83:T517,Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these — "Bartleby" and "Benito Cereno" — first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales."Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal."Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.84:T79c,

"This book is Gamow at his best, which means the very best in science for the layman." —Library Journal
Widely recognized as one of the 20th century's foremost physicists, George Gamow was also an unusually capable popularizer of science. His talents are vividly revealed in this exciting and penetrating explanation of how the central laws of physical science evolved — from Pythagoras' discovery of frequency ratios in the 6th century B.C. to today's research on elementary particles.
Unlike many books on physics which focus entirely on fact and theory with little or no historic detail, the present work incorporates fascinating personal and biographical data about the great physicists of past and present. Thus Dr. Gamow discusses on an equal basis the trail of Galileo and the basic laws of mechanics which he discovered, or gives his personal recollections about Niels Bohr along with detailed discussion of Bohr's atomic model. You'll also find revealing glimpses of Newton, Huygens, Heisenberg, Pauli, Einstein, and many other immortals of science.
Each chapter is centered around a single great figure, or at most two, with other physicists of the era and their contributions forming a background. Major topics include the dawn of physics, the Dark Ages and the Renaissance, Newtonian physics, heat as energy, electricity, the relativistic revolution, quantum theory, and the atomic nucleus and elementary particles.
As Dr. Gamow points out in the Preface, the aim of this book is to give the reader the feeling of what physicsis, and what kind of people physicists are. This delightfully informal approach, combined with the book's clear, easy-to-follow explanations, will especially appeal to young readers but will stimulate and entertain science enthusiasts of all ages. 1961 edition.
"The whole thing is a tour de force covering all the important landmarks." — Guardian

85:T814,

Is there art after modernism? Many of today's art students and professionals are finding the answer ? "yes" ? lies in the long-neglected field of figurative sculpture, a demanding form of expression that requires extremely rigorous technical training. Most modern schools, however, are simply not equipped to provide the necessary technical background. The republication of this highly valuable text by Edouard Lanteri, renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills and bridge the gap between artistic concept and figurative realization. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere.
Beginning with a detailed study of modelling a head from a cast model, Lanteri gives meticulous descriptions of the anatomical features that comprise the head. Next, there are instructions for sculpting a bust from a live model: how to place the model, use the clay, take measurements, set up the all-important framework, put on hair, etc. The author also covers modelling the figure from nature, including such factors as the scale of proportions, posing the model, the chief line, contrasts of line, building up the figure, and more.
Part III covers sculpting in relief (poses, fixing the background, tools, superposition of planes, color, change of light, etc.); drapery (arrangement of folds, principles of radiation, flying drapery, etc.); and medals (proportion, working the mold, inscriptions, etc.). Also discussed are principles of composition, both in relief and in the round. Profusely illustrated with hundreds of photographs, drawings, and diagrams, this work is the kind of comprehensive resource that should be a lifelong studio companion to the figure sculptor. 107 full-page photographic plates, 27 other photographs, 175 drawings and diagrams.

86:T7ec,Erte once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's "Der Rosenkavalier. "In between (mostly in the '20s) he was the only top Paris designer illustrating his own "haute couture, "most of the illustrations appearing in "Harper's Bazar. "An earlier volume ("Fashion Drawings and Illustrations from "Harper's Bazar" "0-486-23397-9) sampled some of Erte's enormous contributions to that magazine; this is another collection of original designs from Erte's triumphant "Harper's Bazar" period.
"He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Erte created reveal a sound construction that really works." Erte loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of "Harper's Bazar" covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints.
Over a career spanning the century, Erte has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself.
Original Dover (1981) publication of a selection of illustrations from "Harper's Bazar" 1918-1932.87:T460,This text provides an introduction to partial differential equations and boundary value problems, including Fourier series. The treatment offers students a smooth transition from a course in elementary ordinary differential equations to more advanced topics in a first course in partial differential equations. This widely adopted and successful book also serves as a valuable reference for engineers and other professionals. The approach emphasizes applications, with particular stress on physics and engineering applications. Rich in proofs and examples, the treatment features many exercises in each section.
Relevant Mathematica files are available for download from author Nakhl Asmar's website; however, the book is completely usable without computer access. The Students' Solutions Manual can be downloaded for free from the Dover website, and the Instructor's Solutions Manual is available upon request for professors and potential teachers. The text is suitable for undergraduates in mathematics, physics, engineering, and other fields who have completed a course in ordinary differential equations.88:T413,One of the most innovative authors and distinguished literary critics of the twentieth century, Virginia Woolf examines family dynamics and the tensions between men and women in her 1927 novel To the Lighthouse. She explores multiple perspectives of the members of the Ramsay family as they navigate experiences of disappointment and loss. Divided into three parts, the story takes place pre- and post-World War I during visits to the Ramsays' summer residence on the Isle of Skye in Scotland.

Virginia Woolf strove to write a new fiction that emphasized the passage of time as both a series of sequential moments and a longer flow of years and centuries, as well as exploring the essential indefinability of character. To the Lighthouse is among her most successful experiments in her pioneering use of stream of consciousness as a narrative device in addition to such groundbreaking novels as Jacob's Room, Mrs. Dalloway, Orlando, and The Voyage Out.

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