83:T515,One of only seven editors-in-chief in American Vogue’s history, Jessica Daves has remained one of fashion’s most enigmatic figures—until now. Diana Vreeland’s direct predecessor in the role, it is Daves who first catapulted the magazine into modernity.

A testament to a changing America on every level, Daves’s Vogue was the first to embrace a ‘high/low’ blend of fashion in its pages and also introduced world-renowned artists, literary greats, and cultural icons into every issue, offering the reader a complete vision of how fashion, interiors, art, architecture, entertaining, literature, and culture were all connected and all contributed to refining and defining personal style. Profiling icons of American style from John and Jackie Kennedy to Charles and Ray Eames, Daves’s Vogue also featured the couture creations of Dior, Chanel, Givenchy, and Balenciaga.

Organized in multifaceted, thematic chapters, 1950s in Vogue features carefully curated photographs, illustrations and page spreads from the Vogue archives (with both iconic and less-familiar images from photographers including William Klein, Irving Penn, Karen Radkai and Erwin Blumenfeld), as well as reproductions of fascinating archival materials and correspondence.84:T640,Troy is familiar to us from the timeless and epic tales of Homer’s Iliad and Virgil’s Aeneid. These have been retold over the centuries by writers from Chaucer to Shakespeare to Madeline Miller and Rick Riordan, and enacted by stars such as Elizabeth Taylor and Brad Pitt. But how much do we really know about the city of Troy; its storytellers, myth, actual location or legacy?

In this richly illustrated book, the story of Troy is told through a new lens. Published to accompany an exhibition at the British Museum, it introduces the storytellers and Classical artists inspired by the myths of Troy, then examines the tales themselves – from the Judgment of Paris to the return of Odysseus – through the Classical objects for which the museum is internationally known. The third section focuses on Heinrich Schliemann’s excavations at Hissarlik, introducing the nineteenth-century search for the location of Troy that convinced the world that this city did once exist. Also explored is the possible Bronze Age background for the myth of the Trojan War, the historicity of which remains unresolved today. The final section delves into the legacy of Troy, and the different ways in which its story has been retold, both in literature and art, from Homer to the present day. Focusing on the major characters – Helen of Troy, Achilles and Hector, Aeneas and Odysseus – it illustrates how artists from Cranach and Rubens to Romare Bearden and Cy Twombly have been inspired by this archetypal tale to reflect on contemporary themes of war and heroism, love and beauty.85:T655,A new atlas of imaginary islands conjured up by an international gathering of illustrators, including work by Coralie Bickford-Smith, Bill Bragg, Marion Deuchars, Chris Riddell, Maisie Paradise Shearring, Hervé Tullet, Aušra Kiudulaite and more.

Islomania is a recognized affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari – literally the ‘island books’. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of literature and an instant bestseller. Defoe’s tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling.

To celebrate the tercentenary of Robinson Crusoe’s publication, a truly international range of leading illustrators imagine they too have been washed up on their own remote island. In a specially created map they visualize what it looks like, what it’s called and what can be found on its mythical shores. In a panoply of astonishingly creative and often surprising responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers and dreamers alike.86:T479,New Zealand-born Frances Hodgkins (1869–1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. This book explores Hodgkins as a traveller across cultures and landscapes – teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London.

Complete with a rich visual chronology of the artist’s encounters abroad, alongside over one hundred of Hodgkins’ key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Catherine Hammond and Mary Kisler (Auckland Art Gallery Toi o Tamaki, New Zealand).87:T513,

A fresh, contemporary, and practical guide to calligraphy and lettering, with 15 projects inspired by the V&A collections.

Calligraphy-along with brush lettering, sign writing, and the chalkboard-is undergoing a surge in popularity. Examples of beautiful lettering and penmanship are all around us, and all over Instagram, depicted on book covers, posters, and invitations.

Perfect for anyone wanting to learn more about calligraphy and lettering, this practical introduction showcases many examples from the Victoria and Albert Museum’s collection, and will offer a new understanding and appreciation of letterforms. Detailed instructions, complete with sample alphabets, lead you through the essentials of classic styles such as Gothic and Italic lettering, on to vintage- inspired sign writing and chalkboard design and even into the elegant, image-led worlds of illuminated capitals and zoomorphic calligraphy. Projects include a handmade booklet, banner, menu, gift tags, a monogram rubber stamp, greetings cards, and more.

Lettering often has a decorative as well as informative function, and with Calligraphy and Lettering and a bit of practice, it is possible for anyone to elevate their message, whatever it may be, into a personalized piece of art.

88:T86f,'A spectacular treasury of treats. Page after page of utter joy: I can’t tear my eyes away' - Derren Brown

In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief.

Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements – particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception.

Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle’s closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.89:T434,Paul Gauguin achieved a high public profile during his lifetime, and was one of the first artists of his generation to achieve international recognition. But his prominence has always had as much to do with the dramatic events of his life – his self-imposed exile on a remote South Sea island, his turbulent relationships with his peers – as with the appeal of his art.

Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most original artists of the late 19th century. Gauguin’s work – painting, sculpture, prints and ceramics – is discussed in the light of his public persona, his relations with his contemporaries, his exhibitions and their critical reception. Belinda Thomson reveals Gauguin’s private world, beliefs and aspirations through his extensive cache of journals, letters and other writings. Fully updated throughout, drawing on the insights of thirty years of scholarship since its first edition, Thomson’s text remains the best introduction of this controversial and often contradictory artist.8a:T48a,The White Horse at Uffington is an icon of the English landscape - a sleek, almost abstract figure 120 yards long which was carved into the green turf of the spectacular chalk scarp of the North Wessex Downs in the early first millennium bc. For centuries antiquarians, travellers and local people speculated about the age of the Horse, who created it and why. Was it a memorial to King Alfred the Great's victory over the heathen Danes, an emblem of the first Anglo-Saxon settlers or a prehistoric banner, announcing the territory of a British tribe? Or was the Horse an actor in an elaborate prehistoric ritual, drawing the sun across the sky? The rich history of this ancient figure and its surroundings can help us understand how people have created and lived in the Downland landscape, which has inspired artists, poets and writers including Eric Ravilious, John Betjeman and J.R.R. Tolkien. The White Horse itself is most remarkable because it is still here. People have cared for it and curated it for centuries, even millennia. In that time the meaning of the Horse has changed, yet it has remained a symbol of continuity and is a myth for modern times.8b:T5bb,The talent behind Radiohead's iconic artwork reveals in his own words and for the first time the creative process that has driven his career and earned him a cult reputation. A restless and prolific figure, Stanley Donwood is widely regarded as one of the most important visual artists of his generation. His influential work for Radiohead spans many practices and ever-evolving aesthetics over a 23-year period, from music packaging to installations to print-making. Here, for the very first time, he reveals his personal notebooks, photographs, sketches and abandoned routes to iconic Radiohead artworks. Arranged chronologically, chapters are each dedicated to a major work - be it an album cover, promotional piece or a personal project - presented as a step-by-step working case study, from speculative ideas and sketches right through to Photoshop experiments and the finished piece. Accompanying narratives by Donwood explain the inspirations and stories behind his creative process and what it is like to work with the band, told with his typical razor-sharp humour and generosity of spirit. Featuring a treasury of archive material, this is the first deep dive into Donwood's creative practice and the artistic freedom afforded to him by working for a major music act. There Will Be No Quiet is essential reading, and viewing, for fans of the band and anyone interested in the explosive mix of artistic accident, musical ingenuity and creative originality.8c:T4d3,Prophet, poet, painter, engraver - William Blake (1757-1827) was an artist of uniquely powerful imagination and far-reaching creative gifts. His work expresses the spiritual drama of the English national being, integrating poetry and visual art in a sustained work of visionary creativity unparalleled in English art history. Revealing Blake to be far more than a revolutionary social radical, this classic study reshapes our understanding of the artist's achievement. Kathleen Raine details the enriching effect of mystical, alchemical and gnostic philosophy on Blake's art. She unravels the complex, deeply felt symbolism expressed in his paintings and prints, and describes the powerful impact of his reading of Dante, Milton and the Bible. Raine's compelling and accessible text guides the reader through the life and thought of this extraordinary artist. Fully alive to the uniqueness of Blake's art - which has 'a reality, a coherence, a climate' all its own - she introduces famous work such as Jerusalem, Songs of Innocence and of Experience, The Four Zoas and The Book of Job, relating them to Blake's world view and explaining their prophetic qualities, their fierce energy, and their central place in British Romantic art.8d:T472,Throughout history, patterns have come in countless permutations of motif, colour-way and scale. Yet what all have in common is the regularity of repetition, that insistent rhythm that animates a flat surface with a sense of movement and vitality and gives it depth. Evident in the arrangement of petals on a flower head, the branching growth of stems and vines, the spirals of a seashell – pattern is inherent in the natural world that surrounds us. Powerful and transformative, pattern has an irrepressible joie de vivre.

With more than 1,500 illustrations of patterns from all ages and cultures, Pattern Design is a visual feast. This comprehensive compendium is arranged thematically according to type, with chapters on Flora, Fauna, Pictorial, Geometric and Abstract designs. These broad categories are supplemented by in-depth features highlighting the work of key designers from the rich history of pattern-making – such as William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day and Orla Kiely – along with sections detailing the characteristic motifs of key period styles from Baroque to Art Deco.8e:T58f,King David is a pivotal figure in the Bible, which provides stirring accounts of his deeds, including the slaying of the Philistine giant Goliath and the founding of his capital in Jerusalem. However, no certain archaeological finds from the period of his reign or of the united kingdom he ruled over have been uncovered – until now.

In this first-hand and highly readable account, the excavators of Khirbet Qeiyafa in the Valley of Elah, where the Bible says David fought Goliath, reveal how seven years of exhaustive investigation have uncovered a city dating to the time of David – the late 11th and early 10th century bc – surrounded by massive fortifications with impressive gates, a clear urban plan and an abundance of finds that tell us much about the inhabitants, including a pottery sherd with the earliest known Hebrew inscription. The authors clearly describe the methods of the excavation and the evidence they discovered, as well as how we interpret it. But more than just a simple excavation report, this book also explains the significance of these discoveries and how they shed new light on David’s kingdom, as well as discussing the link between the Bible, archaeology and history. This topic is at the centre of a decades-long controversy, with some scholars disputing that the Bible contains a record of historical events and people, an approach that is convincingly challenged here.8f:T4f9,Two thousand years ago, the Romans sought to absorb into their empire what they regarded as a remote, almost mythical island on the very edge of the known world – Britain. The expeditions of Julius Caesar and the invasion of ad 43 brought fundamental and lasting changes to the island. Not least among these was a pantheon of new Classical deities and religious systems, along with a clutch of exotic eastern cults including Christianity. But what of Britannia and her own home-grown deities? What cults and cosmologies did the Romans encounter and how did they in turn react to them? Under Roman rule, the old gods were challenged, adopted, adapted, absorbed and re-configured.

In this fresh and innovative new account, Miranda Aldhouse-Green balances literary, archaeological and iconographic evidence (and scrutinizes their shortcomings and how we interpret them) to illuminate the complexity of religion and belief in Roman Britain, and the two-way traffic of cultural exchange and interplay between imported and indigenous cults. Despite the remoteness of this period, on the threshold between prehistory and history, many of the forces, tensions, ideologies and issues of identity at work are still relevant today, as Sacred Britannia skilfully draws out.90:T530,

A generation who have come of age sharing vintage-filtered images via Instagram, developing an obsession with photography, are now seeking the authentic, hands-on, creative buzz that exists outside of the digital world - embracing 'old school' analogue film photography and 'full manual' cameras of all formats.

Retro Cameras is a stylish, design-led guide to classic and retro cameras aimed at those who want to discover the world of analogue photography. It includes more than 100 camera models, from the easily affordable to the highly collectible, in 13 formats: 35mm SLRs; 35mm Rangefinders; 35mm Viewfinder Cameras; Roll Film SLRs; Sheet and Roll Film Folding Cameras; Twin Lens Reflexes; Instamatics; Stereo Cameras; Panoramic and Wide-angle Cameras; Miniature Cameras and Instant Cameras. Supplementing an already comprehensive resource are quick reference shooting guides for each format, as well as a list of retro camera accessories.

With over 400 specially commissioned photographs, practical advice on how to use and get the most out of each camera, buyers' tips and a dedicated glossary, Retro Cameras is a perfect reference for young photographers who want to get creative with analogue photography, while also offering authoritative guidance for more experienced collectors and enthusiasts.

91:T5af,There has been much scaremongering about the `death of the book', and how, as words find new ways and means of transmission, young people might gradually begin to shun writing. In the digital age, text becomes information, and information strives to become free. But what value can text hold in the sphere of visual art? How is such text different from poetry? Can the poetic itself be visual art, or is text in this context consigned to the realms of gimmick and catchphrase? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski and many more, The Word is Art examines each of these questions, contending above all that in the digital and online age, words have become more important than ever. With the advent of texting and social media, many predicted the debasement of language, and some have pointed to evidence of this in our so-called `post-truth' culture. Artist Michael Petry demonstrates that, on the contrary, words remain critical, powerful and central to art practice. Digital communication has seen the word as text permeate life in ways that the poets and artists of yesterday could never have imagined. Presenting a brief history of word- and book-based art, and examining major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794115562029,"state":{"data":{"pages":[{"requestId":"ebed00ce-8f04-4f86-8b55-0da09451e7dc","total":{"value":1792,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780500775158","id":1128102,"score":1,"position":1536,"book":{"id":1128102,"isbn":"9780500775158","created":"2026-09-01T21:45:01.000Z","title":"Contemporary African Art","description":null,"htmlDescription":null,"pages":null,"language":"eng","depth":null,"height":null,"width":null,"weight":null,"edition":"2","publishDate":"2020","authorNames":"Sidney Littlefield Kasfir","publisherName":"Thames & Hudson","format":null,"category":null,"image":null,"highResImage":null,"imageFile":null,"isRemoved":null,"views":0,"editionGroupId":139083,"editionGroupState":"UNPUBLISHED","adsCount":null,"minPrice":null,"source":"book-info-service","minNewPrice":null,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780500775356","id":1177819,"score":1,"position":1537,"book":{"id":1177819,"isbn":"9780500775356","created":"2026-10-06T22:18:10.000Z","title":"Central and Eastern European Art Since 1950","description":null,"htmlDescription":null,"pages":null,"language":"eng","depth":null,"height":null,"width":null,"weight":null,"edition":"1","publishDate":"2020","authorNames":"Maja Fowkes, Reuben Fowkes","publisherName":"Thames and Hudson","format":null,"category":null,"image":null,"highResImage":null,"imageFile":null,"isRemoved":null,"views":0,"editionGroupId":243226,"editionGroupState":"UNPUBLISHED","adsCount":null,"minPrice":null,"source":"book-info-service","minNewPrice":null,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780500294376","id":936220,"score":1,"position":1538,"book":{"id":936220,"isbn":"9780500294376","created":"2025-01-14T10:33:05.000Z","title":"1950s in Vogue","description":"$83","htmlDescription":null,"pages":256,"language":"eng","depth":28,"height":282,"width":373,"weight":2679,"edition":null,"publishDate":"2019-11-21","authorNames":"Rebecca Tuite","publisherName":"Thames & Hudson Ltd","format":"BC","category":null,"image":"https://book-info.studentapan.live/image/9780500294376-1950s-in-vogue.jpg","highResImage":"https://book-info.studentapan.live/image/9780500294376-1950s-in-vogue.jpg/org","imageFile":"9780500294376","isRemoved":null,"views":0,"editionGroupId":null,"editionGroupState":null,"adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":null,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780500480557","id":767274,"score":1,"position":1539,"book":{"id":767274,"isbn":"9780500480557","created":"2024-02-01T22:42:38.000Z","title":"The BP exhibition : Troy : myth and reality","description":"$84","htmlDescription":null,"pages":312,"language":"eng","depth":25,"height":259,"width":287,"weight":2043,"edition":null,"publishDate":"2019-11-21","authorNames":"Alexandra Villing, J. 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