83:T6b9,De kallades tattare. Eller skojare, tavringar och knävlingar. Själva benämnde de sig resande. De var samhällets mest föraktade grupp och bilden av dem var klar hos gemene man: mörkhyade och svarthåriga människor som drog omkring på vägarna och dök upp på hästmarknader och tivolin. Som sålde dukar, vispar och klockor. Och så stal de, sa man, och slogs med kniv. På 1970-talet försvann de plötsligt. Forskare menade att de upplöstes som grupp när samhället förbättrades. Men i det verkliga livet fanns de resande kvar. Fortfarande lever de mitt ibland oss, minst 15-25.000 personer. De har vanliga svenska namn och bor i vanliga lägenheter och hus. Fast de har ett eget språk, svensk romani, och utövar en egen, traditionell kultur. Men bara när de är tillsammans med sina egna. Resandeidentiteten är för många en väl dold hemlighet. Och rädslan saknar inte skäl. Än idag kan svensk TV utan kommentar visa filmer som i hela sin tendens är lika rasistiska som de värsta nazistiska hatfilmerna om judar. Hur är detta möjligt i ett land som påstår sig gå i spetsen i kampen mot främlingsfientlighet? Det är möjligt för att vi i Sverige bär på ett rasistiskt arv som vi aldrig gjort upp med. På 1920- och 30-talen talades det om utrotning av tattarna. Med hjälp av steriliseringar försökte man medvetet decimera deras antal. I Jönköping genomfördes midsommaren 1948 en regelrätt etnisk rensning. Om allt detta tiger vi fortfarande. Bo Hazell har skrivit den första breda skildringen av detta folk, där också de resande själva kommer till tals i utförliga intervjuer. Boken berättar om deras omdiskuterade härkomst, om deras språk, kultur, yrken och traditioner.84:T4e7,"I min bokhylla finns hyllmeter av trädgårdsböcker. Ändå, jag har aldrig tidigare läst något som gått så rakt in i hjärtat." Ingrid Bosseldal, GP

I sin egensinniga trädgårdsbok tar Göran Greider med oss ut i sin både vildvuxna och formmedvetna trädgård. Hur kan vi avläsa samhället genom trädgården? Hur speglar en underskön dahlia imperialismens historia?

I I trädgården hörs andra ekon resonerar Göran Greider om hur vår moderna trädgård uppstått, men här finns också råd, tips och inspiration för alla trädgårdsälskare. Men det han påminner oss mest om i sin rikt illustrerade bok är att vi måste lära oss uppskatta det vackra inte minst i vinterns trädgårdar.

I trädgården hörs andra ekon är en bok full av blommor, politik, poesi och till och med Göran Greiders recept på syrensaft. Dessutom avslöjar han vad en skräckfilm som »Världsrymden anfaller« eller sångaren Van Morrison har med trädgård att göra.

GÖRAN GREIDER är författare, politisk debattör och chefredaktör på Dala-Demokraten. Han har utgivit en rad diktsamlingar, debatt-och essäböcker. Hans senast utgivna bok på Ordfront är Den solidariska genen (2014).

85:T597,

"Med stilistiskt säker hand har Carey skapat en ny bladvändare av mycket hög klass som griper tag och behåller greppet om läsaren till slutet. Det är en skrämmande och tankeväckande gestaltning av var gränserna för det mänskliga går." Mats Rosén, BTJ

Det var en gång en mycket intelligent pojke. I ett land förlamat av skräck. Människorna trodde att pojken kunde rädda dem, så de öppnade grindarna och skickade ut honom i den ödelagda världen. Där monstren fanns.

Tio år har gått sedan det ofattbara skedde. Sedan smittan spred sig som en löpeld och utplånade stad efter stad. Det enda som finns kvar därute är de andra. De hungriga.

I ett sista försök att finna ett botemedel ger sig några överlevande forskare ut på en farlig resa. Deras färdmedel är ett laboratorium på hjul, utrustat med pansar och vapen för att hålla undan horderna av hungriga som sätts i rörelse så fort de känner lukten av människa. Med ombord är också Stephen Greaves, en femtonårig autistisk pojke med ovanligt hög intelligens. En dag gör de en chockerande upptäckt en grupp vilda barn som tycks vara hälften hungriga, hälften mänskliga. Kan barnen vara nyckeln till ett botemedel?

Pojken på bron är en fristående prequel till M.R. Careys bästsäljare Flickan med gåvorna (2016) som även blivit en hyllad film med Glenn Close i en av rollerna.

86:T7a1,
Ett barn står natt efter natt i Finlandsfärjans för och spejar ut mot havet.
En långtradarchaufför med en blodig hemlighet plockar upp en liftare med misstänkt lite bagage.
Ett ungt par får köpa en villa billigt eftersom där råder »speciella omständigheter«.
Våran hud, vårat blod, våra ben innehåller en samling skräckberättelser med omisskännlig John Ajvide Lindqviststämning, som utspelar sig i ett samtida Sverige, men precis utanför vårt synfält. Vi får möta en samling vardagliga gestalter och ett antal mindre vardagliga, såsom spöken, vampyrer, varulvar, mylingar, tomtar, zombies och så ett havsmonster.
Titelberättelsen »Våran hud, vårat blod, våra ben«, som nominerades till British Fantasy Award för bästa novell, är enligt John Ajvide Lindqvist själv det otäckaste han skrivit i det korta formatet.
Förutom helt nyskrivna »Hår«, har samtliga berättelser i samlingen tidigare publicerats i främst brittiska och amerikanska antologier. Ett flertal av dem ligger för närvarande i varierande stadier av produktion för film eller TV i olika länder.
"... svåra att någonsin glömma och givna som representanter i det internationella, historiska, toppskiktet av skräckens kanon." Jonas Thente, DN
"Den ena berättelsen är mer kuslig än den andra. En otroligt spännande och pulshöjande bok som jag kan rekommendera. Läs den om du vågar!" Damernas värld
"... en oöverträffad sverigeskildrare." SvD
"Välskrivet och spännande. Med sina ord, sina miljöbeskrivningar och sina karaktärer balanserar Ajvide Lindqvist mellan realism och det otroliga, det övernaturliga. Han gör det med den skickligheten att jag nästan börjar tro på tomten... Alla noveller är bra och läskiga men den här (Speciella omständigheter) skrämde mig verkligen. Som en mardröm. Ja, vad ska jag säga... Läs den!"
Med näsan i en bok
87:T622,"Jag vet inte vad du tror finns därute. Det är inte direkt Disneyworld. Rymden är inte oändlig, stjärnhimlen är bara en tapet, alla som tror nåt annat är så jävla lurade." Sara är ensam men det gör inget. Så länge ytterdörren går att låsa och det finns öl, sömntabletter och ibland någon att gå hem med från krogen så är det okej. Det är allt som är och det räcker så, tänker hon. Hon jobbar som vårdbiträde och blir anställd för att ta hand om Ester. Urgamla, elaka Ester som blivit utkastad från dagvården eftersom hon sprider dålig stämning. Som inte tycker att döden är mer spännande än en tallrik filmjölk. Ester och Sara är först helt likgiltiga inför varandra. Allt är ju ändå bara tillfälligt, intalar de sig. Men sakta och motvilligt växer något fram mellan dem, något som är starkare än allt utanför. Något som är själva motsatsen till ensamhet. Allt som är är en roman om vänskap, ensamhet, åtrå och överlevnad. Om att försöka leva i en värld som ständigt drar upp gränser mellan människor, gränser för vem och hur mycket man får älska. "Hösten känns sällan så lovande som när den börjar med en riktigt fin debutroman. Och Linn BursellsAllt som är är precis det. En kort, tät roman som inte lånar sig åt ängsligt experimenterande eller högtravande prosa vanliga debutantåkommor men som för den sakens skull inte heller låter berättelsen ta allt syre, på bekostnad av stilistiken. Det är en väl balanserad roman"
Therese Eriksson, Svenska Dagbladet88:T646,"Jag vet inte vad du tror finns därute. Det är inte direkt Disneyworld. Rymden är inte oändlig, stjärnhimlen är bara en tapet, alla som tror nåt annat är så jävla lurade."

Sara är ensam men det gör inget. Så länge ytterdörren går att låsa och det finns öl, sömntabletter och ibland någon att gå hem med från krogen så är det okej. Det är allt som är och det räcker så, tänker hon. Hon jobbar som vårdbiträde och blir anställd för att ta hand om Ester. Urgamla, elaka Ester som blivit utkastad från dagvården eftersom hon sprider dålig stämning. Som inte tycker att döden är mer spännande än en tallrik filmjölk.

Ester och Sara är först helt likgiltiga inför varandra. Allt är ju ändå bara tillfälligt, intalar de sig. Men sakta och motvilligt växer något fram mellan dem, något som är starkare än allt utanför. Något som är själva motsatsen till ensamhet.

Allt som är är en roman om vänskap, ensamhet, åtrå och överlevnad. Om att försöka leva i en värld som ständigt drar upp gränser mellan människor, gränser för vem och hur mycket man får älska.

"Hösten känns sällan så lovande som när den börjar med en riktigt fin debutroman. Och Linn BursellsAllt som är är precis det. En kort, tät roman som inte lånar sig åt ängsligt experimenterande eller högtravande prosa vanliga debutantåkommor men som för den sakens skull inte heller låter berättelsen ta allt syre, på bekostnad av stilistiken. Det är en väl balanserad roman"
Therese Eriksson, Svenska Dagbladet89:T56f,Vad är det för mystisk bollformad varelse som stryker omkring i de norrländska skogarna? Hur gör man eget pulvermos och hur bygger man enklast ett utedass på balkongen? Och vad händer egentligen om man äter 300 gram mandel? I Snille & smak samlar och analyserar komikerna Kringlan Svensson och Valle Westesson de roligaste, mest djupsinniga och befängda diskussionstrådarna från Flashback, Sveriges största internetforum. Här trängs allvarliga ämnen som "kan jag lyssna på svart musik fast jag är nazist?" och "var kan jag köpa ett naturtroget kranium?" med praktiska tips om hur man sköter delfiner hemma i akvariet och mer filosofiska spörsmål som vilken ny färg man skulle uppfinna om man fick chansen. Det finns skäl att både älska och hata Flashback forum, men framför allt finns det skäl att använda det. Annars skulle inte två miljoner människor göra det varje vecka. Många av dem i hemlighet. Antingen som förströelseläsning där man tillåter sej att uppröras över hur knasiga knasbollar det finns, eller för att få reda på vem det var som dunkade på vem i den där garderoben på den där teatern vid den där premiären. Flashback är långt ifrån någon marginell företeelse. Däremot är det en plats där människor i marginalen får komma till tals. Och sällan har det svenska folkdjupet varit så underhållande som i Snille & smak.8a:T555,Ulvbjörn Vamodsson är niding. Han har dräpt en man som stod under hans beskydd. För en mindre mäktig man hade straffet för en sådan gärning varit döden, och även Ulvbjörn måste sona sitt brott. Därför reser han till Erin, den gröna ön i väster, för att hämta hem stormannen Rolf Uddssons försvunna dotter. Men Erin är inte så idylliskt som det ser ut från havet. En okänd grupp härjare rider genom landet och sprider skräck omkring sig. Ulvbjörn och hans män färdas förbi nedbrända gårdar och skövlade byar, hör berättelser om bortrövade kvinnor och brutalt offrade präster. Överallt möts de av misstro och fientlighet, och ett folk som förlorat så många av sina egna unga kvinnor bryr sig inte om en bortförd stormannadotter från Skåne. Här finns ingen hjälp att vänta. Ulvbjörn oroas av det han hör. Varför hatar härjarna de kristna så mycket? Och vad skall ske med kvinnorna? Han anar att svaret har att göra med det mörker han själv bär inom sig sedan tiden i Frankland, och han inser att risken är stor att varken han eller hans män kommer att vända hem igen. Niding är den fristående uppföljaren till Dick Harrisons skönlitterära debut Ofärd. Här bildar verkliga miljöer och händelser fond till Ulvbjörns blodiga och våldsamma resa genom 600-talets Europa, på jakt efter gottgörelse.8b:T593,Varifrån kommer bomullen i en t-tröja för 69 konor? Ingen i branschen tycks kunna besvara den frågan. Och varför skulle någon vilja veta det? En ny tröja, gjord av 100 procent ren, mjuk bomull, till priset av två koppar kaffe det är väl bara att slå till? Den här boken förklarar varför det inte är riktigt så enkelt. Följ med Gunilla Ander på en resa till diktaturens Uzbekistan. Här odlar bönder bomull under hot och skolbarn tvingas ut i skördearbetet. Här ligger också den uttorkade och förgiftade Aralsjön, en av jordens värsta ekologiska katastrofer. Färden går vidare till USA, vars regering betalar ut ofantliga summor i stöd till bomullsodlare. Det har fått världsmarknadspriset att sjunka som en sten. Hennes nästa anhalt är Västafrika där tio miljoner människor är helt beroende av inkomsterna från bomullsodlingen. Fyra länder i området tröttnade på att inte kunna överleva på sin främsta exportprodukt och blåste till strid mot USA. Världshandelsorganisationen, WTO, gav Cotton 4 rätt, men det bekymrar inte USA och prisdumpningen bara fortsätter. Resan går också bakåt i historien, till handeln längs Sidenvägen, till den industriella revolutionens England och till den andra slavvågen i den amerikanska Södern. Idag har bomullsmaktens tyngdpunkt förflyttats till Kina. Bomull en solkig historia är en tankeställare som hjälper oss till sjystare köp.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794098019050,"state":{"data":{"pages":[{"requestId":"17db4a41-f66e-4d84-92ce-d380a5d21a47","total":{"value":2421,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9789173244985","id":951148,"score":1,"position":1416,"book":{"id":951148,"isbn":"9789173244985","created":"2025-03-24T16:47:41.000Z","title":"Författaren, världen, språket : essäer om litteratur och skrivande","description":null,"htmlDescription":null,"pages":null,"language":"swe","depth":null,"height":null,"width":null,"weight":null,"edition":null,"publishDate":"1996","authorNames":"Marie Louise Ramnefalk","publisherName":"Ordfront","format":null,"category":null,"image":null,"highResImage":null,"imageFile":null,"isRemoved":null,"views":5,"editionGroupId":null,"editionGroupState":null,"adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":0,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9789173244831","id":516973,"score":1,"position":1417,"book":{"id":516973,"isbn":"9789173244831","created":"2021-06-23T08:04:59.000Z","title":"Kultur och imperialism","description":null,"htmlDescription":null,"pages":491,"language":"swe","depth":null,"height":null,"width":null,"weight":null,"edition":null,"publishDate":"1995","authorNames":"Edward W. 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