83:T49a,SONJA KAN INTE växla. Hon är äldre än alla andra på bilskolan och det är högst oklart om hon överhuvudtaget kan lära sig köra bil. Körläraren Jytte har så mycket på hjärtat att hon helt enkelt inte har tid att lära Sonja att växla det blir enklare om hon bara sköter det åt henne. Sonja bor ensam i Köpenhamn och översätter svenska kriminalromaner, men hennes eget liv är tämligen ospännande. Dessutom lider hon av yrsel om hon rör för mycket på huvudet börjar världen att gunga. Sonjas syster tycks aldrig ha tid att svara i telefon och nu är det som om tillvaron kantrar alltmer. Men Sonja är en fighter, det har hon i alla fall alltid blivit itutad. Till slut tar hon mod till sig och ber att få byta bilskollärare.Ska det vara så förbannat svårt att lära sig köra bil! Blicken, pilen, filen är en tragikomisk och öm skildring av en kvinna som försöker hitta dragläget i sitt eget liv. Dorthe Nors skriver med humor, svärta och en skarp blick för det absurda i tillvaron. OM KANTSLAG: »Dorthe Nors röst är öm och brutal och berättar på ett nytt sätt om en välbekant plats i närheten av sammanbrottet.« KAROLINA RAMQVIST84:T436,Jag tror ni tänker att vi har ett val. Det är inte så. Jag vill lika lite sätta mig i den där rangliga båten som du skulle vilja. Jag förstår också att den antagligen inte kommer att hålla. Att smugglarna pressar i för mycket folk. När vågorna går höga har de små båtarna ingen chans. Jag vet det. Men det finns inga alternativ. Det finns faktiskt inga alternativ. Gå bara min flykt från Somalia till Sverige är tonåringen Abdi Elmis egen berättelse om kriget i Somalia, den farliga resan genom Sahara och över Medelhavet och till slut kampen för att få ett rimligt liv i Europa. Tillsammans med författaren Linn Bursell vittnar Abdi Elmi om de övergrepp och den förnedring som flyktingar utsätts för på vägen till det slutna Europa där de sedan bollas runt mellan länder till följd av en cynisk och kollapsad migrationspolitik. Det är en berättelse som synliggör rasismen och islamofobins starka grepp om lagstiftning, politik och enskilda människors värderingar. Men den handlar också om solidaritet och vänskap i svåra situationer.85:T4c8,Hela världen stormar. Global uppvärmning och väpnade konflikter, flyktingströmmar och ekonomisk oro allt eskalerar när den industriella civilisationen gasar hela vägen in i kaklet, eldad av olja och dogmen om evig tillväxt. I sin förra bok, Kollaps, visade David Jonstad hur vår civilisation är på väg att gå samma öde till mötes som romarriket, mayaimperiet och resten av historiens fallna civilisationer. I Jordad ställs frågan hur vi ska försörja oss när kriserna fördjupas och det globala maskineriet börjar falla isär. David Jonstad söker sig bakåt i historien och finner svaret under våra fötter. Han ser en framtid där marken, snarare än marknaden, är vad som tryggar vår försörjning. Där tillgången till ett stycke jord och förmågan att bruka den blir mer värdefullt än tillgången på pengar. Det vill säga, så som det har varit för de allra flesta som levt utanför världshistoriens fossila parentes. David Jonstad vill inspirera till ett mer jordnära sätt att leva inom planetens gränser och utan att lägga beslag på andras resurser. Boken är också en personlig berättelse om vägen från ett stressat lönearbete i storstan till en friare tillvaro på landet.86:T507,När den brittiska producenten Peter Pomerantsev kastar sig in i den växande ryska TV-industrin, får han möjlighet att syna det korrupta landet in i minsta skrymsle och skitigaste vrå. Han släpps in i rökiga mötesrum och får träffa de propagandaguruer som styr det ryska mediemaskineriet, han besöker serbiska maffiastäder och de fina salonger där Londons och USA:s internationella ekonomiska elit befinner sig. Till en början låter han sig svepas med in i denna spännande värld av nya pengar och ny makt, lockad av de många festerna och de spektakulära personligheter vi får möta i hans essäer professionella lönnmördare med konstnärssjälar, suicidala supermodeller och Hells Angels-medlemmar som ser sig som heliga krigare. Alltmedan Putins regim blir mer och mer aggressiv, dras Peter Pomerantsev djupare in i ett system som snart ska visa sig från sin värsta sida. Ingenting är sant och allting är möjligt är en blandning av reportage och memoar där vi får följa Peter Pomerantsev i hans försök att navigera i den dokusåpa som är Ryssland. Ett land som enligt Peter Pomerantsev är en form av postmodern diktatur, som använder ett demokratiskt språkbruk och demokratiska institutioner för att tillskansa sig mer makt och resa sig mot väst.87:Tb03,

Tjugofem år efter händelsen den där iskalla Lucianatten bor Lorens kvar i Avesta. Ensam. Utanför. Inte mycket har hänt, förrän nu. Thailändska Sunee, som han har fått kontakt med på nätet, är på väg till Sverige, till hans gråa vardag. Och nu kommer paniken krypande. Allas blickar har du skaffat importfru ditt pervo!

Långt tidigare, 1977, i nordvästra Thailand. Det svenska missionärsparet Erland och Ingbritt står handfallna i djungeln. Ett förvildat flickebarn, smutsigt och blodigt, är bakbundet vid ett träd. Ingbritts tro lyser som en fyr, men Erland tvivlar på Gud och ser djävulens tecken överallt. Och i hans sökande efter barnets ursprung blir hans handlingar allt brutalare, allt svårare att leva med.

I Lasaros tårar vävs småstadens tristess och människornas småsinthet samman med den stora världen, depraverade präster och det oförklarliga djupt inne i skogen. Till sist kan det bara sluta på ett sätt. Eller inte.

Henrik Tord debuterade med kritikerfavoriten Kum, som utsågs till en av 2012 års bästa deckare av Svenska Dagbladet. Lasaros tårar är en roman om mänskligt mörker, om den hårfina gränsen mellan kärlek och galenskap, religion och vidskepelse, upprättelse och kallblodigt mord.

Läs mer här: www.henriktord.se

"Spänning är det definitivt (..) Upplösningen i Thailand är ren fasa."
Lotta Olsson, DAGENS NYHETER

"Henrik Tord lyckas igen (..) en stark bok om mobbning och religion och vidskepelse. Det finns en lätthet och en stilsäkerhet i Henrik Tord sätt att skriva."
DALA-DEMOKRATEN

"Efter succédebuten Kum fortsätter Henrik Tord att övertyga (...) en spännande välskriven historia med utmärkta karaktärsskildringar"
KRISTIANSTADSBLADET

"Lasaros tårar är en värdig uppföljare (..) Tord skriver utmärkt och det är kul med en ny deckarförfattare som vågar ta ut svängarna, långt bortom den traditionella svenska polisromanen."
SMÅLANDSPOSTEN

"Skickligt och trovärdigt låter författaren romanens två huvudhandlingar löpa samman till en laddad helhet. Den dramatiskt väl genomförda romanen släpper aldrig sitt grepp om läsaren" Ingvar Engvén,
BIBLIOTEKSTJÄNST

"Det här var en helt fantastisk bok! Mycket välskriven och fängslande. Betyg: 5 av 5."
BIMS BLOGG, Britt-Marie Kullin

"En mycket bra bok som jag rekommenderar. Gillar du Ajvide Lindqvist så gillar du nog den här boken."
LÄS OCH LYSSNA

"Som läsare grips man av de dramatiska upplevelser som Erland i första hand är med om; hallucinationer, det våldsamma barnets härjningar och levande döda. Man kommer nära inpå genom Tords intensiva och ibland suggestiva bildspråk."
LITTERATURMAGAZINET

88:T62e,»Ingenting i min barndom förberedde mig på det liv som blev mitt.« Var ska jag lägga mitt huvud? är en självbiografisk berättelse om att leva och växa upp i ett Iran fyllt av oroligheter och tumult men även kärlek och värme. Boken skildrar Rakhshas liv, från den naiva, lyckliga barndomen, första kärleken och familjebildning men också upplevelsen av krig, korruption och flykt. Efter att ha åkt till England för att studera återvänder Rakhsha och maken Khosrow med sin dotter Tara till Iran för att hjälpa till att bygga upp landet efter revolutionen 1979. Snabbt tvingas de inse att revolutionen och kriget har förändrat landet och att det Iran de lämnade inte är samma som de återvänder till. Människor fängslas, torteras och dödas för att de inte håller med regimen, inte bär slöja eller bara är på fel ställe vid fel tidpunkt. Khosrow är involverad i motståndsrörelsen och det kan gå flera dagar då Rakhsha inte vet om han är i livet. När som helst kommer regimens män och tvingar sig in i deras hem. De ställer många frågor och vänder upp och ned på huset, hotfullare varje gång. Rakhsha väntar deras andra barn och efter en turbulent förlossning blir oron inför framtiden för stor. Till sist tvingas de att fly till Sverige. Var ska jag lägga mitt huvud? är en gripande berättelse om hur livet sällan blir som man tänkt sig. Om svårigheterna i att tvingas från ett land och människor man älskar, att se landet förstöras. Men också om svårigheterna i att komma till ett nytt land som flykting.89:T551,Hari Majestic har en dröm som vägrar att släppa taget om honom han vill bli en hjälte. Den drömmen tänker han förverkliga, kosta vad det kosta vill. Helst vill han träffa en hjältinna också. Men livet i verkligheten i den sydindiska mångmiljonstaden Bangalore är sällan så äventyrligt som på bio, erfar han när han startar en detektivbyrå tillsammans med en handfull vänner en utflippad videopirat, en råbakad rickshawförare och ett datorsnille som driver ett skumt internetkafé. Deras första fall gäller en make som misstänker sin hustru för otrohet. Men utredningsarbetet går fruktansvärt snett och får gruvliga konsekvenser. Plötsligt befinner sig Hari mitt i en bisarr medicinsk thriller med skillnaden att istället för att utföra diverse hjältedåd håller han på att bli ett offer för en mordisk global maffia. Operation: Operation är den efterlängtade fristående uppföljaren till svenskfinskindiske, Augustprisnominerade kultförfattaren Zac OYeahs mycket kritikerrosade detektivroman Operation Sandalwood (2013) som kallades för »en frisk fläkt som blåser in över det svenska deckarlandskapet«(Corren) och »en underbar bok« (Aftonbladet). Böckerna tar med läsaren till en värld som är märklig, färggrann, stundtals brutal och grotesk, men också full av humor och oemotståndliga vardagshjältar.8a:T4dd,Det största hotet mot klimatet är inte att de globala utsläppen av växthusgaser fortsätter att öka. Det är istället den pessimism och uppgivenhet som sprider sig. Tvärtemot vad många tror är det är möjligt att skapa ett fossilfritt samhälle och bromsa den globala uppvärmningen. Men vi måste agera nu. I "Vår tid är nu" ger Svante Axelsson sin bild av hur övergången till ett hållbart samhälle kan se ut. Han är övertygad om att det är lättare än vi tror, och att det går att genomföra utan att hota jobb och välfärd. Men vi människor, inklusive de flesta politiker, tycks vara mer rädda för en grundläggande samhällsförändring än för de reella klimatförändringar som är vetenskapligt analyserade. Vi har tagit oss igenom större samhällsomvandlingar tidigare än de som är nödvändiga nu. Det finns mycket vi kan göra både som individer och på politisk nivå, inte minst i Sverige och EU. Det behövs föregångsländer som visar att de stater som först fasar ut de fossila bränslena också är de som har den bästa välfärdsutvecklingen. När den bilden blir etablerad kommer det att bli en kapplöpning om vem som snabbast kan minska utsläppen. Kort sagt - en annan värld är möjlig!8b:T56a,VEM BLIR NOBELPRISTAGARE i litteratur? Vad är det för slags författare och hur skriver de egentligen? Och är det möjligt att själv bli lika skicklig? I Skriv som en Nobelpristagare lyfter Kristian Fredén fram tio av dessa författargiganter och analyserar deras stil och texter för att inspirera flera att börja skriva eller förbättra sitt skrivande. Han börjar med Selma Lagerlöf, den första kvinnliga pristagaren och den första från Sverige. Hennes litterära skaparkraft fascinerar och inspirerar författarkollegor än idag. Varje kapitel inleds med en kortare skildring av respektive författares liv, med betoning på hur detta lyser igenom i deras verk. Därefter analyseras deras litterära stil och till slut serveras ett textuppslag med inflikade kommentarer av Fredén. Dessutom intervjuas en nutida svensk författare som stilmässigt påminner om Nobelpristagaren och som inspirerats av eller känner sig besläktad med denna.Vad har Selma Lagerlöf och John Ajvide Lindqvist gemensamt? Hur läser Jerker Virdborg Ernest Hemingway och Anna Hallberg Wisava Szymborska? Boken avslutas med övningsuppgifter utifrån respektive Nobelprisförfattares olika sätt att skriva samt kommen-terade lästips om pristagaren ifråga. Sedan är det bara en tidsfråga tills Sara Danius öppnar den berömda dörren och kungör att Nobelpriset i litteratur går till?3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794121260213,"state":{"data":{"pages":[{"requestId":"c3d0091b-6007-4239-932b-c2e1192733ad","total":{"value":2421,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9789174416152","id":1092425,"score":1,"position":1992,"book":{"id":1092425,"isbn":"9789174416152","created":"2026-08-16T22:14:29.000Z","title":"Blicken, pilen, filen","description":"$83","htmlDescription":null,"pages":null,"language":"swe","depth":null,"height":null,"width":null,"weight":null,"edition":null,"publishDate":"2016","authorNames":"Dorthe 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