.

Fattigt folk är en gripande och sorgesam berättelse om den godhjärtade och fattige kanslisten Makar Devusjkin och den föräldralösa unga flickan Varvara Dobroselova. Dagligen upplever de förödmjukelser och för en förtvivlad kamp mot fattigdom som tar ifrån dem all värdighet. I sina brev till varandra finner de tröst och kärlek. Jag gav efter mer av medlidande med mänskligheten, skriver Makar Djevusjkin i ett av sina brev. Dessa ord skulle kunna stå som motto för hela Dostojevskijs litterära livsgärning.

En nyöversättning till svenska har länge varit efterlängtad. Lars Erik Blomqvist har i sin suvärena tolkning kommit originalets text så nära som möjligt, samtidigt som den svenska språkdräkten gjorts njutbar och tillgänglig för dagens läsare.5c:T11d4,Fjodor Dostojevskijs kortroman Vita nätter i nyöversättning av Bengt Samuelson som också skrivit efterordet.

En fängslande febrig kärlekshistoria som utspelas under fyra nätter i Sankt Petersburg mellan den fattige och ensamme kringstrykande poeten och den lika ensamma unga kvinna som av en händelse, för en kort tid, delar hans vilsenhet.

Dostojevskij gav boken undertiteln "En sentimental roman" – och det med glimten i ögat. Den sentimentala stilen var vanlig i dåtidens enklare romankonst, och givetvis illa sedd av mer seriösa bokläsare eftersom det sentimentala var liktydigt med det banala, förutsägbara, klichétyngda, men Dostojevskij visade här med bravur att han med sina alltid lika originella berättargrepp och sin hyperkänsliga författarröst kunde skildra precis den sortens "sentimentala" (i bemärkelsen känslosamma) händelseförlopp som så många mindre skickliga författare försökt återge före honom och ÄNDÅ göra berättelsen precis lika fascinerande, mångbottnad, djupsinnig och rik som alla andra berättelser han skapade. Ja, även denna berättelse tillhör Dostojevskijs många blixtrande litterära mästerverk. Här sker trolleriet dock – vilket är mindre vanligt hos Dostojevskij – i det lilla hårt åtstramade formatet: Boken är på bara 80 sidor.

Händelserna inleds med att poeten sin vana trogen vandrar moloken och fundersam längs Petersburgs gator en sommarnatt i det melankoliska månskenet.

Plötsligt ser han en ung kvinna stå helt ensam och gråta, böjd över ett kanalräcke.

Han blir förstås nyfiken. Han undrar vad som kan ha hänt och tänker att han kanske kan vara behjälplig, men han kommer sig inte för att stiga fram och säga något, och strax skyndar hon vidare.

Hon hinner inte långt förrän en berusad herre blockerar hennes väg och börjar ofreda henne.

Genast ingriper poeten. För en gångs skull blir han handlingskraftig. Han samlar allt mod han har och rusar fram och kör iväg den oförskämde mannen.

Det är på så vis han lär känna henne. Nastenka.

Under fyra nätter träffas de och allt förändras, främst för den försynte poeten, men även för den skira Nastenka, deras världsbilder rasar.

Nastenka bor hos sin blinda mormor som inte låter henne gå ut. Hela dagarna måste hon sitta vid mormors sida och hålla mormor sällskap. För att hon inte ska kunna smita iväg ens när mormor slumrar till ett slag hålls deras klänningar ihopnålade.

Men om natten smiter Nastenka ut.

Och det är just under en sådan nattlig räd efter frihet som hon i sin ensamhet finner denne själsvän, poeten, lika ensam han. De är båda överraskade över att plötsligt ha någon att prata med, att anförtro sig åt.

Där vandrar de tillsammans i den ljusa sommarnatten, upprymda, uppspelta, och se där sitter de på kajen utmed majestätiska Neva som flyter så evigt allvarlig genom Petersburg. De kan inte nog skyndsamt och exalterat summera sina motiga livsöden för varandra.

Storstadspulsen i berättelsen är påtaglig, vilket Bengt Samuelson framhåller i sitt efterord. Petersburg som grundats bara 150 år tidigare hade vuxit i skenande hastighet och hade redan nästan en halv miljon invånare, invånare som myllrade om varann på det mondäna ansvarslösa vis som känns ack så välbekant idag, rika storstadssprättar och olyckliga fattiglappar i besk friktion mot varandra, inte i kaos utan osynligt inkedjade i frätande orättvisa strukturer.

Och det var just här, i den pulserande storstaden Petersburg, som Dostojevskijs författarskap slog ut som en stor urban blomma som på stadsstressens signifikanta sätt kände brådska att visa upp sig i hela sin prakt. Han var bara 27 år när han skrev Vita nätter. Han hade fått sitt otvetydiga genombrott som författare med debutboken Arma människor två år tidigare. Nu skrev han den ena romanen efter den andra. Hans verkförteckning daterar mer än dussinet längre eller kortare prosaberättelser till de tre hektiska åren från debuten till den ödesdigra natten 1849 när han häktades för förräderi mot tsaren och efter den brutala skenavrättningen fördes till Sibirien där han blev borta i 10 år innan han äntligen kunde återvända till sitt älskade Petersburg.

I det imponerande pärlbandet av de för-Sibiriska berättelserna i Dostojevskijs väldiga produktion tillhör Vita nätter avgjort de mest skimrande.5d:Tb4d,

Complete and unabridged, and including a timeline of the life and times of Fyodor Dostoyevsky, this elegantly designed, jacketed hardcover edition of Crime and Punishment is an essential collectible.

Young law student Rodion Raskolnikov lives in poverty in St. Petersburg. In desperation, he sells the last of his valuables, a watch, to an elderly pawnbroker. But what the pawnbroker doesn’t know is that Raskolnikov is rehearsing the crime he has resolved to commit: to rob and murder her. Though the robbery will service his own needs—and that of his family who has sacrificed for him to study—Raskolnikov feels he is righting a wrong committed by the old woman, whom he feels preys on the poor and desolate. When interrupted by the pawnbroker’s sister, he kills her too.

Though he felt justified in killing the pawnbroker, the murder of the sister unravels his rational reasoning, and from there we witness the unraveling of the human psyche. While Raskolnikov worries about being caught, he is consumed with his own emotional turmoil about his desire to confess to relieve himself of his guilt.

First serialized in 1866, Crime and Punishment has become one of the best-known works of Russian literature.

Essential volumes for the shelves of every classic literature lover, the Chartwell Classics series includes beautifully presented works and collections from some of the most important authors in literary history. Chartwell Classics are the editions of choice for the most discerning literature buffs.

Other titles in the Chartwell Classics Series include: The Essential Tales & Poems of Edgar Allen Poe; The Essential Tales of H.P. Lovecraft; The Federalist Papers; The Inferno; The Call of the Wild and White Fang; Moby Dick; The Odyssey; Pride and Prejudice; Grimm’s Fairy Tales; Emma; The Great Gatsby; The Secret Garden; Anne of Green Gables; The Phantom of the Opera; The Communist Manifesto and Das Kapital; The Republic; Frankenstein; Twenty Thousand Leagues Under the Sea; The Picture of Dorian Gray; Meditations; Alice’s Adventures in Wonderland and Through the Looking-Glass; A Tales of Two Cities; Beowulf; The Strange Case of Dr. Jekyll and Mr. Hyde; Adventures of Huckleberry Finn; Little Women; Wuthering Heights; Peter Pan; Persuasion; Aesop’s Fables; The Constitution of the United States and Selected Writings; The Alchemist; Dracula; Great Expectations; The Iliad; Irish and Fairy Folk Tales; The Legend of Sleepy Hollow; The War of the Worlds; and The Time Machine and The Invisible Man.

5e:T818,

Jag är en sjuk människa arg och elak. En motbjudande människa.
Så inleds En underjordisk dagbok, den kanske mest säregna av alla Fjodor Dostojevskijs böcker.

Romanens dagboksskrivare och berättare är en före detta tjänsteman som dragit sig tillbaka till sitt kyffe i utkanten av Sankt Petersburg sedan han fått ett mindre arv. Här isolerar han sig - går under jorden - och gör i sin dagbok häftiga utfall mot den samtid som han inte vill - eller kanske snarare inte kan - inordna sig i.

Han funderar över just skillnaden mellan att vilja och att kunna, och tänker fritt på ett vis som känns omvälvande än i dag. Barbara Lönnqvists hyllade översättning gör den arma men okuvligt upproriska dagboksskrivaren till en medmänniska vars röst hotar att drabba oss med en kraft som kan förändra liv.

FJODOR DOSTOJEVSKIJ (1821-1881) räknas som ett av världslitteraturhistoriens största namn. Bland hans mest kända romaner finns Brott och straff, Idioten och Onda andar. En underjordisk dagbok (Zapiski iz podpolja) lät han publicera 1864 i sin och brodern Mihails tidskrift "Epoha" ("Vår tid").

BARBARA LÖNNQVIST är professor och hyllad översättare och har bland mycket annat tolkat Krig och fred av Leo Tolstoj (Lind & Co, 2017), dikter av Anna Achmatova (Lind & Co, 2008) och Tidiga sorger av Danilo Ki (Lind & Co, 2003).

"[...] ett av den västerländska litteraturens tio bästa verk [...] Den nya översättningen är också lysande. Det är svårt att översätta en så gammal bok utan att auran går förlorad, men Lönnqvist har hittat en perfekt balans mellan anakronismer och modernt språkbruk. Hennes efterord är dessutom ett av de mest intressanta jag läst."
Gabriella Håkansson, Dagens Nyheter

"En underjordisk dagbok framstår som en i allra högsta grad levande klassiker. Berättarrösten drabbar direkt och kommer den moderna läsaren mycket nära [...]"
Clemens Altgård, Skånska Dagbladet

5f:T706,"Jag är en sjuk människa arg och elak. En motbjudande människa." Så inleds En underjordisk dagbok, den kanske mest säregna av alla Fjodor Dostojevskijs böcker. Romanens dagboksskrivare och berättare är en före detta tjänsteman som dragit sig tillbaka till sitt kyffe i utkanten av Sankt Petersburg sedan han fått ett mindre arv. Här isolerar han sig - går under jorden - och gör i sin dagbok häftiga utfall mot den samtid som han inte vill - eller kanske snarare inte kan - inordna sig i.
Han funderar över just skillnaden mellan att vilja och att kunna och tänker fritt på ett vis som känns omvälvande än i dag.
Barbara Lönnqvists hyllade nyöversättning gör den arma men okuvligt upproriska dagboksskrivaren till en medmänniska vars röst hotar att drabba oss med en kraft som kan förändra liv.

"[...] ett av den västerländska litteraturens tio bästa verk [...] Den nya översättningen är också lysande. Det är svårt att översätta en så gammal bok utan att auran går förlorad, men Lönnqvist har hittat en perfekt balans mellan anakronismer och modernt språkbruk. Hennes efterord är dessutom ett av de mest intressanta jag läst."
Gabriella Håkansson, Dagens Nyheter

"En underjordisk dagbok framstår som en i allra högsta grad levande klassiker. Berättarrösten drabbar direkt och kommer den moderna läsaren mycket nära [...]"
Clemens Altgård, Skånska Dagbladet

FJODOR DOSTOJEVSKIJ (1821-1881) räknas som ett av världslitteraturhistoriens största namn. Bland hans mest kända romaner finnsBrott och straff, Idioten och Onda andar. En underjordisk dagbok (Zapiski iz podpolja) lät han publicera 1864 i sin och brodern Mihails tidskrift "Epoha" ("Vår tid").60:T7c0,"Jag är en sjuk människa ... arg och elak. En motbjudande människa ... " Så inleds den kanske mest säregna av alla Fjodor Dostojevskijs romaner, En underjordisk dagbok, som Lind & Co nu presenterar i en efterlängtad nyöversättning av Barbara Lönnqvist, som häromåret gav ut en kritikerhyllad volym med ett urval av Anna Achmatovas dikter och som dessförinnan översatt bland andra Leo Tolstoj och Danilo Kis.
Romanens dagboksskrivare och berättare är en före detta tjänsteman som dragit sig tillbaka till sitt kyffe i utkanten av Sankt Petersburg sedan han fått ett mindre arv. Här isolerar han sig - går under jorden - och gör i sin dagbok häftiga utfall mot den samtid som han inte vill - eller kanske snarare inte kan - inordna sig i. Bland allt han funderar över finns just skillnaden mellan att vilja och att kunna. I detta tänker han fritt på ett vis som känns omvälvande än i dag.
En underjordisk dagbok är en alltigenom tankeväckande och djupt fängslande roman som med tiden kommit att räknas som en av Dostojevskijs allra främsta och vars ryktbarhet bara fortsätter att växa. Den har tidigare kommit ut på svenska under titeln Anteckningar från källarhålet, men som Barbara Lönnqvist påpekar i sitt efterord är detta "källarhål" en felöversättning som följt med från den tyska översättningen av romanen.
Här ges nu detta verk, en svensk språkdräkt som bättre överensstämmer med originalet och som gör den arma men okuvligt upproriska dagboksskrivaren till en medmänniska vars röst hotar att drabba oss med en kraft som kan förändra liv.

FJODOR DOSTOJEVSKIJ (1821-1881) räknas som ett av världslitteraturens genom alla tider största namn. Bland hans mest kända romaner finnsBrott och straff, Idioten och Onda andar. En underjordisk dagbok (Zapiski iz podpolja) lät han publicera 1864 i sin och brodern Mihails tidskrift "Epoha" ("Vår tid").61:T5c5,

Debutromanen som blev början på ett av 1800-talets stora författarskap

Varvara Dobroselova och Makar Devusjkin bor på samma gata i var sin trång och nedgången lägenhet. I breven de skickar till varandra berättar de om sin miserabla tillvaro, präglad av fattigdom och plågor, men också om sina drömmar och sin gemensamma kärlek till litteratur. Dobroselova får undervisning av den lika fattiga studenten Pokrovskij, som hon också förälskar sig i. Men Pokrovskij blir sjuk och dör. Dobroselevas intresse för litteratur avtar, och när den välbeställde herr Bykov friar till henne erbjuds hon en ny tillvaro, långt ifrån Devusjkin och hans böcker.
Dostojevskij skrev Arma människor när han tjugotre år gammal, till följd av en extravagant livsstil och ett vidlyftigt spelande, försatt sig i ekonomisk knipa. För att slippa be sina släktingar om pengar bestämde han sig för att försöka skriva. Resultatet blev debutromanen Arma människor, som när den publicerades 1846 rönte stor framgång hos både läsare och kritiker över hela landet, och skulle bli början på ett av århundradets stora författarskap.

FJODOR DOSTOJEVSKIJ [1821-1881] är mästaren från S:t Petersburg, en av de största romanförfattarna genom tiderna. Hans mest inflytelserika verk är romanerna Brott och straff [1866], Idioten [1869], Onda andar [1872] och Bröderna Karamazov [1880].

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Brott och straff har kallats ”världens mest berömda roman” och är en av världens mest lästa böcker. Sedan den kom ut 1866 har hundratals miljoner läsare följt den fattige studenten och mördaren Raskolnikov på hans febervandring genom S:t Petersburg.

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Tekst, nachinavshijsja kak ispoved, prevratilsja, po slovam avtora, v \"psikhologicheskij otchet odnogo prestuplenija\". Istorija studenta Raskolnikova, posvjaschennaja prestupleniju i raskajaniju, trudnomu moralnomu vyboru i poisku sveta dazhe v samye temnye vremena, stala odnoj iz vazhnejshikh knig v mirovoj literature i ostaetsja aktualnoj po sej den.
\n\"Vo vsem est cherta, za kotoruju perejti opasno; ibo, raz perestupiv, vorotitsja nazad nevozmozhno\".
\n
\nDlja kogo eta kniga:
\nDlja shirokogo kruga chitatelej.
\nDlja tekh, kto khochet imet na knizhnoj polke velikoe proizvedenie F. M. Dostoevskogo v krasivom i kachestvennom oformlenii.
\nDlja poklonnikov klassicheskoj literatury.","htmlDescription":null,"pages":640,"language":"rus","depth":null,"height":null,"width":null,"weight":null,"edition":null,"publishDate":"2026","authorNames":"Fjodor Dostojevskij","publisherName":"Mann Ivanov i Ferber","format":"BB","category":null,"image":"https://book-info.studentapan.live/image/9785002140619-prestuplenie-i-nakazanie.jpg","highResImage":"https://book-info.studentapan.live/image/9785002140619-prestuplenie-i-nakazanie.jpg/org","imageFile":"9785002140619","isRemoved":null,"views":1,"editionGroupId":12840,"editionGroupState":"UNPUBLISHED","adsCount":null,"minPrice":null,"source":"book-info-service","minNewPrice":null,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9789176456460","id":374050,"score":1,"position":141,"book":{"id":374050,"isbn":"9789176456460","created":"2021-06-17T17:08:24.000Z","title":"Arma 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