83:T52a,Ten days after the war ended, my sister Laura drove a car off a bridge. Thus begins The Blind Assassin, Margaret Atwood's Booker Prize-winning novel. Laura Chase's older sister Iris, married at eighteen to a politically prominent Industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following: as Iris says, she herself lives 'in the long shadow cast by Laura'. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on the Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one, as events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama. It is Margaret Atwood at her breathtaking best.84:T699,This lavishly designed, signed edition has a limited print run of only 1,000 copies. Featuring a stunning black slipcase, silver-edged paper and endpapers printed in silver ink, this is a must-have for all Margaret Atwood fans. Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, the preservation of all species, the tending of the Earth, and the cultivation of bees and organic crops on flat rooftops - has long predicted the Waterless Flood. Now it has occurred, obliterating most human life. Two women have avoided it: the young trapeze-dancer, Ren, locked into the high-end sex club, Scales and Tails; and former SecretBurgers meat-slinger turned Gardener, Toby, barricaded into the luxurious AnooYoo Spa, where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda, or the MaddAddam eco-fighters? Ren's one-time teenage lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the CorpSeCorps, the shadowy and corrupt policing force of the ruling powers...Meanwhile, in the natural world, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through a ruined world, singing their devotional hymns and faithful to their creed and to their Saints - Saint Francis Assisi, Saint Rachel Carson, and Saint Al Gore among them - what odds for Ren and Toby, and for the human race? By turns dark, tender, violent, thoughtful and uneasily hilarious, The Year of the Flood is Atwood at her most effective.85:T66e,The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power.

Adam One, the kindly leader of the God’s Gardeners – a religion devoted to the melding of science and religion, the preservation of all species, the tending of the Earth, and the cultivation of bees and organic crops on flat rooftops – has long predicted the Waterless Flood. Now it has occurred, obliterating most human life. Two women have avoided it: the young trapeze-dancer, Ren, locked into the high-end sex club, Scales and Tails; and former SecretBurgers meat-slinger turned Gardener, Toby, barricaded into the luxurious AnooYoo Spa, where many of the treatments are edible.

Have others survived? Ren’s bioartist friend Amanda, or the MaddAddam eco-fighters? Ren’s one-time teenage lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the CorpSeCorps, the shadowy and corrupt policing force of the ruling powers…

Meanwhile, in the natural world, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo’hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through a ruined world, singing their devotional hymns and faithful to their creed and to their Saints – Saint Francis Assisi, Saint Rachel Carson, and Saint Al Gore among them – what odds for Ren and Toby, and for the human race?

By turns dark, tender, violent, thoughtful and uneasily hilarious, The Year of the Flood is Atwood at her most effective.86:T64e,

"Atwood har skapat ett så övertygande liv åt Nell att jag var besviken över att behöva återvända till mitt eget."
Newsweek

Leva i synd kan ses som en samling noveller som nästan blir en roman, eller som en roman uppbruten till elva noveller. Det påminner om ett fotoalbum - här framträder en serie av avgörande ögonblick, och de människor som påverkats av dem.
Det handlar om en kvinna, hennes föräldrar och syskon, vänner och fiender. Lärare, älskare, barn och djur. Och precis som i ett fotoalbum ryms mycket tid och liv innanför ramarna. Vi förflyttas från 30-talet till i dag, till vitt skilda platser: storstäder, förorter, jordbruk och nordliga skogar.
Här låter Margaret Atwood oss komma tätt inpå - inte sedan Kattöga har hon varit så nära att ge läsarna inblick i sitt privatliv. Avgörande tematik och miljöer från tidigare böcker återfinns i dessa berättelser, platser och skeenden som format hennes skrivande liv.
Berättandet tar avstamp någonstans mellan nutid och framtid, där ett kanadensiskt par i övre medelåldern försöker hantera risken för dåliga nyheter i en värld som håller på att falla samman. Men de olika novellerna och andra omständigheter tecknar en bredare bild av den kvinnliga huvudpersonen: som ung flicka och student, som den andra kvinnan, som starkare syster och vårdande dotter.
Resultatet är ett sammansatt, roligt, gripande och djupt personligt porträtt av en människa och hennes tid. Och om villkor som är allmängiltigare än så.

87:T730,

Den på senare år ständigt nobelpris-tippade författaren har här samlat texter från över tre decennier - artiklar, essäer, recensioner - som belyser hennes författarskap än mer.

I Sverige känner vi mest till Margaret Atwood genom hennes rosade romaner och hennes lyrik. Att hon dessutom har varit en flitigt återkommande skribent i tidningar och en efterfrågad föreläsare har vi av förklarliga skäl inte lika god kännedom om.
I Mitt nyfikna jag har Atwood samlat närmare ett femtiotal texter från 1970 till 2005. Det är en blandning av artiklar, recensioner, tal/föreläsningar och essäer i skilda ämnen, men med tonvikten lagd på litteratur och skrivande.
Boken är kronologiskt indelad i tre avdelningar, där avgörande händelser i omvärlden utgör tidsmässig gräns. I en nyskriven inledning till varje del resonerar hon kring de texter som följer och sätter också in dem i ett tidsperspektiv.
Här återfinns exempelvis artiklar om 60-talets London, om feminism, om Afghanistan. En koncentrerad text handlar om Harold Pinters typiska stil, och i ett efterord till Anne på Grönkulla beskriver Atwood lustfyllt upplevelsen av läsning i barn- och ungdomen. Den svenska läsaren kan ha särskilt intresse av Atwoods förord till en nyutåva av Doktor Glas på engelska. Recensionerna behandlar verk av García Marquez, Le Guin, Pamuk m.fl. För den som är intresserad av Atwoods egen utveckling som författare finns mycket att hämta. I flera essäer beskriver hon sitt arbete i tillblivelsen av stora romaner som Tjänarinnans berättelse och Den blinde mördaren.
Boken ger fördjupad kunskap om Atwoods liv och arbete, men även den som aldrig läst en rad av författaren kan ha stort utbyte av den.

88:T529,Margaret Atwood's classic novel, THE HANDMAID'S TALE, is about the future. Now, in ORYX AND CRAKE, the future has changed. It's much worse. And we're well on the road to it now. The narrator of Margaret Atwood's riveting new novel is Snowman, self-named though not self-created. As the story begins, he's sleeping in a tree, wearing a dirty old bedsheet, mourning the loss of his beautiful and beloved Oryx and his best friend Crake, and slowly starving to death. Earlier, Snowman's life was one of comparative privilege. How did everything fall apart so quickly? Was he himself in any way responsible? Why is he now left alone with his bizarre memories - except for the more-than-perfect, green-eyed Children of Crake, who think of him as a kind of monster? He explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material and with her customary sharp wit and dark humour, Atwood projects us into a less-than-brave new world, an outlandish yet wholly believable space populated by a cast of characters who will continue to inhabit your dreams long after the last chapter. This is Margaret Atwood at the absolute peak of her powers.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794641923176,"state":{"data":{"pages":[{"requestId":"349f3f73-1c20-44a4-95d6-cec2f5e8e25f","total":{"value":228,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9789113022611","id":262207,"score":1,"position":192,"book":{"id":262207,"isbn":"9789113022611","created":"2021-06-17T17:09:08.000Z","title":"Oryx och Crake","description":"

Huvudpersonen och berättaren i boken kallar sig Snömannen. Han sover i ett träd, insvept i ett lakan. Han sörjer sin älskade Oryx och sin bäste vän Crake. Mat och andra förnödenheter försöker han hitta i ett ödelagt område där insekter förökar sig snabbt, och där nassonger och varjundar härjar i plebsområdena där vanliga människor en gång levde. När han försöker få en överblick över det som hänt, tvingas han gå decennier bakåt i tiden. Hur kunde allt falla samman så snabbt?
Han söker svaren på sina frågor i den resa han gör; till sitt förflutna och till Crakes högteknologiska bubbelkupol, där han skapade sitt ödesdigra Paradice Project som hela världen skulle komma att beklaga.

Med sitt fantastiska språk, sitt skarpa intellekt och sin svarta humor leder Atwood läsaren in i en värld som är allt annat än hjältemodiga, en bisarr men helt trovärdig värld befolkad av gestalter som fortsätter att leva i läsarens huvud långt efter att man lagt ifrån sig boken.

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This is not a book about debt management or high finance, but about debt as a very old, central motif in religion and literature and also in the structuring of human societies. She looks at the language of debt in the Old Testament - what was 'owed' to God, and why. She then turns to investigate debt as sin in medieval and Elizabethan literature, before it develops into a plot-driving concept in nineteenth and twentieth century novels. The debts to society and to nature are discussed in the final essay in this book as Atwood explores how debt as a metaphor affects our understanding of the environment and death. 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Alongside meditations on warlords, cat heaven, and orphans, the bestselling author of The Handmaid's Tale and The Testaments offers a sly pep talk to the ambitious young, laments the proliferation of photos of oneself, imagines an apocalypse of worms, and recalls Helen of Troy’s childhood Kool-Aid stand.

In the title fable, a writer huddled inside a tent of paper engages in doodling as self-defense, scribbling on the walls in a frantic attempt to keep out encroaching horrors.

Adorned with her own playful illustrations, The Tent is a delightful mélange of short fiction that pushes the boundaries of form in intriguing directions, replete with Atwood’s droll humor, keen insight, and lyric brilliance.

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