83:T439,

The bestselling exploration of the dimensions of love, marriage, mourning, and kinship from two-time Booker Prize finalist Deborah Levy.

A New York Times Notable Book
A New York Public Library Best Nonfiction Book of 2018

What does it cost a woman to unsettle old boundaries and collapse the social hierarchies that make her a minor character in a world not arranged to her advantage?

This vibrant memoir, a portrait of contemporary womanhood in flux, is an urgent quest to find an unwritten major female character who can exist more easily in the world. Levy considers what it means to live with meaning, value, and pleasure, to seize the ultimate freedom of writing our own lives, and reflects on the work of such artists and thinkers as Simone de Beauvoir, James Baldwin, Elena Ferrante, Marguerite Duras, David Lynch, and Emily Dickinson.

The Cost of Living, longlisted for the Andrew Carnegie Medal in Nonfiction, is crucial testimony, as distinctive, witty, complex, and original as Levy's acclaimed novels.

84:T43d,Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.85:T487,Fashion is all around us, and so too is fashion journalism. Discussions of fashion proliferate in an ever-increasing range of media, from newspapers and magazines to tweets and TV programs. Fashion Journalism: History, Theory and Practice is an accessible, comprehensive guide to writing about fashion in any form, whether in style blogging, magazine interviews, news reportage or art reviews. Exploring what sets fashion journalism apart from other forms of journalistic writing, the book features a wide range of global fashion case studies, from Carmel Snow's reporting on Dior's 'New Look' to 1970s responses to Yves Saint Laurent, and Diana Vreeland's role as a fashion editor. Through a series of engaging exercises, you will learn how to find inspiration, carry out successful research, structure your work logically, use a style appropriate to your readership, and to make the leap from descriptive writing to informed analysis and criticism. Engaging and clearly written, Fashion Journalism examines how recent technological developments are shaping and driving fashion journalism, and delves into the theory and practice of writing about fashion.86:T416,Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology.

Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials.

A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.87:T494,

Why don't we eat more veg? They're healthy, cost-effective and, above all, delicious. Hugh Fearnley-Whittingstall believes that we should all be eating more of the good stuff, as he explains in this brilliant book.

He's come up with an abundance of veg-tastic recipes, including a warm salad of grilled courgettes, lemon, garlic, mint and mozzarella, a winter giant couscous salad with herbs and walnuts, radishes with butter and salt, lemony guacamole, linguine with mint and almond pesto and cherry tomatoes, baby carrot risotto, new potato gnocchi, a summer stir-fry with green veg, ginger, garlic and sesame, a winter stir-fry with Brussels sprouts, shiitake mushrooms and five-spice, a cheesy tomato tart, a spring onion gallette, roast jacket chips with merguez spices and spiced yoghurt, curried bubble and squeak, scrambled eggs and asparagus with lemon, tomato gazpacho, pea and parsley soup, roast squash wedges, baba ganoush, beetroot houmous, spinach pasties and barbecued corn on the cob.

With over 200 recipes and vibrant photography from Simon Wheeler, River Cottage Veg Every Day is a timely eulogy to the glorious green stuff.

88:T492,Sustainability is now a buzzword both among professionals and scholars. However, though climate change and resource depletion are now widely recognized by business as major challenges, and while new practices like 'green design' have emerged, efforts towards change remain weak and fragmented. Exposing these limitations, Design Futuring systematically presents ideas and methods for Design as an expanded ethical and professional practice. Design Futuring argues that responding to ethical, political, social and ecological concerns now requires a new type of practice that recognizes design's importance in overcoming a world made unsustainable. Illustrated throughout with international case material, Design Futuring presents the author's ground-breaking ideas in a coherent framework, focusing specifically on the ways in which concerns for ethics and sustainability can change the practice of Design for the twenty-first century. Design Futuring - a pathfinding text for the new era - extends far beyond Design courses and professional practice, and will also be invaluable to students and practitioners of Architecture, the Creative Arts, Business and Management.89:T6fc,

The no. 1 Sunday Times bestselling satire of New York high society from the wickedly funny Plum Sykes

'Perfectly pitched – playful, funny, satirical and sweet. I laughed out loud many times' Anna Wintour, Vogue

'Sykes has a distinctive, wily and well-deployed comic voice … Into the blender go Bridget Jones, Anita Loos, Sex and the City and Clueless; out comes a diabolically amusing concoction' New York Times

'A masterpiece: never has intelligence been so wickedly dark, on-point and outright funny ... I’m full of awe and admiration' Alain de Botton on Party Girls Die in Pearls

Meet moi, ‘a champagne bubble of a girl about town working at being a princess by day and by night on the prowl for that elusive, must-have accessory every girl simply demands: an impossibly rich fiancé'.

It shouldn’t be too tricky. After all, her BFF is Julie Bergdorf, department store heiress, queen of Park Avenue and owner of hair universally acknowledged as the Perfect Shade of Blonde.

Life is a whirl of ball gowns and blow-dries (which inevitably take waaay too long, because hairdressers always need to talk through their addictions).

But, strictly entre nous, it can actually be très draining to mix parties, peach bellinis and private jets (‘PJs’ to those fluent in globetrotting) while maintaining a standout collection of Chloé jeans and a job.

How does she manage it?

Plum Sykes lifts the lid on Manhattan’s elite in this devilishly witty, deliciously addictive tale of the search for love – and the ultimate Manolos.

Plum Sykes' latest novel, Wives Like Us, is out now.

8a:T45b,‘I wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time I’m in rehearsal on a Shakespeare play, I have no doubt that a copy from this series will be in my hand.’ ADRIAN LESTER, Actor, Director and Writer

Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play’s possibilities and meanings to actors and students.

Each edition offers:
-Facing-page notes
-Short, clear definitions of words
-Easily accessible information about key textual variants
-Notes on pronunciation of difficult names and unfamiliar words
-An easy to read layout
-Space to write notes
-A short introduction to the play8b:T60c,We know facts, but we also know how to do things. To know a fact is to know that a proposition is true. But does knowing how to ride a bike amount to knowledge of propositions? This is a challenging question and one that deeply divides the contemporary landscape. A Critical Introduction to Knowledge-How introduces, outlines, and critically evaluates various contemporary debates surrounding the nature of knowledge-how. Carter and Poston show that situating the debate over the nature of knowledge-how in other epistemological debates provides new ways to make progress. In particular, Carter and Poston explore the question of what knowledge-how involves, and how it might come apart from propositional knowledge, by engaging with key epistemological topics including epistemic luck, knowledge of language, epistemic value, virtue epistemology and social epistemology. New frontiers for research on knowledge-how are also explored relating to the internalism - externalism debate as well as embodied and extended knowledge. A Critical Introduction to Knowledge-How provides an accessible introduction to the main arguments in this important and thriving debate suited for undergraduates and postgraduates in philosophy and related areas. A strength of the book is its methodology which places a premium on placing the debates over knowledge-how in a broader conversation over the nature of knowledge. This book also offers an opinionated discussion of various lines of argument which will be of interest to professional philosophers as well.8c:T60c,We know facts, but we also know how to do things. To know a fact is to know that a proposition is true. But does knowing how to ride a bike amount to knowledge of propositions? This is a challenging question and one that deeply divides the contemporary landscape. A Critical Introduction to Knowledge-How introduces, outlines, and critically evaluates various contemporary debates surrounding the nature of knowledge-how. Carter and Poston show that situating the debate over the nature of knowledge-how in other epistemological debates provides new ways to make progress. In particular, Carter and Poston explore the question of what knowledge-how involves, and how it might come apart from propositional knowledge, by engaging with key epistemological topics including epistemic luck, knowledge of language, epistemic value, virtue epistemology and social epistemology. New frontiers for research on knowledge-how are also explored relating to the internalism - externalism debate as well as embodied and extended knowledge. A Critical Introduction to Knowledge-How provides an accessible introduction to the main arguments in this important and thriving debate suited for undergraduates and postgraduates in philosophy and related areas. A strength of the book is its methodology which places a premium on placing the debates over knowledge-how in a broader conversation over the nature of knowledge. This book also offers an opinionated discussion of various lines of argument which will be of interest to professional philosophers as well.8d:T6bd,

'Fascinating' - Financial Times

Algorithms are running our society, and as the Cambridge Analytica story has revealed, we don’t really know what they are up to.

Our increasing reliance on technology and the internet has opened a window for mathematicians and data researchers to gaze through into our lives. Using the data they are constantly collecting about where we travel, where we shop, what we buy and what interests us, they can begin to predict our daily habits. But how reliable is this data? Without understanding what mathematics can and can’t do, it is impossible to get a handle on how it is changing our lives.

In this book, David Sumpter takes an algorithm-strewn journey to the dark side of mathematics. He investigates the equations that analyse us, influence us and will (maybe) become like us, answering questions such as:

- Who are Cambridge Analytica? And what are they doing with our data?
- How does Facebook build a 100-dimensional picture of your personality?
- Are Google algorithms racist and sexist?
- Why do election predictions fail so drastically?
- Are algorithms that are designed to find criminals making terrible mistakes?
- What does the future hold as we relinquish our decision-making to machines?

Featuring interviews with those working at the cutting edge of algorithm research, including Alex Kogan from the Cambridge Analytica story, along with a healthy dose of mathematical self-experiment, Outnumbered explains how mathematics and statistics work in the real world, and what we should and shouldn’t worry about.

A lot of people feel outnumbered by algorithms – don’t be one of them.

8e:T573,The Arden Shakespeare is the established scholarly edition of Shakespeare’s plays. Now in its third series, Arden offers the best in contemporary scholarship. Each volume guides you to a deeper understanding and appreciation of Shakespeare’s plays.
This edition of King John provides:
- A clear and authoritative text, edited to the highest standards of scholarship.
- Detailed notes and commentary on the same page as the text.
- A full, illustrated introduction to the play’s historical, cultural and performance contexts.
- A full index to the introduction and notes.
- A select bibliography of references and further reading.

With a wealth of helpful and incisive commentary, The Arden Shakespeare is the finest edition of Shakespeare you can find.
King John tells the story of John's struggle to retain the crown in the face of alternative claims to the throne from France and is one of the earlier history plays. The new Arden Third Series edition offers students a comprehensive introduction exploring the play's relationship to its source and to later plays in the history cycle, as well as giving a full account of its critical and performance history, including key productions in 2015 which marked the anniversary of Magna Carta. As such this is the most detailed, informative and up-to-date student edition available.8f:T458,Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.90:T60f,By June 1993, when Washington, D.C.’s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990’s genre-defining Repeater and 1991’s impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.

Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.

This book features new interviews with all four members of Fugazi and members of their creative community.91:T7dc,

SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2019
THE SUNDAY TIMES BESTSELLER
THE NEW YORK TIMES NUMBER ONE BESTSELLER

SELECTED AS BOOK OF THE YEAR BY BUZZFEED, THE DAILY TELEGRAPH, GUARDIAN, I PAPER, IRISH TIMES, REFINERY29, SCOTSMAN, SUNDAY TELEGRAPH, TIME MAGAZINE, TIMES LITERARY SUPPLEMENT, AND WASHINGTON POST

From the Orange Prize-winning, internationally bestselling author of The Song of Achilles comes the powerful story of the mythological witch Circe, inspired by Homer’s Odyssey

Chosen as must-read book of 2018 by the Guardian, i, Mail on Sunday, Sunday Express and Stylist

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe has neither the look nor the voice of divinity, and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

When love drives Circe to cast a dark spell, wrathful Zeus banishes her to the remote island of Aiaia. There she learns to harness her occult craft, drawing strength from nature. But she will not always be alone; many are destined to pass through Circe’s place of exile, entwining their fates with hers. The messenger god, Hermes. The craftsman, Daedalus. A ship bearing a golden fleece. And wily Odysseus, on his epic voyage home.

There is danger for a solitary woman in this world, and Circe’s independence draws the wrath of men and gods alike. To protect what she holds dear, Circe must decide whether she belongs with the deities she is born from, or the mortals she has come to love.

Breathing life into the ancient world, Madeline Miller weaves an intoxicating tale of gods and heroes, magic and monsters, survival and transformation.

92:T5ee,

Frankenstein and Its Classics is the first collection of scholarship dedicated to how Frankenstein and works inspired by it draw on ancient Greek and Roman literature, history, philosophy, and myth. Presenting twelve new essays intended for students, scholars, and other readers of Mary Shelley’s novel, the volume explores classical receptions in some of Frankenstein’s most important scenes, sources, and adaptations. Not limited to literature, the chapters discuss a wide range of modern materials—including recent films like Alex Garland’s Ex Machina and comics like Matt Fraction’s and Christian Ward’s Ody-C—in relation to ancient works including Hesiod’s Theogony, Aeschylus’s Prometheus Bound, Ovid’s Metamorphoses, and Apuleius’s The Golden Ass.

All together, these studies show how Frankenstein, a foundational work of science fiction, brings ancient thought to bear on some of today’s most pressing issues, from bioengineering and the creation of artificial intelligence to the struggles of marginalized communities and political revolution. This addition to the comparative study of classics and science fiction reveals deep similarities between ancient and modern ways of imagining the world—and emphasizes the prescience and ongoing importance of Mary Shelley’s immortal novel. As Frankenstein turns 200, its complex engagement with classical traditions is more significant than ever.

93:T52c,

For centuries, the creation of Jacquard cloth required the collaborative efforts of teams of designers and technicians working on vastly complex equipment. In the past three decades, developments in loom technology and CAD systems have made it possible for a single individual to design and produce this most challenging class of textiles.

Digital Jacquard Design presents a comprehensive introduction to the creation of weave patterning in the era of digitally piloted looms. It offers both aesthetic and technical training for students of figured weaving, covering the Jacquard medium in fantastic breadth and depth. The book is an essential guide for all who create figured textiles with modern materials and tools, and provides the reader with a 'digital' key to access and employ the great textile traditions of the past.

Digital Jacquard Design examines the design process from end to end, progressing from visual analysis, sample analysis and weave-drafting methods, to figuring techniques and the selection and building of weaves. It provides a guide to converting traditional drafts to digital polychrome format, a design terminology and a weave glossary. The book concludes with a rich set of case studies to demonstrate ingenious and effective weave and design solutions.

94:T404,The Peacock Revolution in menswear of the 1960s came as a profound shock to much of America. Men's long hair and vividly colored, sexualized clothes challenged long established traditions of masculine identity. Peacock Revolution is an in-depth study of how radical changes in men's clothing reflected, and contributed to, the changing ideas of American manhood initiated by a 'youthquake' of rebellious baby boomers coming of age in an era of social revolutions. Featuring a detailed examination of the diverse socio-cultural and socio-political movements of the era, the book examines how those dissents and advocacies influenced the youthquake generation's choices in dress and ideas of masculinity. Daniel Delis Hill provides a thorough chronicle of the peacock fashions of the time, beginning with the mod looks of the British Invasion in the early 1960s, through the counterculture street styles and the mass-market trends they inspired, and concluding with the dress-for-success menswear revivals of the 1970s Me-Decade.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794150087174,"state":{"data":{"pages":[{"requestId":"1e589b29-04d0-4929-982d-d55bd5528100","total":{"value":7947,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9781635573534","id":732096,"score":2,"position":3096,"book":{"id":732096,"isbn":"9781635573534","created":"2024-01-29T21:04:10.000Z","title":"The cost of living : a working autobiography","description":"$83","htmlDescription":null,"pages":144,"language":"eng","depth":13,"height":140,"width":206,"weight":159,"edition":null,"publishDate":"2018","authorNames":"Deborah Levy","publisherName":"Bloomsbury 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Nancy Mitford meets Clueless, with a touch of Agatha Christie, in this tale of cocktails, murder and mayhem in 1980s Oxford

Oxford, 1985. Ursula Flowerbutton, a Fresher and wide-eyed country girl, arrives for her first term at the famous university. What she hasn’t bargained on is finding a body. Oh, crumpets.

Who killed the beautiful India Brattenbury? With the help of her fellow fresher, glamorous American Nancy Feingold, Ursula sets off to unravel the mystery. The girls’ investigations lead them into a world of black-tie parties and dining societies, sex and secrets. Ursula soon realises that Oxford’s not all Pimm’s and punting. From broken-hearted boyfriends to snobby Sloanes, lovelorn librarians to dishy dons, none can be presumed innocent.

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‘This is the weapon he has been seeking so assiduously since his return: the knowledge of how to destroy you’ Albus Dumbledore

Harry Potter is furious that he has been abandoned at the Dursleys’ house for the summer, for he suspects that Voldemort is gathering an army, that he himself could be attacked, and that his so-called friends are keeping him in the dark. Finally rescued by wizard bodyguards, he discovers that Dumbledore is regrouping the Order of the Phoenix – a secret society first formed years ago to fight Voldemort. But the Ministry of Magic is against the Order, lies are being spread by the wizards’ tabloid, the Daily Prophet, and Harry fears that he may have to take on this epic battle against evil alone.

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