83:T466,Immerse yourself in the world of Denis Villeneuve's Dune: Part Two and discover the incredible creative journey that brought this new instalment to the big screen. The Art and Soul of Dune II captures the breathtaking behind-the-scenes journey behind the making of Dune: Part Two, director Denis Villeneuve's sequel to his six-time Oscar-winning film adaptation of author Frank Herbert's science fiction classic. Written by Dune: Part Two executive producer Tanya Lapointe (The Art and Soul of Dune), this visually dazzling exploration of the filmmaking process gives unparalleled insight into the project's genesis-from its striking environmental designs to its intricate costume concepts and landmark digital effects. The Art and Soul of Dune II also features exclusive interviews with key members of the cast and crew, including Denis Villeneuve, Timothee Chalamet, Rebecca Ferguson, and many more, delivering a uniquely candid account of the hugely ambitious international shoot. Showcasing Villeneuve's visionary approach, The Art and Soul of Dune: Part Two is an essential companion to the director's latest masterpiece.84:T457,'Haywood's lucid explanations of the cultures of the Danes, Swedes, and Norwegians are vital to understanding the motivations for their movements' KIRKUS REVIEWS. The violent and predatory society of Dark Age Scandinavia left a unique impact on the history of medieval Europe. From their chill northern fastness, Norse warriors, explorers and merchants raided, traded, and settled across wide areas of Europe, Asia and the North Atlantic from the late 8th to the mid-11th century. Northmen narrates their story focusing on places where key events were played out, from the sack of Lindisfarne in 793 to the murder in Iceland in 1241 of the saga-writer Snorri Sturluson. Such episodes are fascinating in themselves, but also shed crucial light on the nature of Viking activity - its causes, effects, and the reasons for its decline. In 800 the Scandinavians were barbarians in longships bent on plunder and rapine; by 1200, their homelands were an integral part of Latin Christendom. John Haywood tells, in authoritative but compellingly readable fashion, the extraordinary story of the Viking Age.85:T499,

The year is 2454.

Humanity has engineered a hard-won golden age, forged in the aftermath of a bitter conflict that wiped both religion and nation state from the planet. Now seven factions or 'hives' co-govern the world, their rule fuelled by benign censorship, oracular statistical analytics and technological abundance. But this is a fragile Utopia – and someone is intent on pushing it to breaking point.

Convicted for his crimes, celebrated for his talents, Mycroft Canner is the indentured instrument – and confidant – of some of the world's most powerful figures. When he is asked to investigate a bizarre theft, he finds himself on the trail of a conspiracy that could shatter the tranquil world order the Hives have maintained for three centuries.

But Mycroft has his own secrets. He is concealing a much greater threat to the seven Hives, a wild card no degree of statistical analysis could have prophesied. This threat takes the unlikely form of a thirteen-year-old called Bridger. For how will a world that has banished God deal with a child who can perform miracles?

86:T510,After decades of steady progress in terms of gender and sexual rights, several parts of Europe are facing new waves of resistance to a so-called 'gender ideology' or 'gender theory'. Opposition to progressive gender equality is manifested in challenges to marriage equality, abortion, reproductive technologies, gender mainstreaming, sex education, sexual liberalism, transgender rights, antidiscrimination policies and even to the notion of gender itself. This book examines how an academic concept of gender, when translated by religious organizations such as the Roman Catholic Church, can become a mobilizing tool for, and the target of, social movements. How can we explain religious discourses about sex difference turning intro massive street demonstrations? How do forms of organization and protest travel across borders? Who are the actors behind these movements? This collection is a transnational and comparative attempt to better understand anti-gender mobilizations in Europe. It focuses on national manifestations in eleven European countries, including Russia, from massive street protests to forms of resistance such as email bombarding and street vigils. It examines the intersection of religious politics with rising populism and nationalistic anxieties in contemporary Europe.87:T425,

Gritty, heartrending and unputdownable – the story of two sisters sent first to an English, then an Australian orphanage in the aftermath of World War II.

Rita and Rosie Stevens are only nine and five years old when their widowed mother marries a violent bully called Jimmy Randall and has a baby boy by him. Under pressure from her new husband, she is persuaded to send the girls to an orphanage – not knowing that the papers she has signed will entitle them to do what they like with the children.

And it is not long before the powers that be decide to send a consignment of orphans to their sister institution in Australia. Among them – without their family's consent or knowledge – are Rita and Rosie, the throwaway children.

What readers are saying about THE THROWAWAY CHILDREN:

'I haven't felt so immersed in a book in a very long time and have recommended to just about everyone'

'Heart wrenching'

'A truly powerful book'

88:T558,Women as a group have often been divided by a number of intersecting inequalities: class, race, ethnicity, caste. As individuals - often isolated in reproductive or other home-based work - their weapons of resistance have tended to be restricted to the traditional weapons of the weak: hidden subversions and individualised struggles. Organizing Women Workers in the Informal Economy explores the emergence of an alternative repertoire among women working in the growing informal sectors of the global South: the weapons of organization and mobilization. This crucial book offers vibrant accounts of how women working as farm workers, sex workers, domestic workers, waste pickers, fisheries workers and migrant factory workers have organized for collective action. What gives these precarious workers the impetus and courage to take up these steps? What resources do they draw on in order to transcend their structurally disadvantaged position within the economy? And what continues to hamper their efforts to gain social recognition for themselves as women, as workers and as citizens? With first-hand accounts from authors closely involved in emerging organizations, this collection documents how women workers have come together to carve out new identities for themselves, define what matters to them, and develop collective strategies of resistance and struggle.89:T622,The concluding volume--following Mao's Great Famine and The Tragedy of Liberation--in Frank Dikötter's award-winning trilogy chronicling the Communist revolution in China.

After the economic disaster of the Great Leap Forward that claimed tens of millions of lives from 1958-1962, an aging Mao Zedong launched an ambitious scheme to shore up his reputation and eliminate those he viewed as a threat to his legacy. The Cultural Revolution's goal was to purge the country of bourgeois, capitalistic elements he claimed were threatening genuine communist ideology. Young students formed the Red Guards, vowing to defend the Chairman to the death, but soon rival factions started fighting each other in the streets with semiautomatic weapons in the name of revolutionary purity. As the country descended into chaos, the military intervened, turning China into a garrison state marked by bloody purges that crushed as many as one in fifty people.

The Cultural Revolution: A People's History, 1962-1976 draws for the first time on hundreds of previously classified party documents, from secret police reports to unexpurgated versions of leadership speeches. After the army itself fell victim to the Cultural Revolution, ordinary people used the political chaos to resurrect the market and hollow out the party's ideology. By showing how economic reform from below was an unintended consequence of a decade of violent purges and entrenched fear, The Cultural Revolution casts China's most tumultuous era in a wholly new light.8a:T568,

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" — which is, in the end, the only language America understands.

8b:T56b,

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?

Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

8c:T500,

More pleasure, more kink, more partners, more zest – this is desire turned all the way up. If Want sparked the fire of a quiet revolution, More gives women the fuel to let it roar. In this electrifying sequel to the landmark bestseller, Gillian Anderson invites us to leave shame and fear at the door as she dials up the heat on women's sexual fantasies and dares us to want more. This collection of intimate letters – submitted by anonymous women across the globe, curated and introduced by Gillian – dives deeper into what women everywhere think, feel and dream about in their most private moments. Spilling out of the bedroom, the letters take us to all spaces where desire resides, from the school gates to office boardrooms, kitchen counters to forest floors. Bolder and more explicit, they come from over fifty nations and women from eighteen to eighty. Nothing is off limits: there are silken ropes and stirrups, metal collars and machines, neighbours, friends, in-laws and strangers, cravings to own and be owned, people to desire and be desired by, pleasure and pain in equal measure. Joyful, unapologetic and deliciously unfiltered, More proves that the freedom for women to fantasise without restraint is as exhilarating and vital as ever.

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From Joyce Carol Oates come four psychologically daring and chillingly suspenseful stories where women face threats both past and present. A Pennsylvania academic unearths a terrifying trauma from her past after inheriting a house in Cardiff, Maine from a stranger.

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