82:T4e4,An essential foundation course for graphic designers working in digital media, print and moving image.

Regularly revised and in print for over twenty years, this practical resource for students is used in graphic design classes in Europe, the UK and the USA. Graphic Design School is organized into two main sections, 'principles' and 'practice'. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The second section closes with an overview of some of the different career choices open to students entering the graphic design field.

This new edition features over forty new images, updated reading lists and expert voices referencing a more diverse set of practitioners, and is as packed as ever with exercises, tutorials, and real-world graphic design briefs. Examples are taken from all media - digital media, websites, magazines, books and corporate brand identities. It remains a must-have book for anyone starting in graphic design.83:T4e0,

Since its first edition, Renfrew and Bahn's Archaeology: Theories, Methods, and Practice has been the leading educational source on what archaeologists do and how they do it. The text is organized around the key questions that archaeologists ask about the past and details the practical and theoretical ways in which answers to those questions are sought. The seventh edition has been thoroughly revised and updated, with sixteen additional pages and new material on the latest developments in the subject and coverage of many recent discoveries. The book is newly designed with additional box features and extensive drawings, charts and photographs, all in full colour. This is a truly global introduction to archaeology, and includes examples from every part of the world. New boxes include coverage of the discovery of Richard III's burial; excavations at the Neolithic Ness of Brodgar in the Orkney Islands; snow patch archaeology on mountain tops and in the far north; Roman glassware traded to ancient Japan; the Museum of London's excavation of a Roman and later medieval site in the heart of the city; fresh analysis of Grauballe Man, a Danish Iron Age bog body; and work on the origins of farming at Jerf el Ahmar, Syria. (Bookdata)

84:T402,

From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day.

Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts.

International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability. With 315 illustrations in colour

85:T43a,Claude Monet (1840-1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique - painting out of doors, at the seashore or in the city streets - was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true.

In this new introductory study, James H. Rubin - one of the world's foremost specialists in 19th-century French art - traces the development of Monet's practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet's work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir.86:T782,Original catalogue to the Paris exhibition and a core part of the blockbuster retrospective at the V&A.

It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture.

For this book, published to mark the 70th anniversary of the House of Dior, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight.

The seventy 'looks' are prefaced by essays from Olivier Gabet, Jérôme Gautier, Patrick Mauriès and Florence Müller. Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.87:T582,An indispensable reference for design professionals on selecting and using materials in new ways to make their designs ever more efficient and effective.Today’s technological advancements have resulted in traditional materials being used in increasingly innovative ways; designers are able to push the materials they use to their limits. Understanding these materials helps designers make inspired, practical decisions with confidence. The Materials Sourcebook for Design Professionals provides comprehensive, accurate information about the basic materials with which designers work on a daily basis, as well as a complete breakdown of new and exciting developments in high-tech materials.This inspiring and useful book is organized into six main sections on all the major design material groups: Metal, Plastic, Wood, Plant, Animal, and Mineral. Each section is broken down into chapters examining individual types of material within each larger group. Nearly one hundred material types are featured, each one supported by examples of how it can be used in a variety of industries, an outline of its most desirable properties, and details about its form and texture.With 450 vibrant illustrations and a clear and accessible layout, this long-term reference tool covers everything designers need to know about the materials they use habitually so they can continue to use them better. 450 color illustrations88:T409,This is the sixth edition of the bestselling (over 200,000 copies sold) introduction to archaeology, printed in full colour for the first time, with hundreds of photographs and diagrams. It has been given the most thorough updating and reorganization since it was first published, providing coverage of all the major developments in archaeological method, science, technology and theory. It explores new discoveries such as Neanderthal DNA, the Frome Hoard and the Staffordshire hoard, new theories about the meaning of Stonehenge and the nature of Maya territories. It also features a new extensive case study on the field project at Upper Mangrove Creek, Australia. A new chapter on building a career in archaeology has also been added which explores the careers of five archaeologists, giving an insight into the practice of archaeology in different fields and in different parts of the world. 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