84:T7f7,

The first full-length study of transgender representations in art, fiction, film, video, and music
In her first book since the critically acclaimed Female Masculinity, Judith Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. She presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’ especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don’t Cry, Halberstam turns her attention to the cultural and artistic production of queers themselves. She examines the “transgender gaze,” as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. She then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities.
Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place.

85:T423,This title is part of American Studies Now and available as an e-book first. Visit ucpress.edu/go/americanstudiesnow to learn more. In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for political activism and political recognition. What happened in the last few decades to prompt such an extensive rethinking of our understanding of gendered embodiment? How did a stigmatized identity become so central to US and European articulations of self? And how have people responded to the new definitions and understanding of sex and the gendered body? In Trans*, Jack Halberstam explores these recent shifts in the meaning of the gendered body and representation, and explores the possibilities of a nongendered, gender-optional, or gender-queer future.86:T72d,Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister’s diaries and Radclyffe Hall’s The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among “transgender dykes”—lesbians who pass as men—and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.

87:T4eb,The Queer Art of Failure is about finding alternativesoto conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that has extensively theorized hegemony but paid little attention to counter-hegemony. Judith Halberstam proposes "low theory" as a means of recovering ways of being and forms of knowledge not legitimized by existing systems and institutions. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one's way. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children's films, contending that new forms of animation, especially CGI, have generated narratives filled with unexpected encounters between the childish, the transformative, and the queer.Dismantling contemporary logics of success, Halberstam demonstrates that failure sometimes offers more creative, cooperative, and surprising ways of being in the world.88:T636,Hur styrs familjen i dagens samhälle?

En rad av numrets texter handlar om vad den politiska styrningen av familjen innebär i dag, i Sverige såväl som i andra länder. Sociologen Åsa Lundqvist och historikern Helene Brodin beskriver i sina respektive bidrag hur den svenska organiseringen av familj och omsorgsrelationer har förändrats i riktning mot en mer marknadsorienterad modell, som lett till ökad ojämlikhet mellan kvinnor med olika sociala bakgrunder.
Den politiska filosofen Nancy Fraser och historikern Linda Gordon undersöker den förändrade betydelsen av begreppet »beroende«, särskilt i ett välfärds- och familjepolitiskt sammanhang. Hur migrationsprocesser påverkar relationen mellan föräldrar och barn även sedan familjen fått uppehållstillstånd diskuteras i ett samtal mellan Somar Al Naher, Ihsan Kellecioglu och Bilan Osman.
Den brittiska filosofen Nina Power argumenterar för ett kapitalismkritiskt sätt att se på reproduktion, nämligen som en historisk, social och kulturspecifik företeelse där vi alla lätt hamnar i en återvändsgränd. Den amerikanska queerteoretikern Jack Halberstam visar i sin analys av samtida datoranimerade filmer hur queera och antikapitalistiska teman om familj och relationer faktiskt intar en central plats i den kommersiella barnkulturen.
Numret innehåller också den amerikanska medborgarrättsaktivisten och historikern Angela Davis klassiska text om hur slaveriet i den amerikanska södern formade de kvinnliga slavarnas villkor och skapade mer jämlika familjerelationer.89:T754,YTTRANDEFRIHET

Fronesis nr 78–79 är ett fullspäckat nummer utan döda punkter. Yttrandefrihetsexperten Nils Funcke tecknar historien om yttrandefrihetens reglering i Sverige under de senaste tjugo åren – och det är ingen uppmuntrande läsning. Arbetsrättsspecialisten Friedrich Heger skriver om konflikten mellan lojalitetsplikt och kritikrätt i det privata arbetslivet. Vi publicerar den ursprungliga versionen av den skotske upplysningsfilosofen David Humes essä om tryckfriheten. Den amerikanske kulturhistorikern Robert Darnton jämför censurens sätt att fungera i Frankrike fram till 1789 och i Östtyskland fram till 1989. Tidningen Arbetets siste chefredaktör Bo Bernhardsson skriver om den avsomnade A-pressen och frågar sig hur den nuvarande ägarkoncentrationen påverkar möjligheterna till opinionsbildning. Professorn i medie- och kommunikationsvetenskap Anne Kaun diskuterar den nya digitala halvoffentligheten utifrån den tyske filosofen Jürgen Habermas nya skrift.
Vidare: den ungerska historikern Andrea Petö skriver exklusivt för tidskriften om den avskaffade akademiska friheten i Ungern. Den finländska filosofen Nora Hämäläinen belyser hoten mot forskningens frihet i form av bland annat politiskt styrd finansiering och toppstyrning. Queerteoretikern Jack Halberstam uppfattar triggervarningar som ett sätt att osynliggöra marginaliserade grupper. Översättaren Johanna Hedenberg diskuterar strykning av känsliga ord i äldre texter som ett svek mot verk, författare och läsare. Den politiska filosofen Teresa M. Bejan utreder innebörden av parrhesia och isegoria i antikens Athen och knyter dem till dagens yttrandefrihetsdiskussioner. Och vi publicerar en klassisk text av den tysk-amerikanske sociologen Lewis A. Coser om den politiska eller religiösa sekten, där man inte kan säga någonting alls.8a:T7f7,

8b:T5f9,In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.

Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among “transgender dykes”-lesbians who pass as men-and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.

Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.8c:T423,This title is part of American Studies Now and available as an e-book first. Visit ucpress.edu/go/americanstudiesnow to learn more. In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for political activism and political recognition. What happened in the last few decades to prompt such an extensive rethinking of our understanding of gendered embodiment? How did a stigmatized identity become so central to US and European articulations of self? And how have people responded to the new definitions and understanding of sex and the gendered body? In Trans*, Jack Halberstam explores these recent shifts in the meaning of the gendered body and representation, and explores the possibilities of a nongendered, gender-optional, or gender-queer future.8d:T4ef,The Queer Art of Failure is about finding alternatives-to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that claims to break new ground but cleaves to conventional archives. Jack Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. Halberstam pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.3c:["$","$L7f",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794260079163,"state":{"data":{"pages":[{"requestId":"1aae196d-85ac-4e93-89db-3a193e2fd763","total":{"value":13,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780814735855","id":496247,"score":2,"position":0,"book":{"id":496247,"isbn":"9780814735855","created":"2021-06-17T17:07:53.000Z","title":"In a queer time and place : transgender bodies, subcultural lives","description":"$84","htmlDescription":null,"pages":213,"language":"eng","depth":15,"height":155,"width":230,"weight":360,"edition":null,"publishDate":"2005","authorNames":"Jack Halberstam","publisherName":"New York University Press","format":"BC","category":90,"image":"https://book-info.studentapan.live/image/9780814735855-in-a-queer-time-and-place-transgender-bodies-subcultural-lives.jpg","highResImage":"https://book-info.studentapan.live/image/9780814735855-in-a-queer-time-and-place-transgender-bodies-subcultural-lives.jpg/org","imageFile":"9780814735855","isRemoved":null,"views":44,"editionGroupId":100190,"editionGroupState":null,"adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":315,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780520292697","id":503770,"score":2,"position":1,"book":{"id":503770,"isbn":"9780520292697","created":"2021-06-23T08:05:01.000Z","title":"Trans* : a quick and quirky account of gender variability","description":"$85","htmlDescription":null,"pages":184,"language":"eng","depth":13,"height":140,"width":208,"weight":227,"edition":null,"publishDate":"2018","authorNames":"Jack Halberstam","publisherName":"University of California Press","format":"BC","category":90,"image":"https://book-info.studentapan.live/image/9780520292697-trans-a-quick-and-quirky-account-of-gender-variability.jpg","highResImage":"https://book-info.studentapan.live/image/9780520292697-trans-a-quick-and-quirky-account-of-gender-variability.jpg/org","imageFile":"9780520292697","isRemoved":null,"views":43,"editionGroupId":168602,"editionGroupState":"UNPUBLISHED","adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":166,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false,"reviewSummary":{"averageRating":4,"totalReviews":3,"distribution":{"1":{"actualPercentage":0,"normalizedPercentage":0},"2":{"actualPercentage":0,"normalizedPercentage":0},"3":{"actualPercentage":34,"normalizedPercentage":100},"4":{"actualPercentage":33,"normalizedPercentage":100},"5":{"actualPercentage":33,"normalizedPercentage":100}}}}},{"entityType":"book","isbn":"9780822322436","id":501823,"score":2,"position":2,"book":{"id":501823,"isbn":"9780822322436","created":"2021-06-23T08:05:01.000Z","title":"Female masculinity","description":"$86","htmlDescription":null,"pages":360,"language":"eng","depth":23,"height":155,"width":235,"weight":600,"edition":null,"publishDate":"1998","authorNames":"Jack Halberstam","publisherName":"Duke Univ. 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