82:T607,A plain speaking, jargon-free account of contemporary art that identifies key themes and approaches, providing the reader with a clear understanding of the contexts in which art is being made today.

Since the 1960s contemporary art has overturned the accepted historical categorizations of what constitutes art, who creates it, and how it is represented and validated. This guide brings the subject right up-to-date, exploring the notion of 'contemporary' and what it means in the present as well as how it came about.

Curator and writer Natalie Rudd explains the many aspects of contemporary art, from its backstory to today, including different approaches, media and recurring themes. Each chapter addresses a core question, explored via an accessible narrative and supported by an analysis of six relevant works.

Rudd also looks at the role of the art market and its structures, including art fairs and biennales and how these have developed since the millennium; the expanded role of the contemporary artist as personality; how artists are untangling historical and contemporary narratives to expose inequalities; the ethics of making; and the potential for art to improve the world and effect political change. A 'toolkit' section offers advice on how to interpret contemporary art and where to access it.

Offering a more multi-narrative and international perspective, this guide discusses what motivates artists as they try to make sense of the world, and their place within it.83:T5d8,Avant-garde artist Yayoi Kusama’s matchless creativity and originality have been captivating the world since she moved from Matsumoto, her hometown in Nagano, Japan, to the USA in 1958. In the last ten years alone, her retrospective exhibitions in four major European and American museums, including Tate Modern, London, and the Whitney Museum of American Art, New York, have seen record attendance.

Kusama has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including painting, drawing, sculpture, film, performance and immersive installation. It ranges from works on paper featuring intense semi-abstract imagery, to soft sculpture known as ‘Accumulations’, to her ‘Infinity Net’ paintings, made up of carefully repeated arcs of paint built up into large patterns. This comprehensive publication, originally published to accompany a sell-out exhibition at Matsumoto City Museum of Art, offers a comprehensive overview of Kusama’s entire career, including works from her youth, when she indulged in drawing in order to escape from her hallucinations; paintings made when she was based in New York, including ‘Infinity Nets’ and ‘Polka Dots’; works from the1980s and 1990s, when she participated in the Venice Biennale; and last but not least, the ongoing large-scale series ‘My Eternal Soul’. The plates are in chronological order and followed by detailed captions.84:T5dc,Surveying applied arts and industrial design from the 18th century to the present day, this book explores the dynamic relationship between design and manufacturing, and the technological, social and commercial context in which this relationship developed. The effects of a vastly enlarged audience for the products of modern design and the complex dynamic of mass consumption are also discussed. Part of this dynamic reveals that products serve as signs for desires that have little to do with need or function. The book also explores the impact of a wealth of new man-made industrial materials and tools on the course of modern design - from steel to titanium, plywood to plastic, cotton to nylon, wire to transistors, and microprocessors to nanotubes. The research, development and applications of these technologies are shown as depending upon far-reaching lines of communication stretching across geographical and linguistic boundaries. Extensively revised and expanded for this second edition, "History of Modern Design" is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study. Review of the first edition: '..Raizman's book awakens you to examples of design that surround us everywhere, all the time. By the end, the "History of Modern Design" manages the rare trick of being an authoritative textbook that fuels the imagination..' - "Blueprint".85:T6a3,An essential overview of great kingdoms in African history and their legacies, written by world-leading experts.

From the ancient Nile Valley to the savannas of medieval West Africa, the highlands of Ethiopia and on to the forests, lakes and grasslands to the south, African civilizations have given rise to some of the world's most impressive kingdoms. Yet Africa's history is often little known beyond the devastation wrought by the slave trade and European colonial rule. In this groundbreaking new book, nine leading historians of Africa take a fresh look at these great kingdoms and empires over five thousand years of recorded history.

How was kingship forged in Africa and how did it operate? Was dynastic power maintained by consent or by coercion? Did kings - and queens - display and project that power for all to see, or did they hide it away, as beneath the fringed crowns that concealed the faces of sacred Yoruba rulers? In what ways have African peoples themselves recorded, celebrated and critiqued the deeds of their kings? Great Kingdoms of Africa explores some of the most important questions in the continent's deep past.

As elsewhere in the world, absolute monarchy in Africa has been on the wane in the modern era. Yet kingship continues to thrive within many present-day African nations, preserving deep-rooted ideas about culture, identity and sacred power. Presenting exciting developments in the understanding of how states and societies have interacted with each other across time, this book shows how powerful and sophisticated kingdoms have shaped the course of African history - and continue to do so in the present day.86:T426,The fourth edition of the essential introduction to digital art, one of contemporary art's most exciting and dynamic forms of practice.

This new edition of Christiane Paul's acclaimed book investigates key areas of digital art practice that have gained in prominence in recent years, including the emergence and impact of location-based media, interactive public installation, augmentive and mixed reality, social networking and file-sharing and tablet technologies. It explores themes raised by digital artworks, such as viewer interaction, artificial life and intelligence, political and social activism, networks and telepresence, and issues surrounding the collection, presentation and preservation of digital art. It also looks at the impact of digital techniques and media on traditional forms of art such as printing, painting, photography and sculpture, as well as exploring the ways in which entirely new forms such as internet and software art, digital installation and virtual reality have emerged as recognized artistic practices.87:T774,New in paperback, How the World Is Made explores how ancient peoples who grasped the timeless principles of sacred geometry were able to create flourishing societies. Galileo described the universe as a large book written in the language of mathematics, which can only be read by those with knowledge of its characters - triangles, circles and other geometrical figures. More than 300 colour illustrations reveal the secret code within these geometrical figures and how they express the spiritual meanings in the key numbers of 1 through 12. He identifies the various regular shapes and shows their constructions; their natural symbolism; their meetings, matings and ways of breeding; and their functions within the universal order. In the process, Michell helps us see the world in a new light. Disparate shapes and their corresponding numbers are woven together, resolving themselves into an all-inclusive world image - that 'pattern in the heavens', as Socrates called it, 'which anyone can find and establish within themselves.' 'A delightful book: clear, witty, beautiful and illuminating. It is well worth buying for yourself - and for your friends' - The Spectator 'Utterly gorgeous ? 288 full-colour pages of wisdom and wonder on thick, art-quality paper that should survive many years of use. A thing to be cherished, a work of art, it is also a beautifully illustrated geometry primer with philosophical commentary ? the text is Michell's finest prose - cool, succinct and rational' - Fortean Times 'Instructive and illustrative ? John Michell has stamped this book with the freshness and originality that are his hallmark. It is a worthy bequest of an extraordinary mind ? a source of inspiration for seekers in the arts, mathematics and the Mysteries' - Temenos Academy Review 'A real treasure! ? it will delight anyone associated with sacred cosmology or sacred landscape' - Gatekeeper Magazine88:T5a6,A lush visual celebration of Pulp's sixth album, This Is Hardcore, featuring unseen photography, behind-the-scenes interviews and revealing visuals.

From the mid- to late 1990s, Paul Burgess was invited by Jarvis Cocker to document the British band Pulp, taking photographs during video shoots, live gigs and other events for what has become one of the landmark albums of the period, This Is Hardcore. Written and designed by Burgess and Louise Colbourne, Hardcore contains a candid selection of previously unseen images of the band, behind the scenes and on set, of the four main video shoots made to promote the album. Twenty-five years have passed since Pulp released this extraordinary album, and this book holds up a mirror to the ingenious creative processes and characters behind the seminal record.

With carefully curated images from Burgess's archive, Hardcore also includes quotations and interviews from then and now by the video directors, band members and other artists involved with the album. The book contains contributions from Doug Nichol, John Currin, Stephen Mallinder, Sergei Sviatchenko, John Stezaker and Florian Habicht, all of whom have a connection to the album, the band or the era. There are also visual responses from a selection of younger artists and designers, such as Alexa Vieira, who have been inspired by Burgess's photographs and the band's legacy.89:T65c,

Linda Nochlin's seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no 'great women artists' on its own, corrupted, terms. Instead, she dismantled the very concept of 'greatness', unravelling the basic assumptions that had centred a male-coded 'genius' in the study of art.

With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world's institutions, and rebuilding them anew - in other words, to leap into the unknown.

In this stand-alone anniversary edition, Nochlin's essay is published alongside its reappraisal, 'Thirty Years After'. Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, 'Thirty Years After' is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve.

'Why Have There Been No Great Women Artists?' has become a slogan and rallying cry that resonates across culture and society; Dior even adopted it in their 2018 collections. In the 2020s, at a time when 'certain patriarchal values are making a comeback', Nochlin's message could not be more urgent: as she herself put it in 2015, 'there is still a long way to go'. With 14 illustrations

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