Color, The Film Reader; Angela Dalle Vacche, Brian Price; 2006
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Color, The Film Reader

av Angela Dalle Vacche, Brian Price
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
Utgiven: 2006
ISBN: 9780415324427
Förlag: Routledge
Format: Häftad
Språk: Engelska
Sidor: 230 st
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
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