83:T721,This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our interface to the world, to others, to our memory and our imagination - a universal language through which the world speaks, and a universal engine on which the world runs. What electricity and combustion engine were to the early 20th century, software is to the early 21st century. Offering the the first theoretical and historical account of software for media authoring and its effects on the practice and the very concept of 'media,' the author of The Language of New Media (2001) develops his own theory for this rapidly-growing, always-changing field. What was the thinking and motivations of people who in the 1960 and 1970s created concepts and practical techniques that underlie contemporary media software such as Photoshop, Illustrator, Maya, Final Cut and After Effects? How do their interfaces and tools shape the visual aesthetics of contemporary media and design? What happens to the idea of a 'medium' after previously media-specific tools have been simulated and extended in software? Is it still meaningful to talk about different mediums at all? Lev Manovich answers these questions and supports his theoretical arguments by detailed analysis of key media applications such as Photoshop and After Effects, popular web services such as Google Earth, and the projects in motion graphics, interactive environments, graphic design and architecture. Software Takes Command is a must for all practicing designers and media artists and scholars concerned with contemporary media.84:T509,For centuries, the creation of Jacquard cloth required the collaborative efforts of teams of designers and technicians working on vastly complex equipment. In the past three decades, developments in loom technology and CAD systems have made it possible for a single individual to design and produce this most challenging class of textiles. Digital Jacquard Design presents a comprehensive introduction to the creation of weave patterning in the era of digitally piloted looms. It offers both aesthetic and technical training for students of figured weaving, covering the Jacquard medium in fantastic breadth and depth. The book is an essential guide for all who create figured textiles with modern materials and tools, and provides the reader with a 'digital' key to access and employ the great textile traditions of the past. Digital Jacquard Design examines the design process from end to end, progressing from visual analysis, sample analysis and weave-drafting methods, to figuring techniques and the selection and building of weaves. It provides a guide to converting traditional drafts to digital polychrome format, a design terminology and a weave glossary. The book concludes with a rich set of case studies to demonstrate ingenious and effective weave and design solutions.85:T43f,Glenn Adamson's last book, Thinking Through Craft, offered an influential account of craft's position within modern and contemporary art. Now, in his engaging sequel, The Invention of Craft, his theoretical discussion of skilled work is extended back in time and across numerous disciplines. Adamson searches out the origins of modern craft, locating its emergence in the period of the industrial revolution. He demonstrates how craft was invented as industry's "other", a necessary counterpart to ideas of progress and upheaval. In the process, the magical and secretive culture of artisans was gradually dominated through division and explication. This left craft with an oppositional stance, a traditional or anti-modern position. The Invention of Craft ranges widely across media, from lock-making, wood-carving and iron-casting to fashion, architecture and design. It also moves back and forth between periods, from the 18th century to the present day, demonstrating how contemporary practice can be informed through the study of modern craft in its moment of invention.86:T5ce,Images: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image; followed in Volume 2: The Pictorial Turn with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality. Volume 3: Image Theory offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image.Finally, Volume 4: Image Cultures examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers. Images: Critical and Primary Sources offers a major scholarly resource for any researchers involved in the study of the image and visual culture.87:T468,Retro interiors have come to the fore in recent years as a highly desirable and valuable branch of interior design. The emergence of a need for decorative objects and vintage furniture has resurrected retro style and placed it firmly as a key trend of contemporary design. Retro Style: Class, Gender and Design in the Home is the first book to explore the modern position of retro by asking important questions around the emergence of the trend, its impact on production and consumption and how it manifests itself in the contemporary interior. Examining themes ranging from design, taste and the aestheticisation of everyday life to the bohemianisation of popular culture, the book provides a fascinating insight into how retro has shaped modern interior design. Using original ethnographic research from retro retailers, enthusiasts, designers and media professionals Retro Style explores the positive and negative side of the style, ultimately providing an original and thought-provoking perspective on the history and trajectory of how retro has become what it now is and its bearing on the future of designed interiors.88:T8f6,

________________

LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2013
________________

'Perkins is an extraordinary writer ... The Forrests is a novel to be savoured' - Daisy Goodwin, Sunday Times

'Dexterously communicates some of life's less-syncopated rhythms ... Funny, painful and utterly mesmerising' - Independent on Sunday

'The novel I would most like to press into my friends' suitcases this summer ... kept me up reading late into the night' - Helen Brown, Daily Telegraph
________________

Dorothy Forrest is immersed in the sensory world around her; she lives in the flickering moment. From the age of seven, when her odd, disenfranchised family moves from New York City to the wide skies of Auckland, to the very end of her life, this is her great gift and possible misfortune.

Through the wilderness of a commune, to falling in love, to early marriage and motherhood, from the glorious anguish of parenting to the loss of everything worked for and the unexpected return of love, Dorothy is swept along by time. Her family looms and recedes; revelations come to light; death changes everything, but somehow life remains as potent as it ever was, and the joy in just being won't let her go.

In a narrative that shifts and moves, growing as wild as the characters, The Forrests is an extraordinary literary achievement. A novel that sings with colour and memory, it speaks of family and time, dysfunction, ageing and loneliness, about heat, youth, and how life can change if 'you're lucky enough to be around for it'.
________________

'Literary fiction at its most luscious' - Mail on Sunday
'An ambitious family saga flooded with light and life' - Julie Myerson, New Statesman Books of the Year
'Exhilarating: intensely attentive, funny, lyrical and moving' - Kate Summerscale, Daily Telegraph Books of the Year
'Remarkable' - Tom Sutcliffe, BBC Radio 4 Saturday Review
'Extraordinary ... a magnificent novel' - Arifa Akba, Independent
'An intelligent and perceptive novel' - Allan Massie, Scotsman
________________

89:T677,The ukulele has gone from strength to strength in recent years, undergoing a massive resurgence. You can hear the uke all over the place, from trendster indie rock to top ten pop songs, from unshakeable TV ads to YouTube megahits. And this obsession shows no sign of abating - all over the country people are picking up a ukulele and starting to strum, at home, in classes and down at the pub. Schools are even replacing the faithful recorder with a jazzy, inexpensive uke. Famous idlers Gavin Pretor-Pinney and Tom Hodgkinson have spent hours idling away on their ukuleles to produce the ultimate uke handbook: an illustrated guide to its history crossed with a how-to guide and songbook. This is the book that will bring the underground movement into the mainstream. The first half of the book delves into the rich history of this eccentric little instrument, from its birth in Hawaii to its popularity across the world, with a timeline from 1879 to today and a ukulele hall of fame that includes George Formby, Hawaiian legend Israel Kamakawiwo'ole and YouTube ukulele superstar Jake Shimabukuro. Then on to the practicalities: the anatomy of the ukulele, which uke to buy, how to play it, how to strum, pick, read chord charts and tune the strings. Once you know all this, you can get playing the songbook, which includes a wide spread of songs from medieval lays and nursery rhymes to blues and rock 'n roll. Beautiful presentation and tab notation make reading the music easy, even for beginners. With the highest production values, a light touch and an irresistible instrument at centre stage, this book is a must-have for all aspiring Formbys.8a:T5da,First, I'll tell about the robbery our parents committed. Then the murders, which happened later. In 1956, Dell Parsons' family came to a stop in Great Falls, Montana, the way many military families did following the war. His father, Bev, was a talkative, plank-shouldered man, an airman from Alabama with an optimistic and easy-scheming nature. Dell and his twin sister, Berner, could easily see why their mother might have been attracted to him. But their mother Neeva - from an educated, immigrant, Jewish family - was shy, artistic and alienated from their father's small-town world of money scrapes and living on-the-fly. It was more bad instincts and bad luck that Dell's parents decided to rob the bank. They weren't reckless people. In the days following the arrest, Dell is saved by a family friend before the authorities think to arrive. Driving across the Montana border into Saskatchewan his life hurtles towards the unknown, towards a hotel in a deserted town, towards the violent and enigmatic American Arthur Remlinger, and towards Canada itself - a landscape of rescue and abandonment. But as Dell discovers, in this new world of secrets and upheaval, he is not the only one whose own past lies on the other side of a border. In Canada, Richard Ford has created a masterpiece. A visionary novel of vast landscapes, complex identities and fragile humanity. 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