83:T43e,

David Small, a best-selling and highly regarded children's book illustrator, comes forward with this unflinching graphic memoir. Remarkable and intensely dramatic, Stitches tells the story of a fourteen-year-old boy who awakes one day from a supposedly harmless operation to discover that he has been transformed into a virtual mute—a vocal cord removed, his throat slashed and stitched together like a bloody boot. From horror to hope, Small proceeds to graphically portray an almost unbelievable descent into adolescent hell and the difficult road to physical, emotional, and artistic recovery.

A National Book Award finalist; winner of the ALA's Alex Award; a #1 New York Times graphic bestseller; Publishers Weekly and Washington Post Top Ten Books of the Year, Los Angeles Times Favorite Book, ALA Great Graphic Novels, Booklist Editors Choice Award, Huffington Post Great Books of 2009, Kirkus Reviews Best of 2009, Village Voice Best Graphic Novel, finalist for two 2010 Will Eisner Comic Industry Awards (Best Writer/Artist: Nonfiction; Best Reality-Based Work).

84:T41f,

Hailed as one of the best books of 2009 by the New York Times and the Los Angeles Times, this vibrant portrait of 1930s culture masterfully explores the anxiety and hope, the despair and surprising optimism of distressed Americans during the Great Depression. Morris Dickstein, whom Norman Mailer called "one of our best and most distinguished critics of American literature," has brought together a staggering range of material-from epic Dust Bowl migrations to zany screwball comedies, elegant dance musicals, wildly popular swing bands, and streamlined Deco designs. Exploding the myth that Depression culture was merely escapist, Dickstein concentrates on the dynamic energy of the arts, and the resulting lift they gave to the nation's morale. A fresh and exhilarating analysis of one of America's most remarkable artistic periods, with Dancing in the Dark Dickstein delivers a monumental critique.

A New York Times Notable Book, Los Angeles Times Favorite Book, San Francisco Chronicle Best Book of 2009, and Huffington Post Best Book.

85:T552,Kathrin Stauffer—a biochemist and seasoned body psychotherapist—takes a look at organ systems of the human body to illuminate the connections between body and mind, exploring the body as both the ground of our physical experience and as a metaphor for our emotional life. Beginning with a discussion of the basic building blocks of the body, cells and molecules, Stauffer works through the body system by system, showing through clinical case examples that an understanding of each system can greatly enhance the art of psychotherapy: The Central Nervous System, The Skeletal Musculature, The Respiratory System, The Skin, The Digestive System, Fluids and Connective Tissue, The Endocrine System, The Reproductive System, and The Respiratory System.

Throughout, Stauffer presents human anatomy and physiology in clear, simple terms, with facts selected for interest and relevance to psychotherapists. Many links are made between physical and psychological function to give readers a taste of how body psychotherapists work in clinical practice to integrate body and mind, and thus help their clients become more whole. Anatomy & Physiology for Psychotherapists invites psychotherapists, complementary therapists, and anyone else interested in the mind/body connection to engage with the physical body to bring more depth into their therapeutic work.86:T406,It is the most singular of sounds, yet among the most ubiquitous. It is the sound of isolation that has sold itself to millions. Miles Davis s Kind of Blue is the best-selling piece of music in jazz history and, for many listeners, among the most haunting works of the twentieth century. It is also, notoriously, the only jazz album many people own. Recorded in 1959 (in nine miraculous hours), there has been nothing like it since. Richard Williams s richly informative (The Guardian) history considers the album within its wider cultural context, showing how the record influenced such diverse artists as Steve Reich and the Velvet Underground. In the tradition of Alex Ross and Greil Marcus, the effortlessly versatile Williams (The Times) connects these seemingly disparate phenomena with purpose, finesse and journalistic flair (Financial Times), making masterly connections to painting, literature, philosophy, and poetry while identifying the qualities that make the album so uniquely appealing and surprisingly universal."87:T982,After the swift defeat of the Taliban in 2001, American optimism has steadily evaporated in the face of mounting violence; a new “war of a thousand cuts” has now brought the country to its knees. In the Graveyard of Empires is a political history of Afghanistan in the “Age of Terror” from 2001 to 2009, exploring the fundamental tragedy of America’s longest war since Vietnam.

After a brief survey of the great empires in Afghanistan—the campaigns of Alexander the Great, the British in the era of Kipling, and the late Soviet Union—Seth G. Jones examines the central question of our own war: how did an insurgency develop? Following the September 11 attacks, the United States successfully overthrew the Taliban regime. It established security throughout the country—killing, capturing, or scattering most of al Qa’ida’s senior operatives—and Afghanistan finally began to emerge from more than two decades of struggle and conflict. But Jones argues that as early as 2001 planning for the Iraq War siphoned off resources and talented personnel, undermining the gains that had been made. After eight years, he says, the United States has managed to push al Qa’ida’s headquarters about one hundred miles across the border into Pakistan, the distance from New York to Philadelphia.

While observing the tense and often adversarial relationship between NATO allies in the Coalition, Jones—who has distinguished himself at RAND and was recently named by Esquire as one of the “Best and Brightest” young policy experts—introduces us to key figures on both sides of the war. Harnessing important new research and integrating thousands of declassified government documents, Jones then analyzes the insurgency from a historical and structural point of view, showing how a rising drug trade, poor security forces, and pervasive corruption undermined the Karzai government, while Americans abandoned a successful strategy, failed to provide the necessary support, and allowed a growing sanctuary for insurgents in Pakistan to catalyze the Taliban resurgence.

Examining what has worked thus far—and what has not—this serious and important book underscores the challenges we face in stabilizing the country and explains where we went wrong and what we must do if the United States is to avoid the disastrous fate that has befallen many of the great world powers to enter the region.88:T9a4,Have you ever wondered why some men choose pornography over actual women? Why so many people watch Friends instead of going out with their own buddies? Why a person would “feed” a plastic Pocket Pet while shirking real duties? Why both sides of every war see the other as the aggressor against whom their “Department of Defense” must respond?

Harvard evolutionary psychologist Deirdre Barrett explains how human instincts—for food, sex, or territorial protection—developed for life on the savannah ten thousand years ago, not for today’s world of densely populated cities, technological innovations, and pollution. Evolution, quite simply, has been unable to keep pace with the rapid changes of modern life. We now have access to a glut of larger-than-life objects—from candy to pornography to atomic bombs—that gratify outmoded but persistent drives with dangerous results.

In the 1930s Dutch Nobel laureate Niko Tinbergen found that birds that lay small, pale-blue eggs speckled with gray preferred to sit on giant, bright-blue, plaster dummies with black polka dots. He coined the term “supernormal stimuli” to describe these imitations that appeal to primitive instincts and, oddly, exert a stronger attraction than real things. Obviously these hard-wired preferences pose a danger to a species’ survival. Barrett’s singular insight is to apply this phenomenon for the first time to the alarming disconnect between human instinct and our created environment. Her book adroitly demonstrates how supernormal stimuli are a driving force in many of today’s most pressing problems, including obesity, our addiction to television and video games, and the past century’s extraordinarily violent wars. Man-made imitations, it turns out, have wreaked havoc on how we nurture our children, what food we put into our bodies, how we make love and war, and even how we understand ourselves.

Barrett does more than pull the fire alarm to show how these unfettered instincts fuel dangerous excesses. There is a hopeful message here as well. Once we recognize how supernormal stimuli operate, we can craft new approaches to modern predicaments. Humans have one stupendous advantage over Tinbergen’s birds: a giant brain. The message of this book is that this gives us the unique ability to exercise self-control, override instincts that lead us astray, and save ourselves from civilization’s gaudy traps.89:T685,A brilliant accountâcharacter-rich and darkly humorousâof how the U.S. economy was driven over the cliff. When the crash of the U. S. stock market became public knowledge in the fall of 2008, it was already old news. The real crash, the silent crash, had taken place over the previous year, in bizarre feeder markets where the sun doesnât shine, and the SEC doesnât dare, or bother, to tread: the bond and real estate derivative markets where geeks invent impenetrable securities to profit from the misery of lower- and middle-class Americans who canât pay their debts. The smart people who understood what was or might be happening were paralyzed by hope and fear; in any case, they werenât talking.The crucial question is this: Who understood the risk inherent in the assumption of ever-rising real estate prices, a risk compounded daily by the creation of those arcane, artificial securities loosely based on piles of doubtful mortgages? Michael Lewis turns the inquiry on its head to create a fresh, character-driven narrative brimming with indignation and dark humor, a fitting sequel to his #1 best-selling Liarâs Poker. Who got it right? he asks. Who saw the real estate market for the black hole it would become, and eventually made billions of dollars from that perception? And what qualities of character made those few persist when their peers and colleagues dismissed them as Chicken Littles? Out of this handful of unlikelyâreally unlikelyâheroes, Lewis fashions a story as compelling and unusual as any of his earlier bestsellers, proving yet again that he is the finest and funniest chronicler of our times. .8a:T541,In her earlier work, The History of the Ancient World, Susan Wise Bauer wrote of the rise of kingship based on might. But in the years between the fourth and twelfth centuries, rulers had to find new justification for their power, and they turned to divine truth or grace to justify political and military action. Right began to replace might as the engine of empire.

Not just Christianity and Islam but also the religions of the Persians, the Germans, and the Mayas were pressed into the service of the state. Even Buddhism and Confucianism became tools for nation building. This phenomenon—stretching from the Americas all the way to Japan—changed religion, but it also changed the state.

The History of the Medieval World is a true world history, linking the great conflicts of Europe to the titanic struggles for power in India and Asia. In its pages, El Cid and Guanggaeto, Julian the Apostate and the Brilliant Emperor, Charles the Hammer and Krum the Bulgarian stand side by side. From the schism between Rome and Constantinople to the rise of the Song Dynasty, from the mission of Muhammad to the crowning of Charlemagne, from the sacred wars of India to the establishment of the Knights Templar, this erudite book tells the fascinating, often violent story of kings, generals, and the peoples they ruled.8b:T539,Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself. Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent. Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known. But Stempel travels outside the theater doors as well, to illuminate the wider world of musical theater as a living genre shaped by the forces of American history and culture. He reveals not only how musicals entertain their audiences but also how they serve as barometers of social concerns and bearers of cultural values. Showtime is the culmination of decades of painstaking research on a genre whose forms have changed over the course of two centuries. In covering the expansive subject before him, Stempel combines original research—including a kaleidoscope of primary sources and archival holdings—with deft and insightful analysis. The result is nothing short of the most comprehensive, authoritative history of the Broadway musical yet published.8c:T5d3,For twenty-five years, a reclusive American novelist has been writing at the desk she inherited from a young Chilean poet who disappeared at the hands of Pinochet's secret police; one day a girl claiming to be the poet's daughter arrives to take it away, sending the writer's life reeling. Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers, among her papers, a lock of hair that unravels a terrible secret. In Jerusalem, an antiques dealer slowly reassembles his father's study, plundered by the Nazis in Budapest in 1944. Connecting these stories is a desk of many drawers that exerts a power over those who possess it or have given it away. As the narrators of Great House make their confessions, the desk takes on more and more meaning, and comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared. Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses? How do we respond to disappearance, destruction, and change? Nicole Krauss has written a soaring, powerful novel about memory struggling to create a meaningful permanence in the face of inevitable loss. "This is a novel about the long journey of a magnificent desk as it travels through the twentieth century from one owner to the next. It is also a novel about love, exile, the defilements of war, and the restorative power of language." -National Book Award citation8d:T79e,Here, for your reading and clinical pleasure, is a book that contains just these clinical “pearls” of wisdom, from the field’s leading practitioners.

Represented in this collection is the “take-away” message from some of the most popular conference presenters active in the field today. It covers a rich range of perspectives on the most common presenting problems: depression, trauma, anxiety, grief, couples issues, and child and adolescent difficulties. Each entry follows a similar 3-part format. First is the pearls, a brief listing of three clinical pearls based on feedback the author has received over the years from colleagues, students, book reviewers, and workshop participants. Next is the case example, a presentation of a case that best exemplifies the “pearls” in action. This section also includes an analysis by the author—why they did what they did and what they thought about it then, and now. Finally, each author provides a series of concluding remarks about the preceding material and offers readers a sense of their thinking behind their clinical work, and how this approach might be integrated into other people’s client work. These innovative practices and tools will enlarge your therapeutic repertoire, and complement your existing knowledge base.

Contributors:

Pat Ogden, Bill O’Hanlon, and Michael Stone on depression

Dusty Miller, Diana Fosha, and Babette Rothschild on trauma

Reid Wilson and Margaret Wehrenberg on anxiety

Kenneth Doka, Robert Neimeyer, and Sameet Kumar on grief

Sue Johnson, Carolyn Daitch, and Evan Imber-Black on working with couples

Dan Hughes, Lenore Terr, and Aureen Wagner on working with children

Janet Edgette, Martha Straus, and David Wexler on working with adolescents

David Wallin on the therapist’s attachment patterns8e:T623,Shaking up the content and method by which generations of students had studied Western philosophy, Martin Heidegger sought to ennoble man’s existence in relation to death. Yet in a time of crisis, he sought personal advancement, becoming the most prominent German intellectual to join the Nazis.

Hannah Arendt, his brilliant, beautiful student and young lover, sought to enable a decent society of human beings in relation to one other. She was courageous in the time of crisis. Years later, she was even able to meet Heidegger once again on common ground and to find in his past behavior an insight into Nazism that would influence her reflections on “the banality of evil”—a concept that remains bitterly controversial and profoundly influential to this day.

But how could Arendt have renewed her friendship with Heidegger? And how has this relationship affected her reputation as a cultural critic? In Stranger from Abroad, Daniel Maier-Katkin offers a compassionate portrait that provides much-needed insight into this relationship.

Maier-Katkin creates a detailed and riveting portrait of Arendt’s rich intellectual and emotional life, shedding light on the unique bond she shared with her second husband, Heinrich Blücher, and on her friendships with Mary McCarthy, W. H. Auden, Karl Jaspers, and Randall Jarrell—all fascinating figures in their own right. An elegant, accessible introduction to Arendt’s life and work, Stranger from Abroad makes a powerful and hopeful case for the lasting relevance of Arendt’s thought.3c:["$","$L7e",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1794114991094,"state":{"data":{"pages":[{"requestId":"f198e0fc-7607-436b-8cb0-de3fddbb0bce","total":{"value":2820,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780393338966","id":129480,"score":2,"position":1368,"book":{"id":129480,"isbn":"9780393338966","created":"2015-12-22T23:00:00.000Z","title":"Stitches","description":"$83","htmlDescription":null,"pages":336,"language":"eng","depth":21,"height":180,"width":228,"weight":627,"edition":null,"publishDate":"2010-09-13","authorNames":"David Small","publisherName":"WW Norton & Co","format":"BC","category":null,"image":"https://book-info.studentapan.live/image/9780393338966-stitches.jpg","highResImage":"https://book-info.studentapan.live/image/9780393338966-stitches.jpg/org","imageFile":"9780393338966","isRemoved":null,"views":0,"editionGroupId":91365,"editionGroupState":null,"adsCount":0,"minPrice":null,"source":"book-info-service","minNewPrice":201,"varugruppCode":null,"isExercise":false,"inventory":null,"sellAsDigital":false,"editionGroupSearchEnabled":false}},{"entityType":"book","isbn":"9780393338782","id":129482,"score":2,"position":1369,"book":{"id":129482,"isbn":"9780393338782","created":"2015-12-22T23:00:00.000Z","title":"Music Room","description":"William Fiennes spent his childhood in a moated castle, the perfect environment for a child with a brimming imagination. 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