84:T442,This new and fully revised edition of the A Biblical Hebrew Reference Grammar serves as a user-friendly and up-to-date source of information on the morphology, syntax, semantics and pragmatics of Biblical Hebrew verbs, nouns and other word classes (prepositions, conjunctions, adverbs, modal words, negatives, focus particles, discourse markers, interrogatives and interjections). It also contains one of the most elaborate treatments of Biblical Hebrew word order yet published in a grammar.

Compiled by authors with extensive experience in the teaching of Hebrew, the text is rendered both easily accessible and a fascinating examination of the language, building upon the initial publication by incorporating up-to-date developments in the study of the Hebrew Bible. This grammar will be of service both to students who have completed an introductory or intermediate course in Biblical Hebrew, and also to more advanced scholars seeking to take advantage of traditional and recent descriptions of the language that go beyond the basic morphology of Biblical Hebrew.85:T472,It looked like any other carnival, but of course it wasn’t… It had its own little backstreets, its alleyways of hanging bulbs and ghost trains and Punch and Judy stands … And at the end of one he saw the Hall of Mirrors. There were looping strings of carnival lights leading towards it, and a large sign in mirrored glass reading ‘Burleigh’s Amazing Hall of Mirrors’ and the sign reflected the lights in all sorts of magically distorted ways. To Andy and his parents, it looks like any other carnival: creaking ghost train, rusty rollercoaster and circus performers. But of course it isn’t. Drawn to the hall of mirrors, Andy enters and is hypnotised by the many selves staring back at him. Sometime later, one of those selves walks out rejoins his parents – leaving Andy trapped inside the glass, snatched from the tensions of his suburban home and transported to a world where the laws of gravity are meaningless and time performs acrobatic tricks. And now an identical stranger inhabits Andy’s life, unsettling his mother with a curious blankness, as mysterious events start unfolding in their Irish coastal town…86:T452,'Relegate anything else you’re reading – there is no other book to be seen with now' The Times 'Obscene, beautiful, moving' New Yorker These seven startling stories of family, femininity, sexuality and otherness will plunge you into the tender and chaotic hearts of narrators you won’t easily forget. Centred on a community of immigrants who have traded their endangered lives as artists in China and Taiwan for the constant struggle of life on the poverty line in 1990s New York City, the stories that make up Sour Heart examine the many ways that family and history can weigh us down, but also lift us up. From the young woman coming to terms with her grandmother’s role in the Cultural Revolution, to the daughter struggling to understand where her family ends and she begins, to the girl discovering the power of her body to inspire and destroy, these vibrant, raw and powerful stories illuminate the complex and messy inner lives of girls struggling to define themselves. Fuelled by Jenny Zhang’s singular voice and sly humour, Sour Heart introduces a bright new force in literary fiction.87:T6bf,Pattern cutting, or pattern making, is an essential yet complex skill for every fashion designer to master. Pattern Cutting: The Architecture of Fashion demystifies the pattern cutting process and clearly demonstrates pattern fundamentals, enabling you to construct in both 2D and 3D, and quickly get to grips with basic blocks, shape, sleeves, collars, trousers, pockets and finishes.

Pat Parish approaches the subject of pattern cutting through proportion, balance, line and form, identifying key shapes and structures from the catwalk and translating them into 3D through cutting, draping and construction processes. This popular and inspirational sourcebook has been updated to reflect new directions in construction design and techniques, and to include more advanced patterns, such as the Magyar sleeve and the jumpsuit.
With handy tips, shortcuts and tricks of the trade, the second edition of Pattern Cutting is a must-have studio resource for all budding fashion designers. It will provide you with the inspiration, tools and confidence to interpret and adapt basic patterns, and take your designs to the next level.

New to this edition
- Step-by-step instructions for more complex patterns, including the Magyar sleeve, rever collar and jumpsuit
- A chapter devoted to patterns for pockets and finishes
- Invaluable information about working with different fabrics, such as neoprene and spacer
- Expanded coverage of innovation in pattern cutting, including sustainable and geometric cutting techniques
- Refreshed pattern flats and colour images
- Case studies with designers who have used cutting techniques to create unique, contemporary designs88:T534,`This is a book that was begging to be written. This is the kind of book that demands a future where we'll no longer need such a book. Essential' Marlon James, Man Booker Prize-Winner 2015 'One of the most important books of 2017' Nikesh Shukla, editor of The Good Immigrant A powerful and provocative argument on the role that race and racism play in modern Britain, by award-winning journalist Reni Eddo-Lodge In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. She posted a piece on her blog, entitled: `Why I'm No Longer Talking to White People About Race'. Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised by this clear hunger for open discussion, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of colour in Britain today.89:T514,LONGLISTED FOR THE MAN BOOKER PRIZE 2017 'Elegant and evocative ... A powerful exploration of the clash between society, family and faith in the modern world' Guardian 'There is high, high music in the air at the end of Home Fire' New York Times Isma is free. After years spent raising her twin siblings in the wake of their mother's death, she is finally studying in America, resuming a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London - or their brother, Parvaiz, who's disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew. Then Eamonn enters the sisters' lives. Handsome and privileged, he inhabits a London worlds away from theirs. As the son of a powerful British Muslim politician, Eamonn has his own birthright to live up to - or defy. Is he to be a chance at love? The means of Parvaiz's salvation? Two families' fates are inextricably, devastatingly entwined in this searing novel that asks: what sacrifices will we make in the name of love? A contemporary reimagining of Sophocles' Antigone, Home Fire is an urgent, fiercely compelling story of loyalties torn apart when love and politics collide - confirming Kamila Shamsie as a master storyteller of our times.8a:T4fa,An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing examines the ugly truths at the heart of the American story and the power - and limitations - of family bonds.

Jojo is thirteen years old and trying to understand what it means to be a man. His mother, Leonie, is in constant conflict with herself and those around her. She is black and her children's father is white. Embattled in ways that reflect the brutal reality of her circumstances, she wants to be a better mother, but can't put her children above her own needs, especially her drug use.

When the children's father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

Rich with Ward's distinctive, lyrical language, Sing, Unburied, Sing brings the archetypal road novel into rural twenty-first century America. It is a majestic new work from an extraordinary and singular author.8b:T705,

The stunning, timely new novel from the acclaimed, internationally bestselling author of The Architect's Apprentice and The Bastard of Istanbul.

Peri, a married, wealthy, beautiful Turkish woman, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground--an old polaroid of three young women and their university professor. A relic from a past--and a love--Peri had tried desperately to forget.

Three Daughters of Eve is set over an evening in contemporary Istanbul, as Peri arrives at the party and navigates the tensions that simmer in this crossroads country between East and West, religious and secular, rich and poor. Over the course of the dinner, and amidst an opulence that is surely ill-begotten, terrorist attacks occur across the city. Competing in Peri's mind however are the memories invoked by her almost-lost polaroid, of the time years earlier when she was sent abroad for the first time, to attend Oxford University. As a young woman there, she had become friends with the charming, adventurous Shirin, a fully assimilated Iranian girl, and Mona, a devout Egyptian-American. Their arguments about Islam and feminism find focus in the charismatic but controversial Professor Azur, who teaches divinity, but in unorthodox ways. As the terrorist attacks come ever closer, Peri is moved to recall the scandal that tore them all apart.

Elif Shafak is the number one bestselling novelist in her native Turkey, and her work is translated and celebrated around the world. In Three Daughters of Eve, she has given us a rich and moving story that humanizes and personalizes one of the most profound sea changes of the modern world.

8c:T491,Whilst seemingly simple garments such as the tunic remained staples of the classical wardrobe, sources from the period reveal a rich variety of changing styles and attitudes to clothing across the ancient world. Covering the period 500 BCE to 800 CE and drawing on sources ranging from extant garments and architectural iconography to official edicts and literature, this volume reveals Antiquity’s preoccupation with dress, which was matched by an appreciation of the processes of production rarely seen in later periods. From a courtesan’s sheer faux-silk garb to the sumptuous purple dyes of an emperor’s finery, clothing was as much a marker of status and personal expression as it was a site of social control and anxiety. Contemporary commentators expressed alarm in equal measure at the over-dressed, the excessively ascetic or at ‘barbarian’ silhouettes. Richly illustrated with 100 images, A Cultural History of Dress and Fashion in Antiquity presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.8d:T483,Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.8e:T674,WINNER OF THE MAN BOOKER PRIZE 2017 A STORY OF LOVE AFTER DEATH ‘A masterpiece’ Zadie Smith ‘Extraordinary’ Daily Mail ‘Breathtaking’ Observer ‘A tour de force’ The Sunday Times The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns to the crypt several times alone to hold his boy's body. From this seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of realism, entering a thrilling, supernatural domain both hilarious and terrifying. Willie Lincoln finds himself trapped in a transitional realm - called, in Tibetan tradition, the bardo - and as ghosts mingle, squabble, gripe and commiserate, and stony tendrils creep towards the boy, a monumental struggle erupts over young Willie's soul. Unfolding over a single night, Lincoln in the Bardo is written with George Saunders' inimitable humour, pathos and grace. Here he invents an exhilarating new form, and is confirmed as one of the most important and influential writers of his generation. Deploying a theatrical, kaleidoscopic panoply of voices - living and dead, historical and fictional - Lincoln in the Bardo poses a timeless question: how do we live and love when we know that everything we hold dear must end?3c:["$","$L7f",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794374450595,"state":{"data":{"pages":[{"requestId":"c143df0b-0a2c-44eb-877f-263a2c008f23","total":{"value":7985,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780567663344","id":1112497,"score":1,"position":6504,"book":{"id":1112497,"isbn":"9780567663344","created":"2026-08-25T21:37:45.000Z","title":"A biblical Hebrew reference grammar","description":"$84","htmlDescription":null,"pages":640,"language":"eng","depth":null,"height":null,"width":null,"weight":null,"edition":"2","publishDate":"2017","authorNames":"C. H. J. Van der Merwe, J. A. 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Jonah never thought a girl like Vivi would come along.

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Neither of them expected a summer like this . . . a summer that would rewrite their futures.

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