83:T81c,In recent decades, archaeologists in South Africa have discovered some of the world's oldest artworks - extraordinary examples of humankind's first artistic endeavours. Today, South Africa enjoys a vibrant, often politicized contemporary art scene, one that draws on both the recent and the more distant past to comment on the present. Taking as its point of departure the earliest known artistic tradition in Southern Africa 100,000 years ago, South Africa: the art of a nation explores the history of South Africa through a selection of its artworks, playing particular attention not only to their relationship to one another, but also to their connections to ket episodes in the nation's evolution. By setting up a dialogue between past and present, between art objects old and new, the book offers a refreshingly novel way of looking at South Africa, a story that begins many millennia before the creation of the modern nation. After considering the first artistic stirrings of our earliest ancestors, this richly illustrated publication turns to the establishment of the first centralized societies in southern Africa in the first millennium AD and their bearing on the appearance of the three-dimensional figurative art. The artistic influences of European and Asian settlers from the 17th century onwards are considered next, followed by an examination of colonial conflicts and related artworks, and then a presentation of rural San|Bushman, Khoekhoe and black South African artworks from the 1800s. The issue of segregation after the Union of South Aftica in 1910 and 'Resistance Art' during the apartheid era are tackle in the penultimate section, while the final chapter considers South Africa's transformation from an apartheid state to a democratic nation and the art it continues to inspire. Published to accompany a major exhibition at the British Museum, this book offers new and often moving insights into one of the world's most vibrant nations whose fascinating story, process of self-discover and periods of reinvention have all been reflected in its art.84:T55c,Accompanying a major exhibition at the National Maritime Museum, showing from November 2016 to April 2017, this book provides a fresh evaluation of Emma Hamilton’s artistic undertakings, cultural achievements and legacy. From humble origins, Emma Hamilton (1765–1815) rose to national and international fame as a model, performer, trendsetter and interpreter of neoclassical fashion. Yet, the host of books and films in which she has featured typically place her in a passive and supporting role. Emma is often presented as the muse to painters such as George Romney, or partially obscured by the reputation of her lover, Horatio Nelson, hero of naval battles in the Napoleonic Wars, culminating in the Battle of Trafalgar (1805). The tragic trajectory of her life, from childhood prostitution to final destitution and neglect, has also been used to present her story as by turns sordid and ridiculous. This landmark publication recovers Emma from myth and misrepresentation, and reveals her as an active and influential historical actor in her own right. The arc of this life – her ambitions, creative endeavours, successes and hardships – is viewed through a new lens, one that places her in a wider context of female celebrity in a society that severely restricted women’s opportunities and in which divorce was a far greater shame than infidelity or cruelty.85:T592,We share the Earth with more than 10,000 species of birds and we have always been enchanted by them. Here, over 60 birds, organized thematically into eight sections, cover all aspects of our relationship with birds. ‘Songbirds’ celebrates the greatest bird virtuosi, such as the Nightingale, while ‘Birds of Prey’ include majestic hunters such as the Harpy Eagle, which catches prey as large as monkeys and sloths. ‘Feathered Travellers’ describes astounding journeys made by birds – even some tiny Hummingbirds migrate huge distances. ‘The Love Life of Birds’ can rival any soap opera and involves the most brilliant displays, notably the Birds of Paradise, with their extravagant feathers and dances. ‘Avian Cities’ explores species such as the Flamingo that live in spectacular large colonies. ‘Useful to Us’ examines the ways we find birds of value, such as the Turkey, but also the Canary. ‘Threatened and Extinct’ describes some no longer living and others that seem on the brink. Birds have also had great mystical significance, both for good and evil, and ‘Revered and Adored’ considers such species as the Sacred Ibis, believed by the ancient Egyptians to represent the god Thoth.
For anyone interested in the natural world and the wonderful variety of birds around us, this beautifully illustrated book is a visual treat that will inspire, inform and delight.86:T506,In her newest work, Nan Goldin merges her deep admiration for the artworks of the past with a lifelong dedication to her most immediate circle of friends. Invited by the Louvre, she photographed artworks of her choice at the museum and, guided by aesthetic and associative considerations, connected them to earlier photographs of her friends and lovers. In this way she not only draws inspiration from the rich sources of art history but revisits her own oeuvre of the last 40 years. The striking similarities between the two different pictorial worlds exert an intense dynamic on the viewer. The series, which yielded over 400 photographs, was shown for the first time in its full scope at the Kestnergesellschaft in Hannover, Germany. For this occasion, Diving for Pearls was conceived as an independent artist book which, alongside Goldin's newest work "Saints," contains a selection of photographs that have never been published before.
Nan Goldin was born in Washington, DC, in 1953 and is one of the most eminent female photographers of our times. She studied at the Museum of Fine Arts in Boston. Since 1982 she has visited and worked in Berlin on a regular basis. She received a Hasselblad Photography Award in 2007. Goldin lives in Berlin, New York and Paris.87:T451,The Russian Avant-Garde, which brought about an artistic revolution between 1905 and 1934, represents one of the most fascinating chapters in the history of 20th-century art. Artists like Malevich, Kandinsky and Chagall are highly esteemed the world over. But this movement was much more diverse than is generally realised. For the first time this artistic wealth is being presented in a major sequence of pictures. 140 masterpieces of painting demonstrate the parallel development of widely different styles, design principles and aesthetic ideas. The avant-garde artists influenced each other or were sometimes in conflict with each other. At the same time you could find advocates of representational Expressionism and supporters of pure abstraction; styles like Primitivism, Cubo-Futurism and Suprematism followed each other in succession. Surprising contrasts of works by different artists demonstrate the differences, so that the successive conflicting –isms are clearly demonstrated. Through this visual confrontation the picture of all the many different forms of Russian avant-garde come alive.88:T654,Beneath the waters of Abukir Bay, at the edge of the Nile Delta, lie the submerged remains of the ancient Egyptian cities Canopus and Thonis-Heracleion, which sank over 1,000 years ago but were dramatically rediscovered in the 20th century and brought to the surface by marine archaeologists in the 1990s. These pioneering underwater excavations continue today, and have yielded a wealth of ancient artefacts, to be exhibited in Britain for the first time in 2016. Through these spectacular finds, this book tells the story of how two iconic ancient civilizations, Egypt and Greece, interacted in the late first millennium bc. From the foundation of Naukratis and Thonis-Heracleion as trading posts to the conquest of Alexander the Great, through the ensuing centuries of Ptolemaic rule to the ultimate dominance of the Roman Empire on the world stage, Greeks and Egyptians lived alongside one another in these lively cities, sharing their politics, religious ideas, languages, scripts and customs. Greek kings adopted the regalia of the pharaoh; ordinary Greek citizens worshipped in Hellenic sanctuaries next to Egyptian temples; and their ancient gods and mythologies became ever more closely intertwined. This book showcases a spectacular collection of artefacts, coupled with a retelling of the history by world-renowned experts in the subject (including the sites’ long-term excavator), bringing the reader face-to-face with this vibrant ancient society. Accompanies the most sensational exhibition of ancient Egyptian and Greek discoveries to be held in the UK for decades, opening at the British Museum.89:T864,"A truly welcome and refreshing study that puts earthquake impact on history into a proper perspective" --Amos Nur, Emeritus Professor of Geophysics, Stanford University, California, and author of Apocalypse: Earthquakes, Archaeology, and the Wrath of God.

Since antiquity, on every continent, human beings in search of attractive landscapes and economic prosperity have made a Faustian bargain with the risk of devastation by an earthquake. Today, around half of the world's largest cities - as many as sixty - lie in areas of major seismic activity. Many, such as Lisbon, Naples, San Francisco, Tehran and Tokyo, have been severely damaged or destroyed by earthquakes in the past. But throughout history, starting with ancient Jericho, Rome and Sparta, cities have proved to be extraordinarily resilient: only one, Port Royal in the Caribbean, was abandoned after an earthquake.

Earth-Shattering Events seeks to understand exactly how humans and earthquakes have interacted, not only in the short term but also in the long perspective of history. In some cases, physical devastation has been followed by decline. But in others, the political and economic reverberations of earthquake disasters have presented opportunities for renewal. After its wholesale destruction in 1906, San Francisco went on to flourish, eventually giving birth to the high-tech industrial area on the San Andreas fault known as Silicon Valley. An earthquake in Caracas in 1812 triggered the creation of new nations in the liberation of South America from Spanish rule. Another in Tangshan in 1976 catalysed the transformation of China into the world's second largest economy.

The growth of the scientific study of earthquakes is woven into this far-reaching history. It began with a series of earthquakes in England in 1750. Today, seismologists can monitor the vibration of the planet second by second and the movement of tectonic plates millimetre by millimetre. Yet, even in the 21st century, great earthquakes are still essentially 'acts of God', striking with much less warning than volcanoes, floods, hurricanes and even tornadoes and tsunamis.8a:T4fe,For centuries, women's self-portraiture was a highly overlooked genre. Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Seeing Ourselves finally gives this richly diverse range of artists and portraits, spanning centuries, the critical analysis they deserve. In sixteenth-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, from adolescence to old age. In seventeenth-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the eighteenth century, from Elisabeth Vig e-Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self-confidence for a host of talented female artists, such as Berthe Morisot. The modern period demolishes taboos: Alice Neel painting herself nude at eighty years old, Frida Kahlo rendering physical pain on the canvas, Cindy Sherman exploring identity, and Marlene Dumas dispensing with all boundaries.

Frances Borzello's spirited text, now fully revised, and the intensity of the accompanying self-portraits are set off to full advantage in this new edition, now in reading-book format.8b:T76f,Maria Sibylla Merian (1647-1717) trained as an artist under her stepfather in Nuremberg. Fascinated by butterflies and moths from an early age, she studied the insect life cycle through the animals she found in local fields and gardens, recording her discoveries in meticulous watercolors and prints. After she moved to Amsterdam in 1691, Merian became interested in the wildlife of Suriname, which she encountered in the collectors' cabinets and botanical gardens in the city. Merian's fascination with Suriname led her to undertake a trip to the country, then a Dutch colony, to study insects in their natural habitat. Between 1699 and 1701, she worked in Suriname, making expeditions around the country to collect specimens, rearing butterflies and moths and recording their eating habits and metamorphoses.

Merian's work in Suriname was published on her return to Amsterdam as the Metamorphosis Insectorum Surinamensium, or The Metamorphosis of the Insects of Suriname. This groundbreaking book presented the insects that Merian had studied, with each insect life cycle shown on the correct host plant--an approach which has seen her described as "the first ecologist." Merian's illustrations are scientifically rigorous, but they are also beautiful, reflecting her training as an artist in the still-life tradition. Her approach to scientific illustration would be adopted by many of the natural historians who followed her.

Maria Merian's Butterflies tells Merian's story through her works in the Royal Collection. The core of these is a set of plates from the Metamorphosis, partially printed and partially drawn on vellum, which were acquired by George III as part of his extensive scientific library. Over three hundred years after they were made, these meticulous, brilliant works celebrate a woman whose art and whose story are enduringly popular.8c:T507,Prototyping is an essential part of the designer’s repertoire. Designers prototype their projects to test them, structurally, aesthetically, technically. Whether the prototype works or not is not the point: prototyping is the revelatory process through which the designer gains insight. There are three reasons why contemporary prototyping techniques are transforming the way architects design and build: 1) at a miniature scale, prototyping aids the architect in the presentation to clients of complex spatial ideas; 2) prototyping empowers the architect-designer to test and prove a building’s feasibility, leading to more open-minded construction solutions; 3) whether additive (3D printing) or subtractive (robotic milling), prototyping can lead to unexpected and exciting new possibilities within design as a whole, across design disciplines, thus blurring the boundaries between them in highly creative ways. The book has four sections: an introduction that charts the rise of prototyping in design history, more specifically in architecture; an overview of techniques; a survey section featuring 30 projects, each presented through texts drawn from first-hand interviews, on-site photographs and drawings; and a reference section, which includes a glossary of technical terms.8d:T555,The Haggadot commissioned by wealthy patrons in the Middle Ages are among the most beautifully decorated Hebrew manuscripts, and The ‘Brother’ Haggadah – so-called because of its close relationship to The Rylands Haggadah in the collection of the John Rylands Library, Manchester – is one of the finest of these to have survived. Created by Sephardi – or southern – artists and scribes in Catalonia in the second quarter of the 14th century, it sets out the liturgy and sequence of the Passover Seder, a ritual feast by which Jewish families give thanks for the liberation of the Israelites from slavery in ancient Egypt as described in the Book of Exodus. This finely produced facsimile edition begins with an introduction by medieval scholar Professor Marc Michael Epstein, who sets out the background to the Passover and provides an analysis of the manuscript’s iconographic scheme. Following are essays on the provenance of The ‘Brother’ Haggadah by Ilana Tahan, head of the Hebrew and Christian collections at the British Library, and on the Shaltiel family, former owners of the manuscript, by Hebrew scholar Eliezer Laine. The book also contains a translation of the poems and commentary in the manuscript by the late Raphael Lowe, former Goldsmid Professor of Hebrew at University College London, and a translation of the Haggadah liturgy.8e:T442,The music of Motown defined an era. From The Jackson 5 and Diana Ross to Stevie Wonder and Smokey Robinson, Berry Gordy and his right-hand man, Barney Ales, built the most successful independent record label in the world. Motown not only represented the most iconic recording artists of its time and produced countless global hits, it created a cultural institution that redefined pop, and gave us the vision of a new America: vibrant, innovative, and racially equal.

In this first official visual history of the label, new research, a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown lend new insight to the legend. In addition to extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars, Motown: The Sound of Young America draws on interviews with key players from the label's colorful history, including Motown founder Berry Gordy, Barney Ales, Smokey Robinson, Mary Wilson, founding member of the Supremes, and many more.8f:T796,A towering figure in 19th-century art, Degas is best known as a painter and chronicler of the ballet. Yet his work in monotype reveals the true extent of his restless experimentation. In the mid-1870s, Degas was introduced to the monotype process, a technique in which the artist draws in ink on a metal plate that is then run through a press, typically resulting in a single print. Degas embraced the medium with enormous enthusiasm, inventing a new repertoire of mark-making that included wiping, scraping, scratching, fingerprinting and rendering via removal. The resulting works are characterized by enigmatic and mutable forms, luminous passages emerging from darkness and a heightened tactility. Taking the monotype process to radical ends, Degas explored a variety of subjects, including city dwellers in motion; harshly illuminated cafe singers, ballet dancers on and offstage, women in intimate settings; and evanescent landscapes. With this medium, Degas is at his most modern, liberating drawing from tradition, depicting the body in new and daring ways, and boldly engaging the possibilities of abstraction. Published to accompany an exhibition at The Museum of Modern Art, this richly illustrated catalogue presents approximately 120 monotypes along with some 60 related works, including paintings, drawings, pastels, sketchbooks and prints. Essays and detailed studies by curators, scholars and conservators explore the creative potency of Degas' rarely seen monotypes, and highlight their impact on his wider practice.
Hilaire-Germain-Edgar Degas (1834-1917) was a French painter, draftsman, printmaker and sculptor celebrated for his scenes of modern life, from the cabaret concert to the racetrack to the ballet, the subject for which he is best known. Academically trained, Degas emulated old master and 19th-century predecessors; at the same time, he embraced radically new subjects, compositions and techniques.90:T58c,Cathedral of the Pines presents Gregory Crewdson's first new body of work in over five years. The series marks a return to Crewdson's classic style of storytelling via the single image, using light and color to create newly intimate, psychologically charged imagery. This body of work marks a time of transition for the artist, including the end of his marriage and a retreat from New York to a remote home and studio in western Massachusetts-a period of time during which Crewdson chose to remain socially withdrawn, instead committing to daily, long-distance, open-water swims and cross-country skiing on wooded paths. Cathedral of the Pines is named after one of these trails, deep in the forests of Becket, Massachusetts, the site where he found the inspiration to make these new pictures. It was there that he felt darkness lift, experienced a reconnection with his artistic process, and moved into a period of renewal and intense creative productivity. The photographs are accompanied by an essay by Alexander Nemerov, who addresses the work in relation to the American past, focusing in particular on the way the images draw space and time down to ceremonial points, in which "all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson's scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots."91:T79d,In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live - how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us. The century's most talented photographers, illustrators and artists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth-century photography.

From 1892, American Vogue chronicled the life of beautiful people - their clothes, parties, houses and habits - and the magazine was exported for intrigued British readers. In 1916, when the First World War made transatlantic shipments impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times - the austerity and optimism that followed two world wars, the 'Swinging London' scene of the sixties, the radical seventies, the image-conscious eighties - and in its second century remains at the cutting edge of photography and design.

Decade by decade, Vogue 100: A Century of Style celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well-known images, as well as the less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer. It features the fashion designers who defined the century - Dior, Galliano, Balenciaga, Saint Laurent, McQueen - and explores more broadly the changing form of the twentieth-century woman.92:T48c,When Cecil Beaton died in 1980, it was not surprising that one of his tailors was telephoned with the news before Buckingham Palace, despite his close association with the Royal Family. From the moment he arrived at Cambridge University in 1922 wearing evening jacket, red shoes, black-and-white trousers and a large cravat, to his first meeting with Greta Garbo ten years later in `pristine white kid coat, sharkskin, and new white shoes and socks', to his appearance nearly forty years later at Truman Capote's 1970 Black and White Ball, Beaton expressed a flamboyant sartorial nonchalance - a sprezzatura. He had accounts with many Savile Row tailors; he bought his hats from Herbert Johnson and Lock & Co, his shirts from Excello in New York; and the clothes he bought from Lanz of Salzburg are now, along with other elements of his wardrobe, in the Metropolitan Museum, New York, and the V&A, London. His wardrobe went through many changes, beautifully documented and illustrated in this virtuoso study, which will delight and inform the big new audience for men's clothes that are distinctive, supremely well made, and carrying authority with style.93:T560,The richness of Wassily Kandinsky’s life, work and thought make him one of the leading figures of 20th-century art. He was a founder member of Der Blaue Reiter and his theories influenced many of the major artistic movements of his time, including Dada, the Bauhaus, De Stijl and Russian Constructivism. A friend of artists such as Marcel Duchamp and Paul Klee, he also had fruitful relationships with contemporary musicians including Arnold Schoenberg and Thomas de Hartmann. This book traces the chronological evolution of Kandinsky’s art, making use of an unprecedented wealth of documents from the artist’s own workshop, including autobiographical writings, correspondence and theoretical essays, to shed new light on his prolific creative imagination. Kandinsky divided his work into three categories: impressions (observations of the exterior world), improvisations (expressions of inner feeling) and compositions (images on a grander scale that brought inner and outer visions together). His art is also marked by two intersecting axes: the first moving from the figurative to the abstract, the second from the profane to the sacred. Generously illustrated throughout, this book uncovers the well of imagery that lies behind Kandinsky’s paintings, prints and poetry, and explores his passionate belief in the spiritual and harmonizing power of art.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794117652229,"state":{"data":{"pages":[{"requestId":"47557761-7906-45f3-80c0-0d29c447eebb","total":{"value":1792,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780500293133","id":796200,"score":1,"position":1584,"book":{"id":796200,"isbn":"9780500293133","created":"2024-02-21T05:25:27.000Z","title":"Digital handmade : craftsmanship in the new industrial revolution","description":"A revised and updated paperback edition of this survey of international designers and makers working at the intersection of handicrafts and digital technology.","htmlDescription":null,"pages":288,"language":"eng","depth":24,"height":195,"width":250,"weight":1152,"edition":null,"publishDate":"2017","authorNames":"Lucy Johnston","publisherName":"Thames & Hudson","format":"BC","category":null,"image":"https://book-info.studentapan.live/image/9780500293133-digital-handmade-craftsmanship-in-the-new-industrial-revolution.jpg","highResImage":"https://book-info.studentapan.live/image/9780500293133-digital-handmade-craftsmanship-in-the-new-industrial-revolution.jpg/org","imageFile":"9780500293133","isRemoved":null,"views":0,"editionGroupId":198453,"editionGroupState":"UNPUBLISHED","adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":null,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780500650998","id":947877,"score":1,"position":1585,"book":{"id":947877,"isbn":"9780500650998","created":"2025-03-02T23:58:01.000Z","title":"If I had a dinosaur","description":"As read by Eddie Redmayne for CBeebies Christmas Day Bedtime Story

WINNER of the 'Best Preschool Book' - Made For Mums Awards 2018

A little girl dreams of having her very own pet. But what kind of animal would make the best companion? A mouse is too small; a cat is too ordinary; and a fish is too… wet! As she plays with her toy dinosaur, inspiration strikes. What about a real, live dinosaur? She could ride it to school. It would need lots of food to eat, a swimming pool to drink from, and a dino flap so it could come and go. At the end of a day spent busily imagining, the girl trudges up to bed with her little plastic dinosaur. 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