85:T51f,Antiken har lockat filmmakare alltsedan filmens barndom. Men hur har antiken skildrats i olika tider och medier? I Svärd, sandaler och skandaler undersöker en rad skribenter från olika ämnen de uttryck antiken har tagit sig på film och i tv. Boken är den första i sitt slag på svenska. I fem avdelningar behandlas relationen mellan den antika historien och dess sentida gestaltningar i rörliga bilder, alltifrån filmens tidiga glansdagar kring år 1900 till dagens tv-skildringar. Långt ifrån alltid är det historieskrivning eller litteratur om antiken som har bestämt hur epoken framställts i visuella medier. Till exempel har scenografi och kläder bidragit till att prägla föreställningar om vad som utmärkte antiken. Epoken har även använts i politiska och ideologiska syften. Exempelvis har Noa, Leonidas, Scipio Africanus och kung Arthur varit föremål för omtolkningar som syftat till att fylla dagspolitiska behov i fascismens Italien, efterkrigstidens USA eller det unga 2000-talets Storbritannien. Svärd, sandaler och skandaler vänder sig främst till studenter och forskare i humanistiska ämnen som historia och arkeologi samt antik-, film- och religionsvetenskap, men är givetvis intressant för alla som är intresserade av hur dåtiden gestaltas i rörliga bilder.
86:T851,

Förtätade filmögonblick – den rörliga bildens förmåga att beröra handlar om människans behov och bruk av fiktionsfilm. Varför har Amanda sett "Amelie från Montmartre" 50 gånger? Varför kallar Filip "Apocalypse Now" sin personliga medicin? Och varför drömmer Alexander om ett liv i enkelhet och helhet när han ser "Avatar"?

Läs mer
I boken analyserar författaren filmens förmåga att göra avtryck. Läsaren får följa enskilda människors filmupplevelser och deras personliga erfarenheter av betydelsefulla filmer som blir belysta ur flera olika teoretiska perspektiv.
Boken är uppdelad i två delar med en inledning som presenterar de teoretiska utgångspunkterna för undersökningen.
Den första delen består av en empirisk kartläggning av filmvanor och i centrum står tio djupintervjuer med olika filmtittare. Genom reflektioner om filmscener som berört dem extra starkt analyseras vad det kan innebära när någon upplever sig helt absorberad av en film.
Den andra delen sätter in filmupplevelsen i en större teoretisk kontext. Infallsvinklar hämtas från filmteori, livsåskådningsforskning och religionsvetenskap för att förstå filmens förmåga att erbjuda existentiell mening i en tid av alltmer fragmentiserade meningssystem.
Förtätade filmögonblick – den rörliga bildens förmåga att beröra är särskilt angelägen för studenter inom religions-, film- och medievetenskap samt svenska. Boken riktar sig också till verksamma lärare och forskare, liksom till den med film som specialintresse.

Om författarna
Tomas Axelson är lektor i religionsvetenskap med medieinriktning vid Högskolan Dalarna och ägnar sin forskning åt gränslandet mellan religion, film och medier.

87:T593,

Det spelar roll hur vi föreställer oss Gud, inte bara för trosgemenskaper utan också för hur människor i största allmänhet gestaltar sina liv på vår sårbara jord. Gudsbilder kan förändra världen. Det har mänskligheten erfarit genom alla tider.

I denna bok reflekterar teologer och religionsvetare över vilka konsekvenser olika föreställningar om Gud har för samhället i stort. Vad föreställer vi oss att gudsbilder gör? Hur utmanar de oss? Vid sidan om bibliska och klassiska teologiska perspektiv görs här djupdykningar i kultur och konst, tro och vetande, kroppslighet och inkarnation, queer- och ekoteologi.

Medverkande: Tomas Axelson, Thomas Ekstrand, Carola Envall, Maria Essunger, Mohammad Fazlhashemi, Ulrica Fritzson, Cristina Grenholm, Hanna Hartell, Laura Hellsten, Lina Langby, Oliver Li, Hanna Liljefors, Stefan Lindholm, Michael Nausner, Niklas Nenzén, Carola Nordbäck, Fredrik Portin, Katja Stroeven, Carina Sundberg, Maria Södling, Peder Thalén, Linn Marie Tonstad, Katarina Westerlund och Susanne Wigorts Yngvesson.

Boken Gudsbilder i förändring är en del av Svenska kyrkans forskningsserie som publicerar kyrko- och samhällsrelevant forskning som har genomgått en peer review process.

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Från Mesopotamiens fyratusenåriga skoldialoger till svenska myndigheters värdegrundstexter - den självmedvetna människan har länge varit sysselsatt med att skapa sig själv och framför allt att omskapa sig själv. I denna antologi intresserar sig humanioraforskare aktiva inom religionsvetenskap, historia och språk för den mänskliga civilisationens återkommande uttryck för idéer om formandet av en ny människa. Ljuset riktas bland annat mot identitet och levnadsteckningar i Jerusalem, dalmåleriets kyrkliga ideal tolkade av en bångstyrig allmoge, Islamiska statens föreställningar om liv i äkthet samt mot frågan om mänskliga rättigheter i en posthuman tidsålder.

Den nya människan ger läsaren tio tänkvärda exempel på historiska, religiösa, ideologiska, politiska och filosofiska idéer, i samspel med, och försänkta i, en föränderlig omvärld.

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