83:T4a3,In this first systematic introduction to contemporary Chinese art, Wu Hung provides an accessible, focused and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s. From its underground genesis during the Cultural Revolution (1966-76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world where the distinctions between Eastern and Western culture are rapidly collapsing. The book is a richly illustrated and easy-to-navigate chronological survey that considers contemporary Chinese art both in the context of China's specific historical experiences and in a global arena. Wu Hung explores the emergence of avant-garde or contemporary art - as opposed to officially sanctioned art - in the public sphere after the Cultural Revolution; the mobilization by young artists and critics of a nationwide avant-garde movement in the mid-1980s; the re-emphasis on individual creativity in the late 1980s, the heightened spirit of experimentation of the 1990s; and the more recent identification of Chinese artists, such as Ai Weiwei, as global citizens who create works for an international audience.84:T4eb,An introduction to the renowned Swedish photographer Anders Petersen, featuring 63 of his intimate and personal documentary-style black-and-white photographs. Anders Petersen (b. 1944) is perhaps best known for his book Café Lehmitz, which was first published in 1978 and is now recognized as one of the classics of post-war European photography. In it, he captured a time and place now long gone - a bar on Hamburg's Reeperbahn teeming with prostitutes, dropouts and the fringe elements that went to make up a warm-hearted family of non-conformists with whom he identified and felt totally at home. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, and has since gone on taking photographs in his own unique fashion, following the rhythms of his own life. This title in Thames & Hudson's renowned Photofile series features 63 of Petersen's most renowned images. The Photofile Series Photofile brings together the best work of the world's greatest photographers in an attractive, accessible, pocket-sized format. Handsome and collectable, the books are printed to the highest standards. Each one contains over sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.85:T411,Twenty years in print, The Thames & Hudson Dictionary of Graphic Design and Designers contains around 750 entries offering detailed information on every important graphic designer, movement, agency, practice and publication from 1840 up to the present day. The dictionary gives clear and accessible definitions, from technical minutiae of typography to computer-aided design and printing. Cross-references make navigating between entries simple. The endmatter contains a handy bibliography of key texts and recommended reading, as well as a timeline that puts the most influential individuals, developments and movements in chronological order. This third edition contains over 200 new, updated or expanded entries (as well as 45 new illustrations, 22 in colour) on the latest designers, terms and influences; content that ranges from Adobe InDesign to Manga, and from Chip Kidd to Marian Bantjes. Redesigned and re-typeset throughout, the book remains an indispensable reference tool to all students and practitioners of graphic design.86:T425,

There's nothing quite like Alice's Adventures in Wonderland. Described by The Times on its first publication in 1865 as 'an excellent piece of nonsense', this inspired tale of a young girl's adventures in a strange and magical world has gone on to become one of the most popular books ever written, translated into over 125 languages and said to be the most frequently quoted book after the Bible, Quran and Shakespeare.

In Tove Jansson, the story of Alice finds an illustrator worthy of its enchantment and surreal beauty. Jansson is renowned worldwide for her hugely successful Moomin books. What is less well known is that in 1966 she devoted her unique gifts as an illustrator to recreating the remarkable world of this most famous of children's characters.

Over fifty years after she presented Lewis Carroll's masterpiece to a Scandinavian audience, Tove Jansson's beautifully illustrated edition of the original text of this classic work is now presented in a special slipcase edition - a treasure to behold.

87:T463,This concise and accessible survey, the latest title in Thames &?Hudson's renowned World of Art series, is set to become the definitive popular guide to graffiti and street art. The traditional letter-based graffiti that appeared on the streets of Philadelphia and New York over forty years ago launched a global art movement that has evolved into two distinct disciplines. While both thrive illegally and challenge the concept of public space, the new wave of street art puts greater emphasis on figures, abstraction, symbols and formal techniques. This book explains the terms and language of graffiti and street art - from tags and throwies to culture jamming and subvertising - as well as their multiple influences and sub-genres. Organized thematically, it traces the origins and evolution of graffiti and street art, and explores the motivations and practices of the leading exponents; the relationship between these art forms and the urban environment; their interactions with (or rejection of) the market and the world of commercial galleries; and their increasingly important role in visual culture as a whole.88:T59a,A concise introduction to the great American photographer Berenice Abbott (1898-1991), featuring 60 of her finest photographs. Although she was born in the US, it was in Paris that Berenice Abbott's lifelong passion for photography was forged. She first took up the art while working as an assistant to Man Ray, but soon left to set up her own studio where she photographed the leading lights of Paris's literary and artistic circles, including James Joyce and Jean Cocteau. She also met and was inspired by the great photographer Eugène Atget, whose work she tirelessly promoted. On her return to her homeland, Abbott began her major project, Changing New York, in which she documented the interaction between the city's dramatic architecture and its people in a series of remarkable images that made her name. By the time of her death at the age of 93, Abbott's diverse body of work had earned her a place as one of the greatest American photographers. This title in Thames & Hudson's renowned Photofile series features 60 of Abbott's finest photographs. The Photofile Series Photofile brings together the best work of the world's greatest photographers in an attractive, accessible, pocket-sized format. Handsome and collectable, the books are printed to the highest standards. Each one contains over sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.89:T412,The best pages from the sensational photo magazine published in France in the 1920s and 1930s. Established in Paris in 1928, VU combined stunning photography with dynamic layouts and first-rate reporting, creating a revolution in journalism and setting the stage for future photo magazines like Life, Stern, and Paris Match.VU covered a wide and eclectic range of subjects including politics, world affairs, social issues, discoveries, exploration, the arts, sports, and entertainment. It intended to be an illustrated journal of the week’s events―a movie newsreel on paper―and published work by some of the most important photographers of the time: Robert Capa, Andr� Kert�sz, Henri Cartier-Bresson, Brassa�, Man Ray, and more. This book gathers some of the best work from more than 600 issues of VU: covers, double-page spreads, and complete reports. It provides both a record of the prewar world of the twenties and thirties, and an unparalleled history of photojournalism in the early twentieth century. 200+ b&w illustrations8a:T546,Available again, a wholly original study of the complex relationship between architecture and language that has changed and enriched the way we think and talk about architecture.The words we use when we talk and write about architecture describe more than just bricks and mortar - they direct the ways we think of and live with buildings. This groundbreaking book is the first thorough examination of the complex relationship between architecture and language as intricate social practices. Six rigorously argued chapters investigate the language of modernism, language and drawing, 'masculine and feminine' architecture, language metaphors, science in architecture, and the social properties of architecture. There follows a vocabulary of key words such as 'Character', 'Form', 'History' and 'Space', locating each word's modern meaning within an historical and theoretical framework, and setting out clearly its development and relevance for architects, historians, philosophers, critics and the users of the buildings themselves. 'Architects should be made to read Words and Buildings' - Architecture Today 'Unusually clear and accessible ? Students of all kinds will love this book' - The Architectural Review 'A forceful, clear and sophisticated exposition of the role of conceptual thought in architectural discourse' - The Architects' Journal8b:T579,In February 1972 Henry Moore's sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition at Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like - the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme - a large form sheltering a small one - which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moore's sheep are created through a network of swirling and zigzagging lines in the rapid and (in Moore's hands) sensitive medium of ballpoint pen.The effect is both familiar and monumental; as Lord Clark comments, 'We expect Henry Moore to give a certain nobility to everything he draws; but more surprising is the way in which these drawings express a feeling of real affection for their subject.'3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794103950040,"state":{"data":{"pages":[{"requestId":"de5d1ba0-1b9c-4d17-a4f7-b070eb68ef5f","total":{"value":1792,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9781780674872","id":252575,"score":2,"position":1200,"book":{"id":252575,"isbn":"9781780674872","created":"2021-06-17T17:09:13.000Z","title":"Enchanted Forest","description":"This stunning new colouring book by Johanna Basford takes readers on a inky quest through an enchanted forest to discover what lies in the castle at its heart. 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