83:T6c7,National Book Critics Circle Award Finalist
California Book Award Winner

"The Crusades of Cesar Chavez is a biography for readers who find real human beings more compelling than icons." --Los Angeles Times

Cesar Chavez founded a labor union, launched a movement, and inspired a generation. He rose from migrant worker to icon, becoming one of the great leaders of the twentieth century. Two decades after his death, Chavez remains the most significant Latino figure in U.S. history. Yet his life story has been told only in hagiography--until now.

In the first comprehensive biography of Chavez, Miriam Pawel offers a searching yet empathetic portrayal. Chavez emerges here as a visionary whose eyes were fixed on a horizon others often could not even see. He was a brilliant strategist who sometimes stumbled, and a streetwise organizer whose pragmatism was often at odds with his soaring dreams. Drawing on thousands of documents, hundreds of hours of audiotape, and scores of interviews, this superbly written life deepens our understanding of one of Chavez's most salient qualities: his profound humanity.

Pawel traces Chavez's rise as he empowered the poor and disenfranchised and led farmworkers to historic victories over the agriculture industry. With compassion and compelling detail, she narrates the equally dramatic later years when Chavez's charismatic leadership devolved into a cult of personality, with heartbreaking consequences for his union. The Crusades of Cesar Chavez reveals how this unlikely American hero ignited one of the great social movements of our time--and left a legacy that resonates today, from California to the White House.84:T523,

Japan and China look back on a history of friendship as well as friction, particularly in recent decades. As the People’s Republic of China’s economy began to grow in the 1990s, so did its political weight within Asia and its economical relevance for Japan. Covering the years from 1989 to 2005, this book looks at Sino-Japanese relations through film and television drama in the crucial time of China’s ascent to an economic superpower in opposition to Japan’s own ailing economy. It provides an overview of how Japan views China through its visual media, offers explanations as to how oppositions between the two countries came to exist, and how and why certain myths about China have been conveyed.

Griseldis Kirsch argues that the influence of visual media within society cannot be underestimated, nor should their value be lessened by them being perceived as part of ‘popular culture’. Drawing on examples from a crucial 16 years in the history of post-war Japan and China, she explores to what extent these media were influenced by the political discourse of their time. In doing so, she adds another layer to the on-going debate on Sino-Japanese relations, bringing together disciplines such as media studies, history and area studies and thus filling a gap in existing research.

85:T425,

Widely acknowledged as an important, if highly controversial, figure in contemporary literature, French novelist and poet Michel Houellebecq has elicited diverse critical responses.

In this book Carole Sweeney examines his novels as a response to the advance of neoliberalism into all areas of affective human life. This historicizing study argues that le monde houellebecquien is an ‘atomised society’ of banal quotidian alienation populated by quietly resentful men who are the botched subjects of late-capitalism. Addressing Houellebecq’s handling of the ‘failure’ of the radical thought of ‘68, Sweeney looks at the ways in which his fiction treats feminism, the decline of religion and the family, as well as
the obsolescence of French ‘theory’ and the Sartrean notion of ‘engaged’ literature.

Reading the world with the disappointed idealism of a contemporary moralist, Houellebecq’s novels, Sweeney argues, fluctuate between despair for the world as it is and a limp utopian hope for a post-humanity.

86:T422,Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.87:T8c1,

The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function.

Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix.

In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means 'the truth'. English newspapers aren't propaganda sheets. The question is, why do so many of them choose to behave as if they are?"

The character of Lambert Le Roux is a South African newspaper tycoon and the owner of several companies, striding his way through the regional papers en route to Fleet Street. Turning broadsheets tabloid, dumbing down the message, and stretching the truth, Le Roux takes no prisoners as he manipulates politicians and creates a media monopoly out of a once-respected industry.

Le Roux is bent on dominating England's press as he has elsewhere in the world. As we see Le Roux accomplish his aims, we see also how the press is not the organ of truth we like to think it is. The dissemination of the truth is no longer its primary goal under the 'Lambert Le Rouxs' of our world. What is important now is what sells.

The play is an epic satire on the media in the Thatcher era; a morality tale about how Andrew, a young liberal journalist, finally succumbs to Le Roux, who makes him editor of a tabloid; and – allegedly – the play is a direct representation of Rupert Murdoch who, even in 1985, was a major force in media ownership.

Howard Brenton's and David Hare's first collaboration since Brassneck in 1973, Pravda was premiered at the National Theatre in May 1985, starring Anthony Hopkins and directed by David Hare, and was awarded the London Standard Best Play Award, the City Limits Best Play Award, and the Plays and Players Best Play Award.

This Modern Classics edition features an introduction by Philip Roberts, Emeritus Professor of Drama and Theatre Studies at the University of Leeds, and a foreword by Jonathan Church.

88:T537,This book of essays, written in honour of Professor David Trubek, explores many of the themes which he has himself written about, most notably the emergence of a global critical discourse on law and its application to global governance. As law becomes ever more implicated in global governance and as processes related to and driven by globalisation transform legal systems at all levels, it is important that critical traditions in law adapt to the changing legal order and problématique. The book brings together critical scholars from the EU, and North and South America to explore the forms of law that are emerging in the global governance context, the processes and legal roles that have developed, and the critical discourses that have been formed. By looking at critical appraisals of law at the global, regional and national level, the links among them, and the normative implications of critical discourses, the book aims to show the complexity of law in today's world and demonstrate the value of critical legal thought for our understanding of issues of contemporary governance and regulation. Scholars from many countries contribute critical studies of global and regional institutions, explore the governance of labour and development policy in depth, and discuss the changing role of lawyers in global regulatory space.89:T490,As a British Intelligence Officer during World War II, Hugh Trevor-Roper was expressly forbidden from keeping a diary due to the sensitive and confidential nature of his work. However, he confided a record of his thoughts in a series of slender notebooks inscribed OHMS (On His Majesty's Service). The Wartime Journals reveal the voice and experiences of Trevor-Roper, a war-time 'backroom boy' who spent most of the war engaged in highly-confidential intelligence work in England - including breaking the cipher code of the German secret service, the Abwehr. He became an expert in German resistance plots and after the war interrogated many of Hitler's immediate circle, investigated Hitler's death in the Berlin bunker and personally retrieved Hitler's will from its secret hiding place. The posthumous discovery of Trevor-Roper's secret journals - unknown even to his family and closest confidants - is an exciting archival find and provides an unusual and privileged view of the Allied war effort against Nazi Germany. At the same time they offer an engaging - sometimes mischievous - and reflective study of both the human comedy and personal tragedy of wartime.8a:T452,

This major new text on the theory and practice of public management moves away from descriptive accounts of its evolution to provide a systematic treatment of the key paradigms of public management today. It examines their competing outlooks, values, tools and assumptions and – using a wide range of examples from different areas of management around the world – their implications for practice.

The text sets out three contrasting 'logics' for management – performance, professionalism and politics – and shows how public managers act on the interplay between these for effective results. Relating all three logics to a wide range of diverse contexts – from police services to healthcare, social services to educational providers – the text shows how managers can simultaneously perform to a high standard, act professionally through their work, and cope with internal and external politics.

Incorporating the latest theories and practices, this comprehensive book will appeal to readers around the world wanting to understand, and contribute to, public management today.

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The village has lied. William has lied. It is not because I am undeserving. Not because I am young and they are old. God has given them nothing. I know this now.

Knives in Hens is a brutal fable set in a timeless spartan rural community. First staged at the Traverse Theatre, Edinburgh in June 1995, before transferring to the Bush Theatre, London, in November 1995, the play was playwright David Harrower's first professionally produced work. It has been staged in twenty-five countries around the world and is widely acknowledged as a modern Scottish classic.

A remarkable play about the transformative power of knowledge and an emerging consciousness as the world moves from rural to the urban and industrial.

With an introduction by Mark Fisher.

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Right, you know the rules, watch the low blows, if it's a knock-down no messing about, go straight to your corner, and don't come out till called for, are we clear? Touch gloves, let's go.

In the red corner: Leon Davidson - Black British champ or Uncle Tom? In the blue corner: Troy Augustus - American powerhouse or naive cash cow? Having spent their youth in the same London boxing gym, vying for the favouritism of inspirational, foul-mouthed trainer Charlie Maggs, the two former friends step into the ring and face up to who they are. Boxing has dominated their lives with an unhoped-for structure and meaning, but it becomes clear that it is no substitute for their health, family, and friends.

Roy Williams' Sucker Punch looks back on what it was like to be young and black in the 1980s and asks if the right battles have been fought, let alone won.

With an introduction by Harry Derbyshire, Lecturer in English and Drama at the University of Greenwich.

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It's 1958. Beatie Bryant has been to London and fallen in love with Ronnie, a young socialist. As she anxiously awaits his arrival to meet her family at their Norfolk farm, her head is swimming with new ideas. Ideas of a bolder, freer world which promise to clash with their rural way of life.

Roots is the remarkable centrepiece of Wesker's seminal post-war trilogy. It was first performed in 1959 at the Belgrade Theatre, Coventry, before transferring to the Royal Court. It is the second play in a trilogy comprising Chicken Soup with Barley and I'm Talking About Jerusalem. It went on to transfer to the Duke of York's Theatre in the West End.

A true classic, Roots is an affecting portrait of a young woman finding her voice at a time of unprecedented social change.

This Modern Classic edition features an introduction by Glenda Leeming.

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Featuring thirteen specially commissioned chapters on core subjects, The Bloomsbury Companion to Philosophy of Mind is an essential tool for all those studying and working in the field, purpose-built for use on courses in this area of philosophy.

Beginning with 'How to Use this Book' the Companion includes overviews of perennial problems and new directions in contemporary philosophy of mind, an extended glossary of terms for quick reference, a detailed chronology, a guide to research for ongoing study and a comprehensive bibliography of key classic and contemporary publications in the philosophy of mind.

From new questions concerning qualia, representation, embodiment and cognition to fresh thinking about the long-standing problems of physicalism, dualism, personal identity and mental causation, this book is an authoritative survey of the latest research from experts in one of the most active areas of philosophical inquiry.

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Bringing new insights from genre theory to bear on the work of the journalist and novelist Rebecca West, this study explores how West's use of and combinations of multiple genres (often in single works) was informed and furthered by her subversive feminist goals.

Rebecca West's Subversive Use of Hybrid Genres analyzes West's sense of genres as dynamic and strategic processes with transgressive political ends rather than as fixed and reified taxonomies, a radical new approach at the time that is now mirrored in much contemporary theory. Surveying her oeuvre from this point of view, the book goes on to examine systematically West's writing from 1911-1941, including her early journalism and criticism, such novels as The Return of the Soldier and her controversial multi-genre epic Black Lamb and Grey Falcon.

","htmlDescription":null,"pages":208,"language":"eng","depth":13,"height":156,"width":234,"weight":468,"edition":null,"publishDate":"2015-05-21","authorNames":"Laura Cowan","publisherName":"Bloomsbury Publishing Plc","format":"BB","category":null,"image":"https://book-info.studentapan.live/image/9781441144171-rebecca-wests-subversive-use-of-hybrid-genres.jpg","highResImage":"https://book-info.studentapan.live/image/9781441144171-rebecca-wests-subversive-use-of-hybrid-genres.jpg/org","imageFile":"9781441144171","isRemoved":null,"views":0,"editionGroupId":54136,"editionGroupState":null,"adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":2262,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780567657527","id":148997,"score":2,"position":3564,"book":{"id":148997,"isbn":"9780567657527","created":"2015-12-25T23:00:00.000Z","title":"John's Use of the Old Testament in Revelation (Journal for the Study of the New Testament. 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