84:T46a,Propertius' four books of love-elegies (c. 32-12 BC) were produced during the heyday of Augustan literature. His poetry has been noted by modern critics for its striking forms of expression, sometimes tortured syntax, sudden transitions and abstruse allusiveness. Much of this "difficulty", Hubbard argues, may stem as much from the many impenetrable corruptions in our surviving, comparatively late manuscripts as from Propertius himself. For ancient critics, in contrast with the modern, read him as polished, elegant and amusing. This book presents a Propertius along these latter lines. The four central chapters of this volume deal broadly with the four books, but at the same time raise general issues, such as the unity of Propertius' oeuvre, or his self-acknowledged indebtedness to Callimachus. Throughout Hubbard analyses in detail both extended and shorter passages which are always given in both the original and in a no-nonsense prose translation. There emerges a reading of the poet which renders him immediately accessible to student and general reader, while providing insights equally challenging for specialists.85:T5f7,This first volume of Wesker's Collected Plays contains the Wesker Trilogy - 'A trilogy which will act as a monument to its era' Daily Mail This trilogy of plays was premiered at the Royal Court Theatre in the 60s and concern Wesker's own background, growing up in a Jewish family in the 30s in the East End of London. 'The action of the trilogy takes place between the middle thirties and the late fifties and has as its background three wars - the Spanish Civil, the Second World, and the Cold. Its purpose is to show the ways in which these huge disturbances impinge on a Jewish working-class household, altering their habits of work and thought, and thus determining the course of their lives. The theme is a vast one and Mr Wesker is splendidly equipped to handle it. Like many Jewish writers, he thinks internationally, yet feels domestically; and it is this combination of attributes that enables him to bring gigantic events and ordinary people into the same sharp focus' (Kenneth Tynan, Observer) 'A trilogy which will act as a monument to its era' (Daily Mail)"The passion of Mr Wesker's theme is matched by the living fire in his writing ...its quality is undiminished by the passing years" Bernard Levin"The theme is a vast one and Mr Wesker is splendidly equipped to handle it.
Like many Jewish writers, he thinks internationally, yet feels domestically; and it is this combination of attributes that enables him to bring gigantic events and ordinary people into the same sharp focus" Kenneth Tynan, Observer86:T50c,_______________ 'The music made by the language resembles gunfire, or an exploding grenade ... he fires off missives as though they were missiles' - Observer 'Very few editions of collected letters are worth reading from cover to cover, but this is one' - Scotland on Sunday 'There are only two adjectives writers care about any more - "brilliant" and "outrageous" - and Hunter has a freehold on both of them' - Tom Wolfe _______________ Brazen, incisive, and outrageous as ever, Hunter S. Thompson is back with another astonishing volume of private correspondence, the highly anticipated follow-up to The Proud Highway. Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado, creating the seminal road book Fear and Loathing in Las Vegas, twisting political reporting to new heights for Rolling Stone and making sense of it all in the landmark Fear and Loathing on the Campaign Trail '72. To read Thompson's dispatches from these years - addressed to authors and friends, enemies, editors and creditors, and such notables as Jimmy Carter, Tom Wolfe and Kurt Vonnegut - is to read a raw, revolutionary eyewitness account of one of the most exciting and pivotal eras in American history.87:T423,Continuum Contemporaries will be a wonderful source of ideas and inspiration for members of book clubs and readings groups, as well as for literature students.The aim of the series is to give readers accessible and informative introductions to 30 of the most popular, most acclaimed, and most influential novels of recent years. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.88:T41e,'This book should be essential reading for all teachers of Mathematics. Two highly experienced and innovative teachers reflect on the approaches they designed and implemented that have raised student achievement and opportunity.' Dr Jo Boaler, Stanford University 'This book will be used by teachers of Mathematics all over the world: its fresh ideas and basis in recent research and theory make it more valuable than other texts aimed at the same audience - it is full of well-founded ideas and exemplary practices which teachers will be able to think about, question, adapt and use.' Dr Bill Barton, University of Auckland 'This is one of those rare texts which one can wholeheartedly recommend to teachers across the whole spectrum from idealistic novice to fatigued veteran. It is intellectually provocative and intensely practical.' Dr William Higginson, Queen's University Canada Mike Ollerton is Senior Lecturer in Mathematics Education at St Martin's College, Lancaster. Anne Watson is Reader in Mathematics Education at the University of Oxford.89:T5d8,Includes The Chamber Plays (The Storm, The Burned Site, The Ghost Sonata, The Pelican, The Black Glove) and The Great Highway August Strindberg, the great Swedish dramatist and author, had a profound influence on European drama. His career was particularly marked by a desire to experiment with and redefine theatre. With roots in psychological naturalism, he was nevertheless fascinated by symbols, dreams and fantasies.His later plays anticipated and paved the way for surrealistic, expressionistic and absurdist theatre.This, the second volume of the plays of Strindberg publishedby Oberon Books, contains the Chamber Plays (The Storm, The Burned Site, The Ghost Sonata, The Pelican, The Black Glove) - some of the most characteristic and original of Strindberg's works - as well as Strindberg's last great play, written shortly before his death. This is The Great Highway, one of the expressionist masterpiecesof modern drama. A man walks the Alps encountering feuding millers, a hermit, a murderer, a Japanese man resolved to burn himself to death to cleanse him of his existence, and a little girl waiting for her father to return. In the end he seeks to justify his life to an unknown woman whilst coughing blood into his handkerchief. The Tempter himself arrives with an offer from the Grand Duke...Gregory Motton's translations combine an unprecedented faithfulness to Strindberg's original texts with the natural fluency of one of our most linguistically able contemporary playwrights.8a:T50b,With a foreword by HRH The Duke of Kent On 13 February 1945 Dresden, one of the most beautiful and historic cities of Europe, was destroyed by British and American air raids. This book is the first comprehensive history in the English language of this important cultural and historical centre. The book traces the city's evolution from 1206 to its great baroque period under Augustus the Strong, and from the bombing to the present day. The story of Dresden supplies the reader with unique insights into the collapse of the old monarchic order, the resistance of citizens to the Nazi regime, as well as the reaction of the Church and the rise and fall of the GDR. It describes the post-war replanning of the city, from its ideological reshaping under Communism to the liberation of ideas and energies after the fall of the Berlin Wall. Experts in their fields tell the story of Dresden's great musical, artistic, architectural, literary and theatrical traditions which are further illuminated by a series of personal memoirs from eye-witness accounts in 1945 to contemporary reflections by Lord Menuhin and others. Heavily illustrated, this book will be relevant to students of German history and art history or for anyone interested in a wide-ranging introduction to the history of Dresden.8b:T409,This book explains the First World War in a manner the lay person can understand, and the expert will still find intriguing. It covers a broad canvas, but does so with great economy. The origins of the war, both diplomatic and social, are discussed in a particularly illuminating fashion. The reader is then taken through the major battles on the Eastern and Western Fronts, and is in the process given insight into the eventual Allied victory. The war at sea, on the home front and in distant theatres is also carefully examined. There is, in addition, a worm's eye view of the conflict - the war as it was experienced by the men in the trenches.
The book provides a wonderfully clear and sustaining introduction to a conflict usually mired in confusion. The strong narrative drive and lively style make it an easy and enjoyable read. Students will find the book a very good starting point for a study of the war, and lay readers will simply enjoy the clarity and drama it brings to a war which continues to intrigue and torment.8c:T5cf,

This work explores the early diplomatic career of Robert Morier, the British Foreign Office's foremost expert on German affairs in the period leading up to German unification in 1871. As the subject of an intellectual biography, Morier provides valuable insights into the effects of German events and ideas upon the changing character of mid-Victorian liberalism. Morier is an important figure in understanding the dynamics of Anglo-German relations during this period, not only because of his unrivalled knowledge of German affairs, but also because of his broad connections to prominent liberal politicians and intellectuals in both countries. Through Morier's career, Murray examines the general currents of political, economic, and cultural change.

Murray addresses four main components of liberal thought under debate during the mid-Victorian period: constitutionalism and self-government; the problem of nationalism; free trade and commercial treaties; and church-state relations in the aftermath of the first Vatican Council. Robert Morier was forced to confront each of these themes as they found concrete expression in German events, engaging leading liberal intellectuals and politicians in discussions over the future of both Germany and Britain. Thus, Germany became an important source of debate among British liberals regarding several fundamental aspects of their ideology, the most prominent being the proper role of the state in a modern liberal society.

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'Anouilh is a poet, but not of words: he is a poet of words-acted, of scenes-set, of players-performing' Peter Brook

Jean Anouilh, one of the foremost French playwrights of the twentieth century, replaced the mundane realist works of the previous era with his innovative dramas, which exploit fantasy, tragic passion, scenic poetry and cosmic leaps in time and space. Antigone, his best-known play, was performed in 1944 in Nazi-controlled Paris and provoked fierce controversy. In defying the tyrant Creon and going to her death, Antigone conveyed to Anouilh's compatriots a covert message of heroic resistance; but the author's characterisaation of Creon also seemed to exonerate Marshal Petain and his fellow collaborators. More ambivalent than his ancient model, Sophocles, Anouilh uses Greek myth to explore the disturbing moral dilemmas of our times.

Commentary and notes by Ted Freeman.

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