83:T55c,Shortlisted for the DSC Prize 2019 Laconic, sharp and playful, 99 Nights in Logar is a stunning coming-of-age novel and a portrait of Afghanistan like no other, from an unforgettable new voice Me and Gul and Zia and Dawoud out on the roads of Logar, together, for the first time, hoping to get Budabash back home before nightfall It is 2005 in Logar, Afghanistan, and twelve-year-old Marwand has returned from America with his family for the summer. He loses the tip of his finger to the village dog, Budabash, who then escapes. Marwand’s quest to find Budabash, over 99 nights, begins. The resulting search is an exuberantly told adventure, one that takes Marwand and his cousins across Logar, through mazes, into floods and unexpected confrontations with American soldiers. Moving between celebrations and tragedies, Marwand must confront family secrets and his own identity as he returns to a home he’s missed for six years. Deeply humorous and surprisingly tender, 99 Nights in Logar is a vibrant exploration of the power of stories – the ones we tell each other, and the ones we find ourselves in. 'Charming and unpredictable ... A narrative style fizzing with surprise' Observer 'A revelation, in every sense of the word' Justin Torres 'Ferocious, funny, rude, and freewheeling' Karan Mahajan84:T458,This book brings together world-renowned scholars from all over Europe to analyse how successive Europes have been constructed in the wake of the key conflicts of the period: the Cold War and the two World Wars. By regressively tracing Europe's path back to these pivotal moments as part of a unique methodology, Europe's Postwar Periods - 1989, 1945, 1918 reveals the defining characteristics of these postwar periods and integrates the changes that followed 1989 into a more substantial historical perspective. The author team address the crucial themes in recent European history on a chapter-by-chapter basis that gives comprehensive coverage to the whole of the European region for topics such as borders, states, empires, democracy, justice, markets and futures. The volume highlights the fact that Europe was made less by wars than is commonly thought, and more by the nature of the settlements - international, national, political, economic and social - that followed the two World Wars and the Cold War. It is an important, innovative text for all students and scholars of 20th-century European history.85:T416,Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.86:T5b4,Longlisted for the 2020 Kraszna-Krauz Foundation's Moving Image Book Award Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison’s and Lumière’s first experiments to the dawn of ‘talkies’; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.87:T4c2,

Now available in Bloomsbury Revelations series, Brecht on Performance: Messingkauf and Modelbooks presents a selection of Brecht's principal writings about the craft of acting and realising texts for the stage. It crystallises and makes concrete many of the more theoretical aspects of his other writing and illuminates the practice of this hugely influential director and dramatist.

The volume is in two parts. The first features an entirely new commentated edition of Brecht’s dialogues and essays about the practice of theatre, known as the Messingkauf, or Buying Brass, including the ‘Practice Pieces’ for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of Life of Galileo, Antigone, Mother Courage and others.

Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, Brecht on Performance is a wonderfully rich resource. The text is illustrated with over 30 photographs from the Modelbooks.

88:T564,

A SUNDAY TIMES, NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR

'Vivid, illuminating and unbearably tense ... A masterly meditation on trauma, on beauty, on the idea of home and the limits of love' Guardian

Charlie’s experiences at the Battle of Kohima and the months he spent lost in the remote jungles of Nagaland during the Second World War are now history. Home and settled on a farm in Norfolk and newly married to Claire, he is one of the lucky survivors. Starting a family and working the land seem the best things a man can be doing.

But a chasm exists between them. Memories flood Charlie’s mind; at night, on rain-slicked roads and misty mornings in the fields, the past can feel more real than the present. Though hidden even to himself, the darkest secrets of Charlie’s adventures in the strange and shadowy ridges of the Nagaland mountains, his dream-like encounters with the mysterious and ancient tribesmen, leak and bleed through his consciousness. What should be said and what left unsaid? Is it possible to forge a new life in the wake of unfathomable horror?

A compelling addition to Harding’s cycle of acclaimed novels on themes of witness, memory and silence, Land of the Living questions the very nature of survival, and what it is that the living owe the dead.

89:T441,_______________________ 'A comedy with teeth ... razor sharp and darkly funny' (TIMES) 'Boyle's prose is so good and his imagination so fertile that after a while you just sit back and are swept along' (TELEGRAPH) 'Surreal, daring and compassionate. Easily one of the best books of the year' (MAIL) 'Superb ... if Boyle was from this side of the pond, this is the book they'd all have to beat for the Booker Prize' (SUNDAY TIMES) It's 2025, and 75-year-old environmentalist and retired eco-terrorist Ty Tierwater is eking out a bleak living managing a pop star's private zoo. It is the last one in southern California, and vital for the cloning of its captive species. Once, Ty was so serious about environmental causes that as a radical activist committed to Earth Forever! he endangered the lives of both his daughter, Sierra, and his wife, Andrea. Now, when he's just trying to survive in a world cursed by storm and drought, Andrea re-enters his life. Frightening, funny, surreal and gripping, T.C. Boyle's story is both a modern morality tale, and a provocative vision of the future.8a:T63a,

The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries.

The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.

8b:T593,Attitudes to fashion have changed radically in the twenty-first century. Dress is increasingly approached as a means of self-expression, rather than as a signifier of status or profession, and designers are increasingly treated as 'artists', as fashion moves towards art and enters the gallery, museum, and retail space. This book is the first to fully explore the causes and implications of this shift, examining the impact of technological innovation, globalization, and the growth of the internet. The End of Fashion focuses on the ways in which our understanding of fashion and the fashion system have transformed as mass mediation and digitization continue to broaden the way that contemporary fashion is perceived and consumed. Exploring everything from the rise of online shopping to the emergence of bloggers as power elites who have revolutionized the terrain of traditional fashion reportage, this volume anatomizes a world in which runway shows now compete with live-streaming, digital fashion films, Instagram, and Pinterest. Bringing together original, cutting-edge contributions from leading international scholars, this book is essential reading for students and scholars of fashion and cultural studies, as well as anyone interested in exploring the dramatic shifts that have shaken the fashion world this century - and what they might say about larger changes within an increasingly global and digital society.8c:T6d8,

Longlisted for the Booker Prize
A New York Times Editor's Choice

Named a Best Book of the Year By:
The New York Times Book Review (Notable Books of the Year) * The New York Public Library * The Washington Post * Time.com * The New York Times Critics' (Parul Seghal's Top Books of the Year) * St. Louis Post Dispatch * Apple * A Publisher's Weekly's Top Ten Books of the Year
An electrifying novel about beauty, envy, and carelessness from Deborah Levy, author of the Booker Prize finalists Hot Milk and Swimming Home.

It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.

The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries--feminine and masculine, East and West, past and present--to reveal the full spectrum of our world.

8d:T6f9,Drama and Digital Arts Cultures is a critical guide to the new forms of playful exploration, co-creativity, and improvised performance made possible by digital networked media. Drawing on examples from games, education, online media, technology-enabled performance and the creative industries, the book uses the elements of applied drama to frame our understanding of digital cultures.

Exploring the connected real-world and virtual spaces where young people are making and sharing digital content, it draws attention to the fundamental applied drama conventions that infuse and activate this networked culture. Challenging descriptions of drama and digital technology as binary opposites, the book maps common principles and practice grounded in role, embodiment, performance, play, and identity that are being amplified and enhanced by the affordances of online media.

Drama and Digital Arts Cultures draws together extensive original research including interviews with game designers, media producers, educators, artists and makers at the heart of these new digital cultures. Young people discuss their own creative practices and products, providing insight into a complex and evolving world being transformed by digital technologies. A practical guide to the field, it contains case studies and examples of the intersections of drama conventions and networked cultures drawn from the US, Canada, UK, Netherlands, Singapore and Australia.

Written for scholars, educators, students and 'makers' everywhere, Drama and Digital Arts Cultures provides a clear understanding of how young people are blending creativity and learning with the powerful and empowering conventions of drama to create new forms of multimodal and transmedia storytelling.8e:T675,

#1 New York Times bestselling author Sarah J. Maas started a worldwide phenomenon when she published her debut novel, Throne of Glass. To date, Sarah's books have spent more than 92 weeks on the New York Times bestseller list and she has hit #1 on charts around the world. Her books have sold more than seven million copies and have been translated into 36 languages. Throne of Glass alone has sold over one million copies.

Now you can own this epic fantasy classic in a deluxe hardcover collector's edition.

'One of the best fantasy book series of the past decade' TIME

Enter the realm. Unleash the darkness. Live the legend.

In a land without magic, an assassin is summoned to the castle. Celaena Sardothien has no love for the vicious king who rules from his throne of glass, but she has not come to kill him. She has come to win her freedom. If she defeats twenty-three murderers, thieves, and warriors in a deadly competition, she will be released from prison to serve as the King's Champion.

But something rotten dwells in the castle - and it's there to kill. When her competitors start dying mysteriously, one by one, Celaena's fight for freedom becomes a fight for survival - and a desperate quest to root out the evil before it destroys her world, and the people she has come to love.

Now available in this gorgeous new package, the Throne of Glass Collector's Edition features unique foil-stamped cover art, a ribbon marker, beautiful new interior page designs, colour endpapers and a new map of Erilea.

8f:T613,The dazzlingly brilliant Chris Riddell brings his magical illustration talents to J.K. Rowling's gloriously inventive The Tales of Beedle the Bard in a fully illustrated colour edition of this essential classic for Harry Potter fans. Translated from the runes by Hermione Granger, the volume includes 'The Tale of the Three Brothers', familiar to readers of Harry Potter from the crucial role it played in Harry Potter and the Deathly Hallows. Mischievous and witty, these five rollicking tales are a deeply satisfying read in the tradition of all great fables and fairytales. Kindnesses are rewarded and selfishness shown to be the ruin of many a wizard. Burping cauldrons, hairy hearts and cackling stumps are met along the way. Each of the tales is accompanied by a deliciously subversive and insightful commentary by Professor Albus Dumbledore, all brought vividly to life with Riddell's trademark wit and elegance. Former Waterstones Children's Laureate Chris Riddell is the only illustrator to have won the Kate Greenaway Medal three times, and is brought together here for the first time with one of the world's best loved storytellers in this new edition of J.K. Rowling's fairytale classic. Much loved by generations of witches and wizards since they first appeared in the fifteenth century, this beautifully illustrated edition is set to become a firm favourite at bedtime in non-magical households the world over.The Tales of Beedle the Bard is published in aid of Lumos, an international children's charity founded in 2005 by J.K. Rowling.90:T468,The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible. Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israel’s formative texts? What do the poems tell us about gender relations in those years, and about early Israel’s attitudes towards beauty, love, women, and sex? Do we finally get to hear women’s voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bible’s other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture?3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794145505478,"state":{"data":{"pages":[{"requestId":"f321a4d0-4698-4852-ab9a-db6744accdb7","total":{"value":7947,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9781474263986","id":919720,"score":2,"position":3024,"book":{"id":919720,"isbn":"9781474263986","created":"2024-10-19T14:57:54.000Z","title":"Writing transnational history","description":"

Over the past two decades, transnational history has become an established term describing approaches to the writing of world or global history that emphasise movement, dynamism and diversity. This book investigates the emergence of the ‘transnational’ as an approach, its limits, and parameters.

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\n
\nWater is the element that, more than any other, ties human beings in to the world around them – from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it.
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What is nationalism and how can we study it from a historical perspective? Writing the History of Nationalism answers this question by examining eleven historical approaches to nationalism studies in theory and practice.

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A devastating critique of New Left thinking.

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Clear and accessible, this is an ideal companion for undergraduate and postgraduate students of international and global journalism on Journalism or Media and Communication Studies degrees.

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