82:T4ef,Here is a new, fourth edition of this authoritative introductory survey of world prehistory, spanning the past 3,000,000 years and written by a team of twenty-four expert authors. This edition has been radically updated to be more thematic and accessible: chapters are connected by new key themes boxes (climate change, domestication, migration, social inequality and urbanism), which link global regions and encourage big-picture thinking. The text has been streamlined and the book’s design completely revamped: it is now in full colour throughout, with more than 50% more colour images than the previous edition. There is increased coverage of the Americas, with a brand-new chapter, The Origins and Dispersal of the First Americans. Revisions take into account the latest sites and discoveries, including Homo naledi and the new LiDAR surveys of Angkor Wat. Each chapter begins with a newly designed, easier-to-use timeline, and features boxes on key sites, key discoveries, key controversies and, as above, key themes. All of the key methods boxes from the previous edition have been consolidated into the Introduction and now offer an up-front primer of archaeological methods and practices. Tables and maps are simplified and easier to use.83:T43f,New to this Edition • Updated treatment of postcolonial approaches and indigenous archaeology, with coverage of the ontological turn in archaeology, and new examples of community archaeology in southern Africa and Australia. • New discoveries and research across the globe, such as archaeological evidence of social hierarchies at the ancient city of Liangzhu, China, and recent evidence of Neanderthal art in France and Spain. • A more inclusive picture of archaeology, raising the profile of women in the discipline’s history, and describing the development of archaeology in China and Japan. • In Chapter Five, updated treatment of social organization, with critical evaluations of Service’s model, and new coverage of heterarchies. • New box features include: forensic archaeology; change in the Amazon; ancient microbes; paleoproteomics; Must Farm; evidence of feasting at Stonehenge; Neanderthal art; and ceramic styles and learning. • New book design, including, for each chapter, distinct introductions that offer a general overview of each topic covered.84:T4aa,

This book gathers together, for the first time, every Dior haute couture collection, including also ready-to-wear collections after the arrival of John Galliano (when ready-to-wear presentations took on a new importance), and the first two collections designed by creative director Maria Grazia Chiuri, appointed in 2016. It offers a unique opportunity to chart the development of one of the world's most famous fashion brands and discover rarely seen collections. This definitive publication opens with a concise history of the house of Dior before exploring the collections themselves, which are organized chronologically.

Each new 'era' in Dior's history is inaugurated by a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior is the second volume in a series of high-end, cloth-bound books that offer a complete and unrivalled overview of the collections of the world's top fashion houses through original catwalk photography.

85:T421,

Founded by Yves Saint Laurent and Pierre Berge in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.

This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

86:T46a,

Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world's leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.

This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 1998-2014, and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.

87:T44c,From the momentous invention of the needle some 40,000 years ago to the development of denim, from Neolithic weavers to the biggest names in the fashion industry today - here is a matchless guide to the landmarks of costume history, to the forms and materials used through the ages, as well as to the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This classic study by the unrivalled authority in the field has long been established as a key textbook for students of art, costume and fashion. Its final chapter, by Amy de la Haye, former Curator of Twentieth-Century Dress at the Victoria and Albert Museum, which chronicles the trends and developments in fashion since 1940, has been brought completely up to date for this fourth edition by the fashion writer Andrew Tucker, who discusses the chief developments at the turn of the century, including the reinvention of Gucci and Prada, the influence of urban sportswear on both men's and women's dress and the phenomenon of the must-have accessory.88:T69e,The scope of this book is immense, as is its contribution to the study of archaeology. Within nineteen broad geographical sections, numerous specialists survey the span of human prehistory, examining key social developments, new and emerging technologies, and tracing the movement of human populations across the globe and the development of human experience. The study also comprises a re-evaluation of archaeological traditions and conceptions; each discussion, whether it is of the chiefdoms of Polynesia, the mounds of North America, Mesopotamian Uruk, Mycenaean Greece, Saharan hunters, Hittite Anatolia or Neanderthal Europe, includes a review of key controversies that have interested experts in that area for decades. Within each section there are also analyses of key sites. Supported by numerous colour photographs, helpful illustrations, chronologies, diagrams and maps, as well as panels of text that expand on certain topics, this is an invaluable reference for any student of archaeology and prehistory. The second edition has been fully revised and updated throughout, to take into account new theories and discoveries from around the world, including new sites such as the Maya temple San Bartolo, the earliest cult centre of Gobekli Tepe, Turkey, the royal tombs of Qatna in Syria, and the Chinese city of Jinsha, as well as new evidence for the earliest human ancestors and the dates of domestication of plants and animals. 'A magnificent achievement - Chris Scarre has brought together a brilliant international team to provide the most up-to-date overview of world history. The Human past is absolutely essential reading for all students of archaeology.' - Barry Cunliffe.89:T5e8,Fifteen new contributors bring fresh perspectives to the fifth edition of The Human Past, the most authoritative introduction to world prehistory, revealing our shared human story with the latest scholarship.

Thoroughly updated by its team of authors, including 15 leading specialists new to this edition, this fifth edition introduces students to a more equitable and representative view of world prehistory. A total of 30 contributing authors – a truly international team of experts – introduce the enormous diversity of the human story as it occurred around the world, from the emergence of the first Homo species to human migrations, sedentism, domestication and agriculture, population growth and urban living, and the social systems and inequalities that were present across human groups of many sizes, from small societies to vast empires.

Twenty chronological chapters focus on individual regions, and new content appears in every chapter. The new authors bring first-hand scholarship and fresh perspectives, including: recent genetic (aDNA) research revealing the latest information about divergent migrations of early humans in Europe, in South America, and across Southeast Asia into China; more on the changes to Indigenous life in Australia post foreign contact; additional coverage of early female toolmakers and female hunters in the Americas; new features on the postcolonial re-evaluation of evidence in South Africa, including at Great Zimbabwe; and much more.8a:T442,One of the most thought-provoking and influential designers in the world she once declared 'the only reason I'm in fashion is to destroy the word "conformity"' Vivienne Westwood has been reinventing, changing and challenging the world of fashion for over five decades.

Celebrating 40 years of catwalk collections, this book records the inimitable creations imagined by Vivienne Westwood since her first runway show in 1981, as well as those designed by her husband and long-time collaborator, Andreas Kronthaler. Complete with an introduction and collection texts by Alexander Fury, and biographies written by the designers themselves, Vivienne Westwood Catwalk offers a rare opportunity to chart the development of a uniquely creative fashion house.

After Chanel, Dior, Louis Vuitton, Yves Saint Laurent and Prada, Vivienne Westwood publishing in Spring 2021 is the sixth new volume in the best-selling Catwalk series, which offers an unrivalled overview of the collections of the worlds top fashion houses through original catwalk photography.8b:T43e,

Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the house's first fashion collection in 1988. She would soon transform Prada into one of the world's most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach.

This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.

8c:T68f,The ultimate collector's resource, including hundreds of pieces by both well- and lesser-known designers from around the world.

From armchairs and chaises longues to cabinets and nightstands, the period between the late 1930s and early 1970s was one of the most productive, inventive and exciting eras for objects and furniture in the home. Post-war optimism combined with new manufacturing methods and material techniques to create an explosion of new design and objects of desire.

The appetite for mid-century modern remains as strong as ever, both for classic designs - many still in production since they were launched - and for rare, hard-to- find or out-of-production pieces from lesser-known designers. While numerous books surveying mid-century modern style have appeared over the years, no publication has been specifically conceived for the increasing collector's market in mid-century modern design, focusing on each piece of furniture as an object of formal invention, manufacturing intelligence and material innovation.

This definitive book profiles hundreds of pieces in a substantial format perfect for reference in design libraries, studios and the homes of private collectors - or as an object of design in its own right. Each item of furniture is presented in detail, illustrated in colour and profiled via in-depth descriptive texts by Dominic Bradbury. The book's substantial reference section includes essays on materials (eg, plywood) and designer profiles. Work by a host of influential talents is profiled throughout, alongside lesser-known pieces by Piet Hein, Bruno Mathsson, Lina Bo Bardi and Alexander Girard.8d:T614,The first comprehensive overview of Chloe's collections presented through catwalk photography, published in collaboration with Chloe to celebrate the house's 70th anniversary in 2022.

Founded by Egyptian-born Gaby Aghion in 1952, Chloe pioneered luxury ready-to-wear that was all about ease and femininity, offering an elegant haute bohemian style for the modern, liberated Parisienne. Resolutely contemporary, the house spotted and hired a young Karl Lagerfeld as early as the 1960s: he stayed for over two decades, achieving fame and recognition worldwide through his Chloe work, before Stella McCartney (and her then assistant Phoebe Philo) succeeded him straight out of fashion school.

This definitive publication opens with a concise history of the house of Chloe before exploring the collections themselves, which are organized chronologically. Each new era in Chloe's history opens with a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights, and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book.

After Chanel, Dior, Louis Vuitton, Yves Saint Laurent, Prada, Vivienne Westwood and Versace, Chloe is the eighth in a series of high-end, cloth-bound books that offer an unrivalled overview of the collections of the world's top fashion houses through original catwalk photography.8e:T44b,Alexander McQueen has grasped the public's imagination like few other fashion designers before him, with exhibitions dedicated to his work continuing to attract record visitor numbers. Almost 500,000 people visited the V&A's 2015 'Alexander McQueen: Savage Beauty' exhibition, making it the most popular in the museum's history. Opening with a brief essay on the designer's work, Alexander McQueen: Unseen unfolds chronologically. Each collection is introduced by a concise text by Claire Wilcox, one of the foremost experts on the McQueen's work, revisiting the designer's most iconic creations across his entire career and revealing previously unseen behind- the-scenes moments that capture models, hairdressers, stylists, make-up artists and Alexander McQueen himself at their most candid and creative. Robert Fairer's stunning and high-energy photographs, all previously unpublished, capture the glamour, grit and spirit that made McQueen's flamboyant shows unique. A treasure-trove of inspiration, they make this publication a must-have reference for fashion and photography lovers alike.8f:T602,An authoritative new publication that revisits Munch's work in its entirety.

Edvard Munch occupies a pivotal place in artistic modernity. His work is permeated by a singular vision of the world, with a powerful symbolist dimension that goes beyond the masterpieces he created in the 1890s, and which gives his art a great coherence. For Munch, humanity and nature were united in the cycle of life, death and rebirth, which is reflected in the unending recurrence of certain motifs and colour combinations in his work. He wrote: 'These paintings, which are, admittedly, relatively difficult to understand, will be [...] easier to grasp if they are integrated into a whole.'

Published to accompany the major exhibition at the Musee d'Orsay, Edvard Munch: A Poem of Life, Love and Death presents about a hundred works - paintings, drawings, prints and engraved blocks - reflecting the diversity of Munch's practice. Seven essays explore the artist in his philosophical and scientific milieu and the places that shaped the man and his art, as well as offering a rare glimpse of Munch's attempts at creative writing. They also examine the historical evolution of his monumental Frieze of Life series and the world-famous Scream.

This publication invites readers to revisit the painter's work in its entirety by following the thread of an ever-inventive pictorial thinking: a vision that is both fundamentally coherent, even obsessive, and at the same time constantly renewed.90:T4bb,'As indispensable to an archaeology student as a trowel ... every student, or indeed any interested amateur, should really find a space on their shelf for this useful book’ Minerva

Known for being an accessible and authoritative introduction, Archaeology: Theories, Methods and Practice has been updated in the Ninth Edition to include new discoveries in archaeology, innovations in field and laboratory methods, as well as covering the latest developments in archaeological theory, from ontologies to Indigenous archaeology.

Collaborating with Colin Renfrew and Paul Bahn, new co-author, Elizabeth DeMarrais, updates earlier editions’ clear presentation of archaeology’s history, theory and ethics. The contributions made by women, people of colour, and Indigenous communities to the study of the human past are highlighted. New theoretical sections address Indigenous archaeology, ontology, post-colonial theory and historical archaeology. Sections on the safeguarding of intangible cultural heritage and the changing role of museums are included. The Ninth Edition includes broader coverage of approaches to identity, ethnicity, and the archaeology of the modern world.91:T605, This is an updated and expanded second edition of the seminal book first published by Thames & Hudson in 2004, featuring 107 new illustrations and over 100 new pages, and completely updated throughout (including all reference sections). It introduces students to the key theoretical approaches to modern and contemporary art, enabling them to understand the many voices of current approaches to the subject. A flexible year-by-year structure and extensive cross-referencing allows teachers and students to pursue a chronological approach, and/or to study the currents of art since 1900 by medium, theme, country or region. It contains more than 120 essays (including fifteen new essays), each focusing on a crucial event in the history of art from 1900 to the present. The new essays cover subjects such as the De Stijl movement, the use of mannequins and the automaton in Dada, and modernist graphic design between the wars, as well as discussions of the global emergence of Chinese artists in recent years, the influence of gaming and social network technologies, and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. A new final chapter is devoted to the first decade of the 21st century. Four introductions set out and explain the different methods of art history at work in the book. There are two roundtable discussions between the authors one at mid-century, the other at the close of the book. All reference material has been updated. (Bookdata) 3c:["$","$L7d",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1793539160424,"state":{"data":{"pages":[{"requestId":"29470620-299c-4db7-a64d-269efcd88015","total":{"value":1791,"relation":"eq"},"rows":[{"entityType":"book","isbn":"9780500513750","id":157175,"score":2,"position":0,"book":{"id":157175,"isbn":"9780500513750","created":"2016-02-10T23:00:00.000Z","title":"Manufacturing processes for design professionals","description":"

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