83:T45a,

This, the fourth volume in the six-volume Commentary on The Iliad being prepared under the General Editorship of Professor G. S. Kirk, covers Books 13-16, including the Battle for the Ships, the Deception of Zeus and the Death of Patroklos. Three introductory essays discuss the role of Homer’s gods in his poetry; the origins and development of the epic diction; and the transmission of the text, from the bard’s lips to our own manuscripts. It is now widely recognised that the first masterpiece of Western literature is an oral poem; Professor Janko’s detailed commentary aims to show how this recognition can clarify many linguistic and textual problems, entailing a radical reassessment of the work of Homer’s Alexandrian editors. The commentary also explores the poet’s subtle creativity in adapting traditional materials, whether formulae, typical scenes, mythology or imagery, so as best to move, inspire and entertain his audience, ancient and modern alike. Discussion of the poem’s literary qualities and structure is, where possible, kept separate from that of more technical matters.

84:T4e8,This book is an introductory account of the kingdom of Sicily established in 1130 by Roger II, a 'Norman' king, and ruled by Roger, his own son and grandsons until 1194 when the kingdom was conquered by his son-in-law, Henry VI of Hohenstaufen. The period covered does, however, extend from Charles of Anjou, a period roughly as long and as coherent as the 'Norman' monarchy of England between 1066 and 1204. Roger II's difficulties in creating an enduring kingdom needed continuous military effort. Even when these efforts were no longer required, the monarchy had still to learn how to function in lands where traditions of local government were strong. Yet when the monarchy itself faltered, the kingdom did not fall apart. Frederick II, the grandson of Roger II, showed that it could be revived and that his sons could maintain it. The ways in which the monarchy made itself indispensable cannot be traced in detail, but pointers to its success can be seen. The kingdom did not spring full-armed at birth - it took time and experience to hammer it into shape. When at last it looked capable of assuming the leadership of all Italy, its enemies combined to prevent it from doing so with the most profound consequences for Italy, the papacy and the west.85:T435,Shakespeare's career as actor and playwright reveals the extraordinary accommodation of his genius to the circumstances of his time. This unique account describes Shakespeare at work against a background of theatrical rivalry, opportunism, service to noble patrons, and political intrigue. Peter Thomson recreates Shakespeare's writing career year by year, showing how the plays mirror their times. The story reveals the precarious nature of theatrical survival, the constant threat posed by the withdrawal of noble or royal patronage, the spread of disease, the anxieties of war and the climate of political uncertainty. This account of Elizabethan and Jacobean social and professional life offers a fascinating insight into the world in which Shakespeare produced his plays. There are numerous illustrations gleaned from museums, libraries and great houses to illustrate the theatrical and social context of Elizabethan and Jacobean England. Formerly published within the Cambridge Canto imprint, this paperback restores the format and illustrations of the original hardback.86:T4d5,

The Future of the Mass Audience focuses on how the changing technology and economics of the mass media in post-industrial society will influence public communication. It summarises the results of a five-year study conducted in cooperation with the senior corporate planners at ABC, CBS, NBC, Time Warner, The New York Times and the Washington Post. The central question is whether the new electronic media and the use of personal computers in the communication process will lead to a fragmentation of the mass audience. Some analysts have suggested that with the growth of increasingly specialised cable television channels and electronic publishing, people will filter and pre-select news concerning only their own special interests and, as a result, cultural and political life will become increasingly polarised. This study demonstrates, however, that the movement towards fragmentation will be modest. It concludes that the production and promotion costs and economies of scale for electronic media put natural constraints on special interest, small audience programming. The conclusion sets forth a policy agenda for making the most of the participatory and democratic potential of evolving electronic communications systems.

87:T44a,In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.88:T40b,

Martin Luther and John Calvin were the principal ‘magistral’ Reformers of the sixteenth-century: they sought to enlist the cooperation of rulers in the work of reforming the Church. However, neither regarded the relationship between Reformed Christians and the secular authorities as comfortable or unproblematic. The two pieces translated here, Luther's On Secular Authority and Calvin’s On Civil Government, constitute their most sustained attempts to find the proper balance between these two commitments. Despite their mutual respect, there were wide divergences between them. Luther’s On Secular Authority would later be cited en bloc in favour of religious toleration, whereas Calvin envisaged secular authority as an agency for the compulsory establishment of the external conditions of Christian virtue and the suppression of dissent. The introduction, glossary, chronology and bibliography contained in this volume locate the texts in the broader context of the theology and political thinking of their authors.

89:T4e0,The Letter to the Hebrews is of particular significance for the most important explanation of the sacrificial death of Christ contained in the New Testament. In this study, Barnabas Lindars explains the circumstances in which it was written, and expounds the writer's argument at length. At each stage in his survey the teaching of Hebrews is related to the major topics of New Testament theology, so that the distinctive character of the Letter's contribution can be assessed in depth. At the same time this topical arrangement serves the purpose of a systematic theology, so that the reader can discover what Hebrews has to say on such subjects as christology, the atoning death of Jesus, the new covenant, the Holy Spirit, and the use of the Old Testament. Special attention is paid to the rhetorical power of the Epistle, which is seen to mark it out as a work of great persuasive power, written in response to an urgent practical situation. A summary chapter indicates the place of Hebrews in the context of the development of early Christianity, while a final section assesses the influence Hebrews has had on subsequent Christian theology, and the way it has been used as a resource for liturgy and worship from ancient times to the present.8a:T44a,In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.8b:T4e0,The Letter to the Hebrews is of particular significance for the most important explanation of the sacrificial death of Christ contained in the New Testament. In this study, Barnabas Lindars explains the circumstances in which it was written, and expounds the writer's argument at length. At each stage in his survey the teaching of Hebrews is related to the major topics of New Testament theology, so that the distinctive character of the Letter's contribution can be assessed in depth. At the same time this topical arrangement serves the purpose of a systematic theology, so that the reader can discover what Hebrews has to say on such subjects as christology, the atoning death of Jesus, the new covenant, the Holy Spirit, and the use of the Old Testament. Special attention is paid to the rhetorical power of the Epistle, which is seen to mark it out as a work of great persuasive power, written in response to an urgent practical situation. A summary chapter indicates the place of Hebrews in the context of the development of early Christianity, while a final section assesses the influence Hebrews has had on subsequent Christian theology, and the way it has been used as a resource for liturgy and worship from ancient times to the present.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794616606017,"state":{"data":{"pages":[{"requestId":"9376cd22-9875-4c7a-a032-39d1837f3f7b","total":{"value":14136,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780521281744","id":750135,"score":2,"position":9432,"book":{"id":750135,"isbn":"9780521281744","created":"2024-01-30T19:38:28.000Z","title":"The Iliad : a commentary. · Books 13-16, Vol. 4","description":"$83","htmlDescription":null,"pages":488,"language":"eng","depth":27,"height":152,"width":229,"weight":760,"edition":null,"publishDate":"1992","authorNames":"Geoffrey Stephen Kirk, Richard Janko","publisherName":"Cambridge Univ. 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The Nazi Holocaust haunts the modern imagination as one of the most compelling examples of the human capacity for organised atrocity on a mass scale. This authoritative account of the evolution of Nazi Jewish policy from 1939 to 1942 seeks to answer some of the fundamental questions about what actually happened, and why, between the outbreak of war and the emergence of the Final Solution. Christopher Browning assesses the historians’ interpretations and offers his own insights, based on detailed case studies uncovering important and telling new evidence.

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This is an introductory survey to the philosophy of science suitable for beginners and nonspecialists. Its point of departure is the question: why should we believe what science tells us about the world? In this attempt to justify the claims of science the book treats such topics as observation data, confirmation of theories, and the explanation of phenomena. The writing is clear and concrete with detailed examples drawn from contemporary science: solar neutrinos, the gravitational bending of light, and the creation/evolution debate, for example. What emerges is a view of science in which observation relies on theory to give it meaning and credibility, while theory relies on observation for its motivation and validation.

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When maritime transport and communication depended on muscle and wind-power, the Mediterranean Sea functioned as a symbiotic force between the civilisations which surrounded it, at once the major dividing barrier and the major connecting element. In this study, the technological limitations of maritime traffic are considered in conjunction with the peculiar geographical conditions within which it operated, and which led to the establishment of major sea lanes on trunk routes along which traffic could move safely, efficiently, and economically. These trunk routes remained virtually unchanged from antiquity to the sixteenth century, and eventually constituted economic and strategic maritime frontiers between civilisations. At the same time, the technological limitations of the oared galley meant that coasts and islands along the trunk routes had also to be held, a necessity which favoured geographically the Christian West over the world of Byzantium and Islam.

","htmlDescription":null,"pages":264,"language":"eng","depth":17,"height":158,"width":219,"weight":345,"edition":"1","publishDate":"1992","authorNames":"John H. 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Adorno’s study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg’s death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg’s music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.

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This book comprises a general survey of the study of New Testament manuscripts, and outlines for students of the New Testament the basic tools and skills involved in studying those manuscripts. The present edition is a thoroughly revised and updated version of Leon Vaganay’s Initiation á la critique du Nouveau Testament, published in 1933, and each section of that original work has been brought up to date in light of the latest research in the field. In its aim to provide a solid foundation to study of New Testament textual criticism, this comprehensive survey will be of great value to those who are looking for basic information about the subject; while the documentary information it contains about the extant manuscripts, and its original theoretical sections, will ensure that the book has much of value to offer the more advanced student of the New Testament.

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