After the end of art : contemporary art and the pale of history; Arthur C. Danto; 2014
Begagnad
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After the end of art : contemporary art and the pale of history; Arthur C. Danto; 2014
Begagnad
-10%

After the end of art : contemporary art and the pale of historyUpplaga 1

av Arthur C. Danto

  • Upplaga: 1a upplagan
  • Utgiven: 2014
  • ISBN: 9780691163895
  • Sidor: 272 st
  • Förlag: Princeton University Press
  • Format: Häftad
  • Språk: Engelska

Om boken

Originally delivered as the prestigious Mellon Lectures on the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities. This Princeton Classics edition includes a new foreword by philosopher Lydia Goehr.

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Mer om After the end of art : contemporary art and the pale of history (2014)

2014 släpptes boken After the end of art : contemporary art and the pale of history skriven av Arthur C. Danto. Det är den 1a upplagan av kursboken. Den är skriven på engelska och består av 272 sidor. Förlaget bakom boken är Princeton University Press.

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Referera till After the end of art : contemporary art and the pale of history (Upplaga 1)

Harvard

Danto, A. C. (2014). After the end of art : contemporary art and the pale of history. 1:a uppl. Princeton University Press.

Oxford

Danto, Arthur C., After the end of art : contemporary art and the pale of history, 1 uppl. (Princeton University Press, 2014).

APA

Danto, A. C. (2014). After the end of art : contemporary art and the pale of history (1:a uppl.). Princeton University Press.

Vancouver

Danto AC. After the end of art : contemporary art and the pale of history. 1:a uppl. Princeton University Press; 2014.

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