84:T621,

Det är våren 2016, och sedan Augustpriset för Liv till varje pris två år tidigare har Kristina Sandbergs liv handlat om att resa land och rike runt och prata om hemmafrun Maj. Hon är en av landets mest efterfrågade författare, och hon vet att hon måste ta vara på den här tiden, den här möjligheten. Fast hon börjar känna sig på bristningsgränsen. Och så är det den där smärtan, en värk som strålar från bröstet ut i armen, handen domnar. Men hon skjuter upp mammografitiden, det är ju så mycket som ska göras först, texter som ska skrivas, resan med familjen till Cornwall, och så är hon inbjuden till Bergmanveckan på Fårö. Hon befinner sig i ett slags utmattningens frenesi, men vet att hon snart ska få vara ledig.

Så kommer ett samtal. Hennes pappa har dött. Han har hittats på golvet i sitt hus i Moliden. Och strax efter detta kommer domen: aggressiv bröstcancer, tre tumörer, en stor och två små. Livet vänds till att handla om förlust, om sorg, om kroppens skörhet och skräcken att dö från sina barn.

Kristina Sandbergs självbiografiska skildring av denna tid är en djupt gripande och inträngande text. Den blickar också tillbaka på uppväxten i 1970-talets Sundsvall. På trådarna bakåt i släkten och allt som går förlorat när hon tillsammans med sin syster måste sälja faderns föräldrahem. Men framför allt handlar det om hur cancersjukdomen placerar henne på en mycket ensam plats. Där andras bemötande och tystnader drabbar, där orden inte når fram.

85:T46e,

Maria vill göra något mer än det förväntade i livet som hustru och deltidsarbetande tvåbarnsmamma. Men trycket från omgivningens förväntningar blir för stort och sammanbrottet kommer sakta men oundvikligt. Kristina Sandbergs nya roman är en drabbande skildring om kvinnliga villkor.

Maria bor i mellansvensk stad med sin man Anders och deras två barn, Fredrik och Siri. Hon jobbar deltid för att kunna studera konsthistoria på distans. Varken Anders eller barnen har någon förståelse för hennes vilja att göra något annat. Maria har svårt att stå emot det tryck som hon upplever från omgivningen. Hennes rädsla för att misslyckas blir allt större och osäkerheten omvandlas till destruktivitet. Hon drar sig undan, hon dricker i smyg, som tröst och flykt. Maria hamnar utanför familjens cirkel. Det blir hon mot dem, de mot henne och sammanbrottet kommer sakta men oundvikligt.

Det här är en mycket stark skildring av en kvinna som lever på gränsen. Det handlar om kvinnliga villkor och sociala mönster och om hur svårt det är att passa in i de roller som givits oss.

86:Tc2d,Det er midt i 1950’erne. Tomas har inviteret Maj og deres to teenagebørn på hotelophold i Järvsö. Det er et flot sted med et godt køkken, og Maj burde være glad. Hvis bare hun ikke gik og var så svimmel.

Maj gør sit bedste for at være godt selskab dér på hotellet. Men da hun under sig selv en ansigtsbehandling hos skønhedseksperten og mærker masken blive smurt nænsomt ud over panden, kan hun ikke holde tårerne tilbage. Er det bare overgangsalderen, eller er det ængstelsen for Tomas’ problemer med firmaet og alkoholen? Eller skuffelsen over Lasses forsømmelighed med skolen og Anitas stædige interesse for bøger og film? Måske aner Maj, at store forandringer er på vej, uden at hun har magt til at hindre det.

LIV FOR HVER EN PRIS er sidste bind i trilogien om den hjemmearbejdende husmor Maj i Örnsköldsvik. Det er en stor fortælling om Maj, om hendes familie og hendes sociale opstigning – og det er en stemme til en generation af kvinder, som har fået meget lidt plads i historien.

"Det er en præstation at skrive tre fundamentalt spændende romaner om en husmors overvejelser om middagsmad, børn, naboer, påklædning, støvsugning, indkøb, gæstebud og god opførsel. Men Kristina Sandberg kan det i en sådan grad, at hun nylig har fået både Augustpriset, Moa-priset og Svenska Dagbladets litteraturpris for at have levendegjort kvindeligt hjemmeliv på godt og ondt." Weekendavisen (anmeldelse af den svenske udgave)

”ROMANEN - og hele trilogien samlet set - er ikke bare en stor beretning om de enorme forandringer, der skete i livsformen fra 1930' erne til 1960' erne. Den er også et gennemlyst portræt af en kvinde, som vi kommer helt ind under huden på… et fremragende værk ud af sit stof. Trilogien er fuldstændig kongenialt oversat af Anne Marie Bjerg.” 5 hjerter, Politiken

"Bogen er på alle måder en stor oplevelse at læse, og det vil den være for rigtigt mange slags læsere. Prøv selv!" 5 ud af 5 stjerner, Drustrups bogblog.dk

"Efter ’Et barn at føde’ og ’At sørge for sine’ sætter romanen et punktum, der rammer hjertekulen og føles vedkommende." Søndag, 6 af 6 S’er

"Det er klasselitteratur. Vi når helt, helt ned i detaljen, og man bliver rørt og berørt." Bogsyn.dk

"Kristina Sandbergs fremragende trilogi om den hjemmearbejdende husmor midt i det forrige århundrede vil blive stående som et vigtigt bidrag til kvindernes historie." Litteratursiden.dk

"Det er en vigtig trilogi, som sætter fokus på kvindernes historie. LIV FOR EN HVER PRIS fortæller os slutningen på Maj's historie på en unik måde, og det er en bog med en fortælling, der både gør at du bliver rørt og berørt af at læse videre på Maj's skæbne." Livetidukkehuset.dk

"Det har været en udsøgt fornøjelse og en stor læseoplevelse at følge med i Majs liv." Bogblogger.dk

87:Tb54,Gedden på det rene køkkenbord. Hvad skal Maj stille op med den? For første gang skal Maj have sin nye familie til middag. Men hvordan havnede hun her, med en mand hun knap kender?

En sparken i maven giver svaret. Barnet. Det der aldrig måtte ske. Langsomt vokser en beslutning frem: Hun vil være en kvinde, som ingen kan klandre. En god kone, mor, værtinde. Men hvor meget Maj end prøver at få styr på tilværelsen, så er alt det andet der. Usikkerheden, det betændte moderskab, alkoholismen og et ægteskab, som ikke var meningen. Og en forbudt længsel efter at indtage sin plads og risikere at fylde for meget.

ET BARN AT FØDE følger den 20-årige Maj i hendes første år som gift i slutningen af 1930’erne. En stærk skildring af kvinders livsvilkår og en fortælling om tidsåndens og tilfældighedernes lunefulde måde at styre vores liv på.

”Svenske Kristina Sandberg løfter husmorlivet ind i litteraturen med sit smukt strømmende sprog om en ung kvinde i slutningen af 1930' erne. […] Kald det domestic realism, køkkenvaskrealisme eller bare husmorrealisme. Forfatteren gør det trivielle nærværende og løfter datidens husmorliv ind i litteraturen med stor indlevelse.” ★ ★ ★ ★ ★ 5 ud af 6 hjerter, Politiken

”Et barn at føde er den rene poesi og en nydelse at læse… Det er en smuk og meget rørende historie om en ung kvinde, som kæmper med ulykkelig forelskelse, graviditet, ægteskab, svigerfamilie og den første usikre tid som mor uden hjælp og gode råd. Det er helt eminent beskrevet.” Bogblogger.dk

"Romanens sprog er holdt i en forrygende og nostalgisk samtids-form. Jeg er vild med både busteholder, at nøde noget til noget osv. Det passer som fod i hose til fortællingen… jeg i den grad ser frem til næste i serien, for det her er både nostalgi og socialrealisme og solide figurer." Bognørden.dk ★ ★ ★ ★

"Det har været en stor fornøjelse at få indblik i Majs liv og tanker, og efter ganske kort tilvænning til den litterære form, har det også været en rigtig god læseoplevelse. Det vil det være for alle indviduelle læsere af gode historier om menneskelige skæbner, men der vil også være stof til mange snakke i læsegrupper." Drustrups bogblog.dk, 5 ud af 5 mulige hjerter

"Et barn at føde er utroligt velskrevet, utroligt levende, og femstiller på spændende vis alle de problemer, en ung kvinde kan have stået overfor i 30’erne." Bogrummet.dk, 5 ud af 5 stjerner

“Jeg er klar til at udråbe Kristina Sandbergs romaner til noget unikt i den svenske litteraturhistorie– et monument over de hjemmearbejdendekvinder.” EXPRESSEN

88:Tb5c,Hun spejder ud over fjordens urolige vandflade fra sommerhusets køkkenvindue. Hvorfor kommer de ikke? Det er flere timer siden Tomas tog Anita og Lasse med i motorbåden ud til øen, og Maj gav dem en velfyldt madkurv med. Men endnu er der ingen båd at se på vej ind mod bådebroen i vigen.

Alting burde jo være godt. Freden er kommet, og det er lykkedes ægtemanden Tomas at holde sig ædru siden hypnosebehandlingen hos doktor Bjerre. Men når Maj bliver overmandet af trætheden og ængstelsen, er det ikke let at holde hjemmet harmonisk og kærligt. Hvor meget hun end forsøger.

Maj er hustru og mor i Örnsköldsvik i 1940’erne og 1950’erne, i en tid hvor husmoderen er et efterstræbt ideal.

AT SØRGE FOR SINE er en stor fortælling om Maj, om hendes familie og hendes sociale opstigning, men også om samfundet set ud fra en hjemmegående husmors dramatiske hverdag.

AT SØRGE FOR SINE er anden, fritstående bog i trilogien om Maj.

"En rigtig page-turner, den slags roman som besætter læseren, med personer der kryber ind under huden og stædigt bliver i tankerne, efter man (modvilligt) har lukket bogen." Svenska Dagbladet

"Kristina Sandberg skriver med blændende psykologisk indsigt, hun behersker personskildringerne mesterligt (…) Jeg kan næsten ikke vente med at finde ud af, hvordan det kommer til at gå den lille svenske familie." SØNDAG

"Jeg synes, det er fantastisk gjort af Kristina Sandberg, at hun i den grad kan skildre det almindelige liv og gøre det utrolig interessant. Selv om romanen er svensk, er jeg sikker på, at den også er dækkende for den danske hjemmegående husmor i 40’erne og 50’erne. Det var inden, der var noget, der hed kønsroller og ligestilling. (…)Det er fabelagtig gjort, og jeg glæder mig rigtig meget til bind 3, som gav Kristiana Sandberg prisen for årets bedste roman i Sverige i 2016." Litteratursiden.dk

"Bogen er på alle måder en stor oplevelse at læse! Det krævede for mig lidt tid at komme ned i læsetempo og at vænne mig til den korte og kondenserede skrivestil, hvor alt skal med for at få fuld nydelse af bogen. Det fortjener bogen, og den investering giver maksimalt udbytte.Læserne begiver sig ind i et stærkt tidsbillede befolket med nogle interessante personer, og det kan kun gå for langsomt med at få udgivet næste bind i trilogien, så vi kan finde ud af, hvordan det går familien!Den får fulde 5 stjerner!" Drustrups bogblog

"Hun skriver helt eminent godt, og hun får spillet på hele følelsesregistret og vist mennesker som de er på godt og ondt. Jeg glæder mig så meget til den sidste bog om Maj. Hvis du mangler en god læseoplevelse, så er bøgerne om Maj et rigtigt godt bud." Bogblogger.dk

89:T49d,

Allt borde ju vara bra nu. Freden är här och maken Tomas har lyckats hålla sig nykter sedan hypnosbehandlingen hos professor Bjerre. Och har inte Maj gjort allt vad hon kan för att familjen ska ha det fint i den nya stora lägenheten som Tomas överraskat henne med? Det moderna köket och vardagsrummets parkettgolv.

Maj är hemmafru under folkhemmets 40-och 50-tal då hemmafrun är ett eftertraktat ideal och det finns en strävan att betrakta det som ett viktigt yrke. Och hur Maj än försöker vara kärleksfull, trygg och sörja för att hemmet ska bli harmoniskt och rationellt, så väser en röst i henne att mor också är en orm. När tröttheten, rädslan och oron övermannar, kring allt som både hänt och skulle kunna hända henne och familjen. Och trots att Tomas kämpar hårt med att avstå från alkoholen, och sköta firman som gått i arv i hans släkt, hänger misstanken om att han kanske börjat dricka igen som ett tungt orosmoln över Maj och familjen.

Det här är den andra delen i Kristina Sandbergs romansvit, som inleddes med Att föda ett barn, om en hemmafrus liv. Och om klass, moderskap och alkoholism.

8a:T547,

Det ska vara ett flott ställe med bra kök, Järvsöbadens hotell och pensionat. Maken Tomas har bjudit Maj och deras tonåringar Anita och Lasse dit över påsken och Maj borde känna sig glad. Om hon bara inte hade haft den här yrseln.

Nu ska hon göra sitt bästa för att vara en sällskapsmänniska med de övriga påskfirarna. Men när hon kostar på sig själv en ansiktsbehandling hos pensionatets skönhetsexpert och känner masken strykas ut över pannan kan hon inte riktigt hålla tillbaka tårarna. Är det bara medelåldern, oron för Tomas stretande med firman och nykterheten? Eller besvikelsen över Lasses slarv sista året i folkskolan och Anitas försvinnande in i böckernas och filmernas värld? Kanske anar Maj hur förändringen har satts i rörelse utan att hon har verklig makt att hejda den.

Liv till varje pris är den avslutande delen i den kritikerrosade trilogin om hemmafrun Maj i Örnsköldsvik. När femtiotalet övergår i ett modernt sextiotal och rivningsvågen även drar fram över den ångermanländska småstaden kommer Majs trygga tillvaro allt mer i gungning. Det är en roman om anpassning och överlevnad och skildrar en familj som levde sitt liv i en tid då det svenska folkhemmet växte fram.

För boken tilldelades Kristina Sandberg Augustpriset 2014.

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För första gången ska Maj ha hela sin nya, stora Örnsköldsvikssläkt på middag. Men hur hamnade hon här, med en man som hon knappast känner?

Maj vet, för hon känner ett hårt boxande i sin mage. Barnet. Det som aldrig skulle få hända. Med tidens obönhörliga tickande framskrider Majs graviditet, samtidigt som hon kämpar med att förstå vad som förväntas av henne i hennes nya, framgångsrika, familj. Och sakta växer ett beslut att bli den kvinna som ingen ska kunna anklaga eller klandra. Maka, mor, värdinna. Men hur blir man det? För hur mycket Maj än försöker kontrollera sin tillvaro så finns ju allt det andra där. Det såriga moderskapet, makens alkoholism och ett äktenskap som bara råkade bli.

Att föda ett barn är den första delen i Kristina Sandbergs kritikerrosade trilogi om hemmafrun Maj i Örnsköldsvik.

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Kanske behövde de inte ses, kanske var rösterna de hörde och orden de skrev nog för att frambesvärja varandra som illusioner, och på så sätt hålla varandra vid liv. Och var det verkligen min uppgift att lyssna på pappas längtan, eller borde jag ha spräckt bubblan genom att avfärda hans nätaffär med att påpeka att ju längre tid det dröjde innan de sågs, desto större risk att en av dem, eller båda två, skulle bli besvikna.

Den prisbelönta författaren Kristina Sandberg fick sitt stora genombrott med trilogin om hemmafrun Maj från Örnsköldsvik. I den nyskrivna novellen Kvarlåtenskaper tecknar hon finstämt en historia om kärlek och drömmar, mardrömmar och sorg. Om det som blev, och det som inte blev. Hur ett avslutat liv kan lämna efter sig spår av önskningar som i det levande livet aldrig slog in. Och om hur allt som blir kvar kan vara några hastigt nedtecknade namn på ett tomt Telia-kuvert.

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Ta itu utkom första gången 2003. Romanen utspelar sig i slutet av 70-talet i en norrländsk kuststad där Maria lever ett till synes lyckligt och välordnat liv med sin man Anders och deras två barn. Hon jobbar deltid för att kunna studera konsthistoria på distans, men varken Anders eller barnen har någon förståelse för hennes vilja att göra något annat.
Och distansstudierna i Umeå blir inte riktigt den förlösning hon hoppats på. Maria har svårt att stå emot det tryck som hon upplever från omgivningen. Hennes rädsla för att misslyckas blir allt större, och osäkerheten omvandlas alltmer till destruktivitet. Maria drar sig undan, hon dricker i smyg, som tröst och flykt, och hamnar utanför familjens cirkel. Sammanbrottet kommer sakta men oundvikligt.

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Varför blir trädgården så lätt en besatthet? Vad är det som gör att vi, trots alla misslyckanden, aldrig ger upp?

Kristina Sandberg och André Strömqvist kallar sig båda trädgårdsmissbrukare. Kanske inte till den grad att de önskar bli fria, men tillräckligt för att intresset ska sluka – alltför? – mycket av deras liv.

Med hjälp av trädgårdsentusiaster som Derek Jarman, Jacques Majorelle, Leonard Woolf och Jamaica Kincaid söker de svaret på varför vi framhärdar i jakten på en belöning som alltid verkar komma längre fram.

Trädgården beskrivs ofta som en fridfull plats för återhämtning och skönhet. Men vad händer när passionen tar över ens liv? Trädgårdsmissbrukarna handlar om odlande som gått över styr och resulterat i habegär, ensamhet och ekonomisk katastrof. Om dödskamp, kärlekssorg, rotlöshet och dopaminkickar. Men också om att hitta hem och förlora sig i kärleken till allt det som växer.

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